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By Benjamin Hilton · Posted
Totally agree on this take. We use the 7IV along with an FX6 for doc shoots, a solid camera all around. It kind of just does everything really well, with an absolutely solid image to boot. -
By Benjamin Hilton · Posted
Yeah the whole nature of the business is changing rapidly. It's easy to keep pace when you're working in the YouTube world, but I can't imagine how tough it must be in the Hollywood circles. -
Streamlining the regional division is an internal matter and shouldn't send uncertainty message to customers. But regardless of the recent event, its been known for years that they are more inclined to jettison businesses that don't make money or see no growth in horizon rather than saving a struggling business with god knows how much debt. Is it? Hollywood has audience problem, not a money problem. The number of shoot days in Los Angeles decreased, but its only in TV/Commercials, which is not necessarily a Arri market. Feature film shoot days are actually increasing. -
By John Matthews · Posted
I don't think is actually a sign of much anymore. It has more to do with stream-lining the European division. Panasonic is already a partner for ARRI. If they have the cash, that would be great though! Then again, why would they need that? They've already got ARRI Log in their cameras! How could they improve- they already have the best? Maybe they should just give us that S1Hii? Anyway, ARRI closing factories is more about Hollywood than a dysfunctional company. -
As far as their lighting goes, since about 2 years ago I've been seeing Aputure and Nanlite products trickle in on big film sets, I think this was bound to happen. Also IMHO I don't see a single camera company fit to take up Arri!
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