Subforums
-
The EOSHD YouTube Channel (22,063 visits to this link)
-
- 57
- posts
17,166 topics in this forum
-
- 539 replies
- 238.2k views
-
- 30 replies
- 28.9k views
-
- 5.8k replies
- 1.6m views
-
- 2 replies
- 19k views
-
- 6 replies
- 255 views
-
- 688 replies
- 265.7k views
-
- 12 replies
- 579 views
-
- 1 reply
- 139 views
-
- 6 replies
- 491 views
-
- 437 replies
- 95.9k views
-
- 15 replies
- 654 views
-
- 23 replies
- 1.2k views
-
- 61 replies
- 30k views
-
- 64 replies
- 31.1k views
-
- 12 replies
- 1.1k views
-
- 14 replies
- 8.9k views
-
- 5 replies
- 303 views
-
- 9 replies
- 882 views
-
- 118 replies
- 30.8k views
-
- 22 replies
- 2.5k views
-
- 29 replies
- 1.7k views
-
- 111 replies
- 49k views
-
- 242 replies
- 131.2k views
-
- 13 replies
- 1k views
-
- 7 replies
- 840 views
-
- 9 replies
- 763 views
-
- 91 replies
- 69.4k views
-
- 9 replies
- 702 views
-
- 0 replies
- 352 views
-
- 92 replies
- 33.9k views
-
- 5 replies
- 1.7k views
-
Blackmagic brings genlock to the iPhone 17 Pro, while Apple’s first ProRes RAW goes straight to your pocket... 1 2 3
- 48 replies
- 23.3k views
-
- 25 replies
- 2.1k views
-
- 10 replies
- 1.2k views
-
- 8 replies
- 1.1k views
-
- 4 replies
- 751 views
-
- 10 replies
- 1.2k views
-
- 0 replies
- 686 views
-
- 3 replies
- 979 views
-
- 13 replies
- 1.9k views
-
Popular Contributors
-
Forum Statistics
-
Total Topics17.2k
-
Total Posts350.1k
-
-
Member Statistics
-
Posts
-
By Andrew Reid · Posted
I have a rather nice Nikon Zf but you've probably already found one for 6 quid in Japan! -
By Andrew Reid · Posted
I have never understood why someone would shoot a 30 minute continuous take at 120fps. It's absolutely fucking bonkers. 120fps is for slow mo. If you slowed-down an hour long continuous take from 120fps to the cinema standard of 24p, it would last for 5 hours. Who the fuck is sitting through that? -
By Andrew Reid · Posted
I'd argue it is the MOST important because without the camera, you don't have a picture. It is the small differences between the latest sensors and codecs that's the unimportant thing. In cinematography, our job isn't to worry about the costumes or set pieces, that's the job of someone else. So lighting and camera are the most important for a DP. What has happened is the gap between the top-end i.e. ARRI and the cheap stuff has closed up. This has been going on ever since the start of the DSLR revolution so it's not a new thing but there's never been a smaller gap that exists now, for example between something like the Alexa 35 and a $1000 used Panasonic S1H. By the way although Magellan has beautiful content and really nice camera-work, the sharpness of it and the deep DOF isn't everybody's cup of tea. It does look a bit too soap opera in parts of that trailer, I think. It looks very different to an IMAX shot film. So there's big differences between formats and lenses still... The same cinema focal length for example on 16mm has always looked vastly different to same on IMAX or large format. Also there are big differences in grading style, camera movement style, and so on. I think most relevant for us is that you don't need to make a massive rig any more to get good results. It's horrible having the weight as a one-man DP. Probably why they used such a small camera on this. -
By eatstoomuchjam · Posted
And while it's not nearly as ridiculous as the EOS R5's overheating problems that were almost entirely caused by the Canon 🔨, when you bring out an S1R on any number of shoots for a long time, someone's bound to start going on about how it overheats. I still get that when I bring out my R5 for slider shots/suction cupping to windshields/etc. "Aren't you worried that's gonna overheat? I heard that camera overheats a lot." "They corrected most of that a while ago and I'm pretty sure it'll make it through this 45 second take, regardless." -
By John Matthews · Posted
Now that many of the overheating problems are fixed, I can't wait to see all the videos saying Panasonic has fixed the issues. Oh wait, that might not attract the views.
-
