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    • Simply irresistible coupled with this: When not with gems like this: https://blog.mingthein.com/2012/10/15/olympus-15-8-body-cap-lens/ Letting the daylight reach that sensor and so many variable fast frame rates... A perfect no-brainer. Hope free of the usual GoPro issues anyway *fingers crossed*  
    • Oh, thank goodness Zoom finally have a reasonable accessory for timecode shoots.  For a bit now, the worst thing to hear from an audio engineer has been "I use a Zoom F3."  "Guess I'll hope waveform sync works in post, then..."  😅
    • Well, well, well - for $50USD maybe I don't need to sell my Zoom F3 and upgrade to the Tascam FR-AV2 after all? 🤔 https://www.newsshooter.com/2026/04/24/zoom-tca-1-timecode-adapter/  
    • I agree. It would be unwise to try and gatekeep it. Personal tastes factor in and everyone has the right to produce or consume whatever artistic product feels right. Just to clarify, it's not what appeals to "me", it's just the concept of art in general. There are canons and 1000s of books written about this subject.  I'm just saying art should be a category reserved for something truly special, epoch-making, just like the ancient murals discovered thousands of years after they were drawn you mentioned. I've seen the larger examples of these ancient cave paintings in Europe 4 to 6 meters wide drawn 10 or more meters above cavern floors and they are truly awe-inspiring. Anyone entering those places will never be the same thanks to that experience. It's soul-moving and deeply spiritual. I'm not sure a 30 second reel has the same profound impact on the soul though LOL
    • The colour 16mm movie film used by George Stevens in  1944 and 45  is Kodachrome and very slow only ISO 10 or ISO 16 so only worked well in bright daylight.Here is a frame capture -the colours hold up very well.  
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