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    • https://www.youtube.com/watch?v=nuCJ6Ab4uVg
    • That's a key point.  Or "Kye" point, if you will.  My handheld shooting drifts and sways a bit, as I like that sort of kinetic visual energy.  Not all IBIS handle this camera movement AND stabilization elegantly.  Rapid shifts of the image that are unwanted can happen.  Fuji is a disappointment in this regard and it makes shooting my style of video with my X-T5 pretty much useless.  Meanwhile I can "dance" pretty good with LUMIX and Olympus.
    • These are really nice. I've been to Japan once but these don't remind me of it much. I was staying in a suburb and didn't go out at night much. It looks like I missed some great things. You know when it's night time like this, I don't even notice lens imperfections much. It just seems natural when under that kind of light.  
    • I don't want to side-track the thread by diving into IBIS but I find that mostly the specs of "stops of stabilisation" are meaningless, as the limiting factor is what it does when you reach the limits of the mechanism, not what stabilisation can do if you don't shake it that much.  A much more meaningful factor in the performance of these mechanisms is the way it responds to movement, like the difference between the mode that stabilises by smoothing the shake and the one that emulates a tripod by eliminating it as much as possible.  I also found the behaviour of the OG BMPCC and BMMCC to be excellent, being about 80% towards eliminating the movement but not quite being clinical about it, a very nice feeling response. Maybe I'm just using it in far more aggressive ways and therefore constantly pushing it to its limits.  I really like the Dual IS where it combines the lens OIS with the IBIS too.  I shoot everything up to 280mm equivalent handheld, and frequently shoot while tired, while hungry, while cold, while holding the camera in odd positions or at the very edge of my reach, etc, so this probably isn't something most people really test that much.   I often look at shots I have taken and wonder why I didn't hold it a bit more still, or didn't pan a bit to the right, and then I remember I was shooting blind holding the camera out the window of a moving vehicle and framing in my head while paying attention to the posts flying past, or while walking down stairs into a cave while holding the camera in one hand and the handrail in the other trying not to hit my head. The Crop Zoom function is nice, if a bit limiting (it won't go past 1:1 so if you're shooting 4K you can't get much crop, whereas the GH5 and GX85 2x and 4x crop didn't care and gave you the extra reach regardless, with the ETC 1:1 mode giving you a 1:1 if you wanted it).
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