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Internal 32-bit float stereo paired with lossless 120mm reach from a 20mm lens — all inside a genuinely pocket-sized 10-bit 1-inch sensor gimbal camera? 1 2 3 4
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Emanuel, drop anything from a suitable height and you'll get results... although i wont go into detail about how to maximise your results... pink floyd once did a bootleg of the bootleggers taken from their concerts. Considering the price of tickets for these events these days aren't cheap. I feel it should probably come with a digital download after the event. I don't condone for want of a better phrase err... event video piracy however if its a 1 off event and its for personal use like nostalgia then i feel thats ok, however it you make a living from filming events and aren't accredited then thats just wrong. -
By eatstoomuchjam · Posted
I don't know if I have any cameras that record in 8-bit at this point, but I can certainly poke around a little. Worst case, I could go even lower-fi and just shoot it on the PXL-2000. -
No clue what it is for you but to me and maybe in fact or, definitely, not for the usual naysayers ; ) it is OOAK (EAG :- ) -
Good to know, i have gotten used to the peaking on the e-m1 iii. Occasionally i can still mess it up however but most times it works ok and i have to add its not the camera, its me with my Goldilocks syndrome, it has to be just right... I presume that if i use a fast aperture then the corresponding zone of focus is narrower too for the peaking and with a wider aperture then the peaking occurs across a wider zone of focus thats my thinking, although i cant say i have ever seen anything on youtube to confirm or deny that.
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I actually kinda like it. Don't think it needs it, but you could easily add some sprocket holes to one side and some hair/dust/grain and I think it would pass for a bad digital 8mm film look... the micro shakes just adds to it. Could use those shots as transitions in your edits.
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