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Blackmagic brings genlock to the iPhone 17 Pro, while Apple’s first ProRes RAW goes straight to your pocket... 1 2 3
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Grant Petty on the future of DaVinci Resolve Studio pricing: "We'll probably eventually charge some kind of upgrade for this." 1 2
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By Andrew Reid · Posted
It's time https://www.eoshd.com/news/why-its-time-for-fujifilm-to-go-full-frame/ And a full frame X100 without the RX1 III or Leica Q price tags would be fabulous thank you. -
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Love this. I remember as a teenager I used to translate everything to CDs - how many albums I could buy with the money I was evaluating. +1. My own experience of buying from Japan on eBay is similar to this. There are always examples of scammers / criminals / misrepresentation / bad behaviour from every culture. I think that it's precisely because the Japanese have such a good reputation for this that the few examples of misrepresentation that have happened get blown up and repeated far more than they might from other countries. I've bought quite a number of lenses that were cheap because they had fungus or haze or some other issue, and I consistently found with the Japanese listings that when I received the lenses and really examined them (especially against a strong light source) that the issues I discovered were almost always completely described by the Ebay listing. I suspect I might have had one surprise from a Japanese listing where something was misrepresented, but the level of deception was what you'd sensibly assume to be true on every other listing from any other place basically. From everywhere else, "buyer beware" is just being sensible. -
That doesn't make sense. Tweaking sensor can't happen in few months, and it will be so expensive that it would be more feasible to make a new sensor from scratch. I don't believe they're different sensors. But the pipeline has been changed for sure. Maybe a new debayer algorithm and chroma noise reduction provided by RED is implemented. -
@Snowfun This really hits home. Especially the part about sitting in front of Resolve for hours trying to fix something that might have lost its purpose before the grade even started. The gear cycle has become its own kind of trap. We keep upgrading tools that already do more than we need while forgetting what we were trying to say in the first place. What you’re describing feels less like disillusionment and more like realignment. It’s that moment when you start asking what actually matters and realize the art is in the process, not the specs. Whether it’s a Leica M11M or a P6K, the camera only matters if it helps you express what you feel. I’ve gone through something similar. I’ve realized that storytelling and emotion always outlast sharpness or dynamic range. A phone clip that feels alive will connect more than a perfect cinematic shot that says nothing. You summed it up best at the end. Art in both process and product. That’s the part that stays with me.
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