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Blackmagic brings genlock to the iPhone 17 Pro, while Apple’s first ProRes RAW goes straight to your pocket... 1 2
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Grant Petty on the future of DaVinci Resolve Studio pricing: "We'll probably eventually charge some kind of upgrade for this." 1 2
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By Framed_By_Dan · Posted
This is true. I don't even use Log for the bulk of my work. Only when I know it's worth it/have a somewhat controlled environment. This is what makes the S1II/S1IIE even more frustrating to me with it's aggressive digital sharpening. The "baked in" profiles just look plain ugly. -
The average buyer doesn't even need 10bit and log profiles. Most of them hate color grading. A TikTok girl I follow was asking the followers the other day to help her find a camera that has good color science and doesn't need grading, because she has no time for that. -
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By Framed_By_Dan · Posted
The file sizes are still too large for my work. I shoot long form, or at least a full day's worth of footage and can easily come home with 400-500gb of footage as its stands. Prores 422 would double it. -
By Ilkka Nissila · Posted
How about Prores 422? Prores 422 4K at 25 fps is 433 Mbps vs. 2.3Gbps Prores RAW 6K (normal) and 3.5Gbps for Prores RAW HQ. I would think the Prores 422 on the S1II is likely to be a good intermediate sized format between RAW and h.265, at least from my Nikon experience the quality should be very good.
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