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Internal 32-bit float stereo paired with lossless 120mm reach from a 20mm lens — all inside a genuinely pocket-sized 10-bit 1-inch sensor gimbal camera? 1 2 3
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PS: That 600mm makes it interesting when/if will/would cost less than a grand... and mandatory then? OK, less than a grand and a half ! ; ) Anything other than lower than $2K would place it in a different range, for sure :- ) And not only for wild life... Nonetheless. Disclaimer: FX30 + 16-300mm owner. Has the FX30 + 16-300mm killed the RX10 V? ; ) The FX30 gives you a cinema body: APS-C/Super 35, 10-bit 4:2:2, S-Log3, S-Cinetone, 14+ stops claimed latitude, 4K@120fps, active cooling/fan-cooled body, dual card slots, full-size HDMI, better rigging, better audio with the XLR handle, and interchangeable lenses. The RX10 V is now much stronger than the RX10 IV for video: 4K60, 4K120, 10-bit 4:2:2, S-Log3, S-Cinetone, LUT support, 4K30 USB streaming, and digital audio through the MI shoe. AI subject recognition (whatever this means...). But it has one SD slot, fixed lens, tilting rather than fully articulating screen, no IBIS, and is still more a high-end bridge/photo camera than a cinema tool. And I am far to be alone on this one: https://www.digitalcameraworld.com/cameras/sony-rx10-v-review Sorry to be the party pooper but yes, the RX10 V has more reach (+33%), a brighter fixed zoom, an EVF and slightly less weight. The FX30 already gives you 24-450mm equivalent with that Sigma lens and everything up there plus interchangeable lenses for a similar price or even less. -
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By eatstoomuchjam · Posted
Looks like I came close-ish while overall being too optimistic (my guesses didn't feel all that optimistic?) and they exceeded in at least one way ((cropped) 4kp120). Otherwise, yes, faster UHS-2 SD card (I think that's the second row of pins that I meant). No CF Express, but memory stick is indeed gone. No extra megapixels. I didn't watch anything yet to see if 4k recording is now full sensor width vs slightly cropped or whether they support open gate - guessing no on open gate, at least, since it seems to be either the same sensor or a minor update to the same sensor. I also mistyped the camera model on the USB port bit. -
Yes, I preferred it when it had the much shorter zoom. What was it? Something like 24-120 and constant aperture of f2.8 which on a 1” sensor was already borderline for me. -
So basically a 1-inch video cam in a bridge body. Not so attractive to me. The previos 2.8 continuos lens of the OG and the II version of the same model truly gave it an original photo differentiator over Panny and Canon models Mercer mentioned. This newer model seems to be competing with Sony video cams. I owned a Panny superzoom camera about 20 years ago and the 2.8 "beer can" zoom was a huge boon.
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