Jump to content

17,182 topics in this forum

    • 4 replies
    • 335 views
    • 540 replies
    • 241.3k views
    • 31 replies
    • 30.9k views
  1. Lenses 1 2 3 4 289

    • 5.8k replies
    • 1.7m views
    • 1 reply
    • 60 views
    • 2 replies
    • 64 views
    • 18 replies
    • 493 views
    • 455 replies
    • 101.7k views
    • 2 replies
    • 72 views
    • 5 replies
    • 597 views
    • 101 replies
    • 51.2k views
    • 1 reply
    • 379 views
    • 19 replies
    • 435 views
    • 700 replies
    • 271.7k views
  2. How to mount Isco

    • 3 replies
    • 550 views
    • 31 replies
    • 2.4k views
    • 11 replies
    • 1.1k views
    • 1 reply
    • 314 views
    • 25 replies
    • 2.2k views
    • 32 replies
    • 11.6k views
    • 9 replies
    • 814 views
    • 11 replies
    • 813 views
    • 32 replies
    • 2k views
    • 0 replies
    • 344 views
    • 1 reply
    • 375 views
    • 16 replies
    • 1.3k views
    • 16 replies
    • 2.1k views
    • 1 reply
    • 346 views
    • 136 replies
    • 33.7k views
    • 243 replies
    • 132.2k views
    • 11 replies
    • 1.3k views
    • 6 replies
    • 772 views
    • 6 replies
    • 851 views
  3. The D-Mount project 1 2 3 4

    • 61 replies
    • 31k views
    • 64 replies
    • 31.9k views
    • 14 replies
    • 9.5k views
    • 5 replies
    • 660 views
    • 9 replies
    • 1.2k views
    • 22 replies
    • 3.7k views
    • 29 replies
    • 2.3k views
  • Popular Contributors

  • Forum Statistics

    • Total Topics
      17.2k
    • Total Posts
      350.3k
  • Member Statistics

    • Total Members
      34,326
    • Most Online
      19,591

    Newest Member
    beanz
    Joined
  • Posts

    • FX3 ended up as both elixir and poison for Sony. It established E mount as go-to choice for professional video, and at the same time became the benchmark of "good enough". They will update it with a super fast sensor (either a 6k120 from 12k, or 5k240 from a 67MP sensor with dual gain HDR, both available next year), but that makes it a $5000 camera, then FX3 wins again with just being cheaper.
    • Like other picture profiles provided by Nikon, it would be way better at 50% intensity. But I don't think you can change that with these recipes.  How can someone submit their recipes for Nikon Cloud? I like to see EOSHD in that list. 
    • The Nikon samples seem to mirror my experience with Flexicolor. Tones mash together, it's tough to get it looking right on the more extreme kind of looks to say the least.
    • netflix could win, but they'll have to pony up twice as much cash as Ellison , it will be the person who gives trump, the most kickbacks in cash, that wins... and maybe a few "promises" about bringing more work back to america. That will really help sell it..
    • Has anyone tried the latest "recipes" https://imagingcloud.nikon.com/recipe/release?bookId=01HXDGH38PHJ0KZJHF2N7M8VMC They use Flexicolor so Z6 III, Zf, Z8 CineBias by RED CineBias-T - Cool Atmosphere by RED CineBias-C - Crisp Teal Contrast by RED CineBias-CC - Noir Vibes by RED CineBias WC - Grit & Glow by RED CineBias-TC - Green Edge Experimental by RED CineBiasOffset by RED CineBias Achromic by RED CineBias BleachBypass by RED I am curious as to what the fuck Green Edge is
×
×
  • Create New...