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By Video Hummus · Posted
They are rich, well connected, and basically untouchable within the current system. -
My pleasure and I hope there is something helpful in there. If I was in your shoes I would go C50 as well. I also agree and hope Nikon can address some of the short coming via firmware, they have been good about this in the past. Please keep us up to date with your thoughts and findings. -
Thanks for the honest take and rig photo. I can see how ZR probably isn’t ideal once you build it out like that. I’m also a bit skeptical about the cinema positioning. Nikon pushes R3D hard, which is great for high-end grading, but H.265 should be solid and dependable at this level, not an afterthought. Hopefully some of this improves via firmware. Better bitrates, cleaner encoding, more mature UI. The FX3 launched pretty bare and evolved a lot over time, so there’s precedent. For me, the appeal of the ZR is the ultra-compact body with that big screen. I wouldn’t want to over-rig it. On bigger sets with serious monitoring needs, I'd say something more modular like the C50 makes more sense. I've decided to rent the C50 to see if it really meets my needs in client situations. Wish I could do the same with ZR but it isn't available for rental around here. Really appreciate you sharing the unfiltered experience. It helps a lot. -
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By feanorfinwe · Posted
https://www.youtube.com/watch?v=pRZGbqydlNQ
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