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By Aussie Ash · Posted
Looks like you are seeking 35mm ARRi standard mount .Many of these standard mount lenses have been modernised to PL mount, however there are still standard mount lenses around and more affordable than the same lens in PL.This one is US $850. There is also a 28mm in Schneider and Cooke Speed Panchro 18mm,25mm,32mm,40mm,50mm,75mm -
By fuzzynormal · Posted
Borisfx you say? Well, since this is a thread about editing, good spot to mention the old Media100. Anyone here know what I'm talking 'bout? That Boris guy was busy in the 1990's. Actually, if you want an old school editor, you can take a journey into the wayback machine and download his media100.com/ After the early versions of Premiere, the M100 was the system on which a lot of early NLE adopters of did corporate work. NTSC, baby! 1/3rd of a megapixel! And all of that plugged into a 68040 motorola Macintosh. Similar are chips in my Amiga Video Toaster, which I still have. Incidentally, the Video Toaster's NLE "The Video Flyer" was the biggest POS to ever even try to call itself non-linear-editing. Their horrible attempt at it basically took a nail gun to the coffin of the company's earlier successes -- successes that started in the late 80's. Geeze-Louise, really going into the past now. -
A time-lapse of the fuel price sign at your local filling station over the next month would be one for the ages. -
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By Ilkka Nissila · Posted
This has been widely discussed before. It's not clear why the h.265 results are so different. Perhaps Nikon has some difficulty keeping the temperature down during long recordings with higher-quality noise-reduction algorithms in the thin body of the ZR? The large screen could also produce more heat. It's obviously something they need to address. Nikon's blotchy high ISO NR algorithms have been a problem since around the D5 generation (in stills) where it is clear that in-camera high ISO NR needs to be turned off (if shooting JPG, and if you use Nikon raw converter, also in that software) to avoid this blotchiness. The files themselves (without high ISO NR) look much better. To my eye the kind of noise reduction the ZR shows in N-Log h.265 look a bit similar to that Nikon used for very high ISO NR in stills. N-Log just brings it out likely mainly due to the user giving less exposure to those videos by following the nominal ISO (800 base ISO in N-Log), so the shadow NR becomes more apparent. Anyway, it's a bit strange Nikon has been silent about this so far.
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