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true! speaking of which: ..would you mind expanding on these quality of life issues, CFB extraction aside? -
By eatstoomuchjam · Posted
The good news is that, as you've already been finding, there's not a bad choice among the cameras you're looking at. The only way you can make a wrong choice is to choose one that isn't ergonomic for you. 😄 -
I walked out of testing yesterday completely sold on the Canon R6 Mark III as the reliable hybrid for pro stills and video jobs. Solid AF, dependable IBIS, a proper EVF for tough lighting and that familiar Canon workflow I already know inside out. Seemed like the safe, no surprises choice. Then I spent the afternoon shooting with the Nikon ZR and Canon EOS C50 side by side, and the shift happened faster than I expected. The ZR surprised me with how compact and genuinely portable it feels. Easy to carry all day without fatigue, and the build quality gives that premium, confidence inspiring solidity. The large bright 4" flip-out screen is a real advantage for quick solo framing and monitoring, especially on location shoots where you need to stay discreet and move fast. Handheld footage stays smooth thanks to strong IBIS, colors and dynamic range deliver right away, and the RED integration could bring noticeable client appeal for higher-end branded or narrative pieces. Adapting my existing Sony Batis lenses works seamlessly too, so no immediate lens spend to get productive. The C50 brings serious post-production flexibility with 7K open gate, which is hard to ignore if heavy cropping, vertical deliverables, or aggressive grading are regular parts of the job. It is a proper cinema camera with useful pro connections. Still, the smaller screen and lack of EVF makes composing on the move feel more constrained, and the lack of IBIS means EIS or gyroflow post time. So yesterday I was set on the R6 III. Today I find myself quietly checking ZR deals while weighing whether the everyday portability, big screen usability, and RED workflow edge tip the balance over the open gate capability of the C50 (and the balanced hybrid strengths of the R6 III). Not decided yet. Need a few more real client-style tests to see which one actually streamlines deliverables without adding friction.
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@Djangoif you go c50 + gyroflow route then invest in the RSMB motion blur plugin. It’s the most realistic and dependable motion blur plugin I’ve owned and does a nice job adding back in convincing motion blur when you need to crank your shutter for gyroflow. -
Literally the older canon r5 has ample dynamic range in the real world they all have ample DR.
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