Thousands of Sony cameras are mysteriously failing, but Sony isn’t telling

In search of a side hustle, I recently turned fixer – Camera fixer that is (although you could call it more of a side hassle than a hustle, it’s good fun). As a result I’ve been tinkering about inside every brand of camera, hoping to bring dead souls back to life. These spares & repairs were all pretty dead, but I’ve had good success – well as being able to form an opinion about the way in which each brand designs and puts together their latest cameras.

But most interestingly of all, I was able to discover some common problems – and there’s none more stranger than the dreaded BOOTLOOP problem sweeping across Sony land right now.

In NY and LA Theatres January 2026 – major new movie Magellan is shot on the Panasonic GH7

With really filmic results, the filmmaker Lav Diaz decided to use the most compact Super 16mm rig out-there – the Panasonic GH7. It has a hypnotic hybrid documentary-cinematic look and the look of Super 16mm film, showing that the format of Micro Four Thirds is still every bit as brilliant in the right hands as full frame or Super 35mm – despite the large-sensor-craze of the 2020s!

What next for Micro Four Thirds?

The Panasonic GH7 I believe to be the final model, but the second hand value of some Micro Four Thirds cameras has been on the increase. Could the system still find it’s way to co-exist with a legion of cheap and small full frame cameras, or is it game over?