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Internal 32-bit float stereo paired with lossless 120mm reach from a 20mm lens — all inside a genuinely pocket-sized 10-bit 1-inch sensor gimbal camera? 1 2 3
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what camera is it for? i cant really make a comparison since i dont have any with the upgrade, but the olpf that BM has started using on the FF models has been very helpful in not getting moire. On the pocket 4k it wasn’t hard to generate it with certain fabrics and high frequency detailed stuff in the background, but on the 6K FF sensor i’ve not seen it yet. -
By Nicolas-r02 · Posted
Thank you. I'm still hopeful that someone with a Blackmagic camera and a Rawlite filter will post this online. It wouldn't take long to put together something done properly, and I'm sure it would be helpful to others. In the meantime, that's a lot of money based on promises. -
I've seen some before and after tests a long time ago and they do work, but it's reduced not completely eliminated. I understand your frustration because they seem to cost a lot and it's hard to know what you're getting ahead of time. -
And I am far from alone on this one: https://www.digitalcameraworld.com/cameras/sony-rx10-v-review -
PS: That 600mm reach makes it interesting if/when it costs less than a grand... mandatory then? OK, less than a grand and a half! : P Anything over $2K would put it in a different category, for sure. And not only for wild life... Nonetheless. Disclaimer: FX30 + 16-300mm owner here. Has the FX30 + 16-300mm killed the RX10 V? ; ) The FX30 gives you a cinema body: APS-C/Super 35, 10-bit 4:2:2, S-Log3, S-Cinetone, 14+ stops of claimed latitude, 4K 120fps, active cooling, dual card slots, full-size HDMI, better rigging options, better audio with the XLR handle, and interchangeable lenses. The RX10 V is now much stronger than the RX10 IV for video: 4K60, 4K120 cropped — probably around 1.43x vs 1.62x on the FX30 — 10-bit 4:2:2, S-Log3, S-Cinetone, LUT support, 4K30 USB streaming, digital audio through the MI shoe, and AI subject recognition, whatever that means... But it still has one SD card slot, a fixed lens, a tilting rather than fully articulating screen, no IBIS, and remains more of a high-end bridge/photo camera than a cinema tool. Sorry to be the party pooper but yes: the RX10 V has more reach, about +33% compared with the FX30 + 16-300mm combo, plus an EVF and slightly less weight. The RX10 V lens is faster in pure exposure terms, but once you factor in sensor size, f/2.4–4 on a 1-inch sensor works out at roughly f/6.5–10.8 full-frame equivalent. The FX30 + Sigma 16-300mm is roughly f/5.3–10.1 equivalent on APS-C/Super 35, so between 28mm and 100mm equivalent the FX30/Sigma combo can be up to about one stop better in equivalent-aperture terms. The FX30 already gives you a 24-450mm equivalent range with that Sigma lens, plus everything above, plus interchangeable lenses, for a similar price or even less.
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