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By eatstoomuchjam · Posted
Huh. A Sub-$3k cinema body in that form factor could be really compelling. The big question now will be what sensor they put in there. If it's an IMX410, it'll be big shrug from me - but if it's a newer sensor, maybe the one used in the S1 II, and they have 10-bit ProRes and, ideally, some 12-bit codec, it could be a compelling product. Otherwise, the Nikon ZR exists, costs less, and can be shoved into any of the same spaces that the Vista would fit in. Also has decent face detect AF which is really useful when the camera's shoved into a tiny nook/cranny. -
It deserves subtitles translation, just in case you don’t speak Portuguese: Sorry, I couldn’t resist. Really. We live in incredible times today. -
https://www.blackmagicdesign.com/media/release/20260414-01 In Portuguese. In conclusion, now in English: The big leap in Resolve 21 is this: it is no longer just an editor and colour-grading system for video. It now also includes a new Photo page, designed for still photography, with album management, node-based grading, crop and reframe at original resolution, tethered capture with Sony and Canon cameras, support for LUTs and Resolve FX, and collaboration through Blackmagic Cloud. On the AI side, the package has become much more aggressive. It now includes IntelliSearch to find people, objects, and even words spoken in dialogue, a voice generator from text, CineFocus to recreate depth of field, Face Age Transformer, Face Reshaper, skin-imperfection removal, automatic slate reading with AI Slate ID, UltraSharpen, and Motion Deblur. In the Cut and Edit pages, the most visible additions are improvements to keyframes and curves, the ability to adjust Fusion effects directly inside those editors, native support for HTML and Lottie graphics, improvements to Text+ and MultiText, and more practical smart bins for filtering footage in the Media Pool. In colour, VFX, and audio, Resolve 21 adds MultiMaster Trim Manager to generate HDR and SDR versions from the same timeline, Magic Mask render in place, list and layer views in the node editor, and group versions for grades. Fusion gains the Krokodove library, improvements to the macro editor, and an updated USD toolset. Fairlight adds track folders, 6-band clip EQ, EQ and Level Matcher, and Chain FX. For creators and modern workflows, there are ready-made square and vertical resolutions for social media, direct upload to YouTube, TikTok, Vimeo, and X, support for IntelliScript with Final Draft, import of ATEM Mini ISO projects, and major reinforcement of immersive workflows, including VR180 and VR360, Panomap, ILPD retargeting, MainConcept H.265/MV-HEVC, and foveated rendering for Apple Immersive. In short, Resolve 21 seems to be three things at once: more useful AI, tighter integration between areas that used to be separate, and a much broader opening toward photography, creators, and immersive content. Blackmagic itself presents this version as a major update, with the new Photo page, dozens of new features, and many usability improvements. This is no small improvement. And who said they were focused only on the SMPTE crowd?! ; ) LOL Amazing upgrade, kudos to them! : -)
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By Aussie Ash · Posted
some very pertinent comments in this previous thread .
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