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Internal 32-bit float stereo paired with lossless 120mm reach from a 20mm lens — all inside a genuinely pocket-sized 10-bit 1-inch sensor gimbal camera? 1 2 3 4
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By Clark Nikolai · Posted
Yeah, it's pretty cool. The fact that Joe Rubinstein was involved is telling. Maybe Joe is thinking of this as an alternative way to have the camera made again. (Just speculation.) The situation is different now than when it was first worked on. Now there are many very good cameras that are affordable for aspiring filmmakers on a budget. (Most don't have the same nice colour and tonality of the Digital Bolex though.) -
By eatstoomuchjam · Posted
The article said he got a total of 4 sensors. I think he's planning less on having two for other filmmakers to test it and more for having two to lend to other filmmakers to use. Unless I misread things, he's not planning to make it a product to sell. Sounds like he's going to make 3 or 4 cameras total. (Which is extremely cool, I love when people do something for reasons other than commercial interest) -
By Clark Nikolai · Posted
The recreation of the Digital Bolex that David Bross (of the Digilog camera app) has been working on is now functioning. He's got help from Joe Rubinstein from the original Digital Bolex company. It sounds like he'll have two of them to be used by filmmakers to test it out. https://www.cined.com/david-bross-digital-bolex-rebuild-reaches-working-prototype-kodak-ccd-raspberry-pi-5-free-loaner-units-planned/ -
Vectroscope added to main screen and RAW post-processing. -
It seems RED SDK beta 9.3.0 released in 9th of September has this line: Added: trim support for R3D NE. Hopefully it’s not long until both Resolve and RedCineX Pro include this SDK🙂
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