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Internal 32-bit float stereo paired with lossless 120mm reach from a 20mm lens — all inside a genuinely pocket-sized 10-bit 1-inch sensor gimbal camera? 1 2 3 4
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https://camerajabber.com/photography-news/isabelle-huppert-directs-and-stars-in-a-short-film-shot-entirely-on-the-dji-osmo-pocket-4p/ -
By Andrew - EOSHD · Posted
On a phone the purpose of RAW video for me ideally would not to actually capture to storage in RAW but use the RAW10 uncompressed output of the sensor without Apple's processing, as a way to bypass the stock look and bake that uncompressed "Digital Bolex" look into an H.265 recording with the raw data just a temporary thing held in a buffer for the LUT and H.265 to work it's magic on in realtime. Sure LOG and ProRes RAW is great if you enjoy spending hours in Resolve and want the ultimate in flexibility but then the question is why choose a smartphone at all for that purpose when so many better options exist. What I want from a phone is the RAW look without the storage and grading hassle, and it's needed more on a phone than on any other type of camera because the stock Android and Apple looks are consumer-looking dialed-up HDR TV soap opera hell. I am working on a few iPhone apps at the moment and actually one way to bypass the stock video look is to apply a LUT to the rec.709 in realtime that adds back the tonality and character... a little like EOSHD Pro Color for Panasonic back in the day. Raw would be more ideal for this as the high digital sharpness isn't baked in. -
curious, on the S1Rii are you shooting anything in 50/60p or all 24/25P My S1Rii's overheat in 60P! Looking forward to your thoughts on the 28-105/2.8, oddly I keep trying to decide between it and the 24-45/1.8 -
Sure, I found this one: https://www.youtube.com/watch?v=lJ60DbFDk9I DIGILOG implements the Study of film texture: Grain, Halation and Rendition of Details thesis by Clément Montmea which is also used in the Arri Film Lab plugin for DaVinci. Seems like the math is readily available in the PDF. Perhaps it's of use to you. -
Mid season update… Well it’s more towards the end of the season actually with my 4th to last job happening this weekend… Never did swap one of the S1Rii’s for an S1ii in the end and had a rearrangement instead which has proved to be nigh on perfect for my needs. My pair of S1Rii’s I put back into workhorse hybrid unit roles and that is where they excel with superb photo & video results matched with primes or zooms. Not quite Sony levels of AF, but otherwise I cannot find fault with them other than perhaps battery life could be a little better, but they are hardly trash in this regard and battery swaps every now and again are hardly a big deal. I have a battery grip arriving for one of them to try with a new lens, the Sigma 28-105 f2.8. I’m not 100% sure whether I will use this lens next year on one of these bodies or on the S5ii replacing the 70-200 f4 which is broken (dropped it and knocked out the OIS so it doesn’t work in any capacity anymore and need something longer than the 28-70 it’s currently stuck with). Otherwise it’s: S5ii for longer static stuff. It just works and does not have hissy fit meltdowns when it gets a bit hot and as we have had multiple heatwaves this Summer… S9 for shorter static stuff that requires a quicker set up. Capable of some pretty long takes as long as it’s not too hot. It did about 30 minutes though on sticks in direct sunlight, 35 Celcius the other day so hats off to it. Unlike the L10 that had a meltdown after less than 10 minutes…but is proving to be great as a dedicated gimbal camera and outside of work, is a great EDC/travel camera. So 4 jobs left this year with 4 slightly different set ups coming, but feel this set up is now very mature. I still look at some of the Sony lenses with envy, but I can’t see any system change at this time being anything but a sideways move, ie, maybe gain in one area but would lose in another and as above, this set up just works for my needs so anything I do now is more tweaking for the sake of tweaking than any actual need.
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