Warner Bros risk talent exodus over Trump-Ellison deal. Who will follow Christopher Nolan and jump ship next?

Warner Bros Studios

From a British perspective I can only look at America right now in total despair. It’s like watching the Soviet Union in the mid 1990s. The film industry is under a huge amount of pressure at the moment from all angles – now the last remaining great Hollywood studio is being offered for sale – Warner Bros. It’s the closest thing yet to putting the entirely of Hollywood up for sale. Cinema is not safe with Larry Ellison, if he gets his way.

The streaming tech giant Netflix is in the blue corner with a massive 82 billion dollar offer that was expected to be accepted by shareholders but Larry Ellison of Oracle is now circling Warner with a hostile takeover bid promising to “finish what we started” – make no mistake, this is the end for cinema as we know it.

Ellison has already hoovered up Paramount in August of this year, handing control to his son David in an act of pure nepotism.

Sony a7V “negative online discourse” – why Sony are the new Canon

(Photo credit: John Mak)

The release of the Sony a7v has been met with a wave of negativity, especially now that the supposed ‘standard model’ mid-range camera price has been bumped to nearly $3000 + tax and a lot more in some regions, like in the UK where the USD-converted price works out at an insane $3600 inc. VAT, despite the Japanese yen being at historically low levels versus the British Pound.

The Sony a7v specs are equivalent to the Nikon Z6 Mark III which is over $1000 less expensive and a mint condition used Z8 a little cheaper also, with far better specs in every area – especially in the cinematic-video department.

The Sony-badge premium appears to be a real thing – and it is putting Sony at a disadvantage vs Canon and Nikon. The Canon EOS R6 Mark III is a better spec and also less expensive, for video it is almost a different league of spec altogether with 7K RAW and Open Gate. The price of the a7v also gets close to a used Sony a1 flagship professional body, the full fat stacked sensor of which there is nothing ‘partial’ about, and the Canon Cinema EOS C50 full frame Nikon Zr competitor, which is just £400 more than the a7v!

But as usual online, people tend to want to believe that only one opinion can be true at once.

Are Canon back on top in specs race? Sony a7 V and Canon EOS R6 Mark III comparison

The Canon EOS R6 Mark III is the first mid-range Canon EOS R camera that’s a true contender for top-specs in the $2800 price region. What’s even more impressive is that Canon are achieving full frame 4K/120p with no crop and 12bit 7K 60P RAW video without a stacked sensor – not even a partially stacked sensor. Funnily enough, neither is it even a backside illuminated (BSI) sensor.

So what magic sauce is Canon using to out-spec the partially stacked sensor cameras from Sony, Panasonic and Nikon?

Thousands of Sony cameras are mysteriously failing, but Sony isn’t telling

In search of a side hustle, I recently turned fixer – Camera fixer that is (although you could call it more of a side hassle than a hustle, it’s good fun). As a result I’ve been tinkering about inside every brand of camera, hoping to bring dead souls back to life. These spares & repairs were all pretty dead, but I’ve had good success – well as being able to form an opinion about the way in which each brand designs and puts together their latest cameras.

But most interestingly of all, I was able to discover some common problems – and there’s none more stranger than the dreaded BOOTLOOP problem sweeping across Sony land right now.