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  1. The EOSHD YouTube Channel   (23,196 visits to this link)

    Follow Andrew Reid on YouTube

17,280 topics in this forum

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  1. Lenses 1 2 3 4 289

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  2. Panasonic GH6 1 2 3 4 88

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  3. LUMIX L10 - announced 1 2 3

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  4. C-mount lenses on smartphone 1 2

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  5. DJI Pocket 3? 1 2 3 4 7

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  6. Canon C80 coming soon 1 2 3 4

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  7. Smartphone Accessories

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  8. Rushes

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  9. The Aesthetic 1 2 3 4 7

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  10. Nikon Zr is coming 1 2 3 4 24

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  • Posts

    • Very true, he sells but his delivery deserves it anyway : ) His work demands for. I truly praise his videos, used to follow them whether I buy or not (well TBH, actually not, the most part if not all the time! LOL But I see him a real talent, no doubts left :- )
    • The six figure paycheck (I would hope for his sake) they gave him to do it.
    • Nice stuff. I like this project. Discovering what the elements are that you like about film and training your eye to notice the tiny things that give it away that it's not film. These are all good but I like the second batch here the most. The grain is high in a still but might be okay when moving. The shot of the button on the pole is the one that to me shows that it's not film. I can see that there's more resolution there than the grain would be giving, making the grain look like an overlay. (Maybe add a tad blur to the image, or use a smaller grain effect?) I find using vintage zoom lenses meant for 16mm cameras to just naturally give that look. When you zoom in it's a lever that you move, which looks different than turning a lens ring or a motor turning a lens. How a camera's shape and weight affects your camera work is important for the look. Some Super16 cameras were shoulder mount so maybe get something that replicates that type of movement. I now have a shoulder rig for my D16 and it gives a different feel to the footage's movement than pistol grip type of shooting. I prefer it really. I don't use the pistol grip ever. (Too bad because the grip looks cool.) Another thing, which probably doesn't apply for your project, is what someone in the past would have shot and what they would have concentrated on and framed. That's another thing altogether. Are you thinking of also shooting so that it looks like it was shot in the past or is it replicating someone in the present day shooting film?
    • I cannot resist... ZR coupled to this one (Tamron 28-75mm f/2.8, the G2 for the sake of getting the best bang for the buck).: + Viltrox 24mm f/1.8 Nikkor 40mm f/2 and TTArtisan 75mm f/2 are two other no-brainers, so I can't help myself :- )
    • Very good one... priceless ; ) Yes indeed, this guy in particular has charisma as fine character too, no less :- )  
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