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  • Posts

    • Personally I am still intrigued by the FP form factor so will def be keeping my eye on this, specifically for travel/casual stuff - especially bcuz it seems to have a much better build than its competitors in that size range.
    • Here are a few shots with the Beastgrip 1.55x lens on the 18 Pro Max. These are both at F4. The adjustable aperture makes a night and day difference with the 1.55x especially for open gate stills/video. 
    • https://www.elcacharrista.com/a/hacking-the-sigma-fp-with-ai These new 3k open gate modes are great for anamorphic and strike a nice balance on file sizes while still giving us raw CNDG mojo.  And even more updates coming to the original FP with the help of AI reverse engineering.  I’m about to scoop a clean floor model FP for $800 and give the new hacks a try. Too bad the FP ii didn’t solve all the shortcomings of the earlier cameras… Prices on original FP models are dropping this week though so I guess it’s not all bad.  Cinema DNG just has that really nice mojo and I’m loving the DIY energy that’s happening right now. Reminds me of the Magic Lantern days. 
    • Which I guess means cannot bake a LUT into it then which is another strike for me. I’d rather they went the Panasonic path so it was more compatible with my LUMIX cameras and workflow, but hey ho.
    • I think it looks like a good deal to me. The articulated screen is a big plus over the original cameras. L-LOG too (interesting that they took Leica's rather than make their own Sigma LOG or use Panasonic's). ProRes RAW is to SSD. Internal 8bit Cinema DNG seems to have gone away. All cameras need an HDMI port - far better it be full sized than micro. Autofocus is a big improvement too, as is the open gate sensor, much less rolling shutter, higher resolution recording, bigger battery (the original used the same battery as the GH2!!) I'd rather have one of these over the Z6 III, it only lacks IBIS and internal raw. But as any GH2 owner will tell you... You don't really need either 🙂
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