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Internal 32-bit float stereo paired with lossless 120mm reach from a 20mm lens — all inside a genuinely pocket-sized 10-bit 1-inch sensor gimbal camera? 1 2 3 4
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Build 169 uploaded: https://groups.google.com/g/rawlogcam-closed-testers Most important test ROT button for landscape mode. In my Motorola Edge 50 Pro it stopped working. Test RAW and RAW+C for dropped frames—upper diagnostic messages. Use the METER to scan the scene for a few seconds and get the average exposure. The HDR button sets a shorter exposure time to keep highlights. In the COLOR section, you can switch off sharpening (Edge HQ). For IT8, push REF to load the reference file, then push the grid to adjust the rectangle, and push it again to auto-fit. Astro mode in the HIDE section is still under construction. Test DNG export in PROCESS RAW. -
6K Pro gap is even wider of course but yes it has always been a compelling package. Meike never did do an L mount version of their EF adapter with the variable ND drop in filters which would have bridged one gap. Of course there is a strong argument for having a non-native EF mount with a proper AF system sat behind it over a native mount with a rudimentary AF-S system sat behind it. Its the internal ProRes that would definitely be a deal breaker of course if you need to hand off footage. -
Unless you desperatly need build-in NDs, internal prores or EF lenses without an adapter. I would have retired my 6kPro a few years ago if the FF camera had ProRes, or even a good h265 codec. -
They’ve managed to put themselves in a position where their full frame 6K is significantly cheaper than their Super 35 6K version so the latter will hit that sub $1000 point when they clear it out as it makes zero sense at this point.
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They're the only one that could make a sub $1000 full featured super 35 cine camera and refuse to do so.
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