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    • Had the 75mm Saturn with the S5II. With 6k25p open gate occasionally the footage looked awesome, but most of the times it looked like not in focus and crappy. All Panas have 1.5x desqueeze, and this Sirui is 1.6x so focusing was a bit of pain via S5II’s mediocre EVF, or my Saturn copy was just bad at focusing.  In 4:3 3.3k50p mode it looked just bad and like out of focus all the time. Sold the Saturn, as frame graps from the 6k footage did not look as good as with spherical lenses. Miss the 2.4:1 AR though.  
    • After two or three years of editing HDR  out of S5, S5II and GH6 footage and then from GH7, Z6III and ZR I wouldn’t say they look the same. Panny’s footage can be tweaked to look almost similar than Z6III, but still it just doesn’t look as good to my eye. The ZR R3D NE also looks a bit different than NRaw, but it is debatable which one’s colors are better. In this same context Iphone 15 Pro Proress footage stands out, and not in a good way, when viewed on a big screen.
    • A Parrot would now be a more appropriate bird, since they are resorting to piracy... https://www.washingtonpost.com/world/2025/12/10/venezuela-oil-tanker-seizure/?itid=hp-mv-top-stories_top-table-main_p001_f001
    • FX3 ended up as both elixir and poison for Sony. It established E mount as go-to choice for professional video, and at the same time became the benchmark of "good enough". They will update it with a super fast sensor (either a 6k120 from 12k, or 5k240 from a 67MP sensor with dual gain HDR, both available next year), but that makes it a $5000 camera, then FX3 wins again with just being cheaper.
    • Like other picture profiles provided by Nikon, it would be way better at 50% intensity. But I don't think you can change that with these recipes.  How can someone submit their recipes for Nikon Cloud? I like to see EOSHD in that list. 
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