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By Nicolas-r02 · Posted
Unfortunately, a filter in front of the lens doesn't work. I think pro mist or soft focus filters doesn't affect the same frequencies. The only thing that works seems to be an OLPF, good debayering or bigger resolution. I had the impression that Rawlite reduced false color issues but not the banding. €450 is a bit expensive just to slightly reduce the problem. I’ve never seen any serious before-and-after tests. -
By eatstoomuchjam · Posted
I have no direct experience with the rawlite filters, but people seem to like them. You might want to specify the camera since there may be variance in the quality/utility of the filter. As a cheaper option, have you considered using a pro mist/glimmer glass/etc filter? I think those can help with moire too. -
Yeah, i think it is great to start and then just go with the flow and see which direction it takes you. By now i am putting bits and pieces on my channel: https://www.youtube.com/@MagnetischC I have some videos in the making ranging from short films to equipment tests and i even try to create a vlog... I believe making money on youtube is a whole different thing with it's own rules - the amount of channels, podcasts that focus on this matter is vast. -
Happening mid season, so right now… I sent my S9 in for repair (audio side of things not working) and yesterday, finally received a repair quote…which is not only more than the trade in value, but more than buying an ‘as new’ one from MPB! Nope! Instead, I have requested a return and will make it a dedicated gimbal camera where not having audio is not an issue. Which still leaves me a camera short… I have been juggling what I have with the L10 picking up the slack and managed the situation for the last 5 jobs, but it’s not ideal as the S1RII’s definitely DO overheat and shutdown on hotter days at around 15 minutes max. Step forward a used S1IIE which has all the tech (but upgraded) from the trusty reliable S5II but in the much better (mainly rear LCD) body of the S1RII/S1II. It doesn’t have quite the ability of the S1II, but for my needs, that’s fine and the reliability is more important to me. So the re-jigged line up now is: Pair of S1RII’s for hybrid, but pretty much 95% stills, with the 18/35/50/85 f1.8 primes. S1IIE primary video unit with the Sigma 17-40 f1.8 S5II static video unit with Sigma 28-70 f2.8 S9 with Sigma 17-50 f2.8 + gimbal as err, dedicated gimbal unit L10 candid, closeups (has excellent macro function), details, plus doubles as my personal EDC/DadCam. Should be able to function properly for the second half of my season… -
Congrats bro, any channel that is not trying to sell me some new piece of Chinese crap gets a pre-approved follow. As others have said, the background music is too loud. Try to lower it by 6db so your voice stands out. There's also a clear hum that's only visible when you speak. Could be your mic cable touching metal. Other than that it's a great start! If it's any use there's a huge appetite for retro-reviews right now. We are swamped with fantastic video and camera offerings from the DSLR and early MILC eras that probably solve 99% of every pro-user's needs. Same for lenses and sound gear that go for very attractive prices instead of the new gear retail.
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