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    • It looks like a solid upgrade if you're in the Sony world and want your stills-first camera to have a bit better video.   67 vs 61 mp is 🥱.  Internal video codecs are industry-trailing (H.265/H.264 only). The standout feature, for me, is 4K DGO video with only a 15ms readout - but if that were the only spec that I wanted, I wouldn't have sold my C70 (and it could do it in raw).  Wish they would have done an 8K DGO - would gladly take 22-28ms readout speeds for the extra DR on scenes without fast movement. This seems to me like a camera that's designed to throw a bone to Sony shooters who might otherwise be thinking of jumping ship.  It's fine, but not very exciting.  I think Sony sent some spies over to the Canon headquarters to learn the secrets of the 🔨
    • To be honest, I really want one. I'll wait for it to come down to 3500 euros used, then I think i'll sell some stuff and pounce on it. The main weakness of the a7r V and Panasonic S1R II - the slower sensors and rolling shutter, is banished. The 1.2x crop in 8K isn't ideal though. Specs: https://www.dpreview.com/reviews/sony-a7r-vi-review
    • @mercer Canon just released the R6V, which is somewhere between the R6III and C50.  Another option to consider...
    • Yeah, some pretty nice looking images from that lens.  Realistically, on a consumer camera without RAW or Prores, the codecs are potentially going to be the limiting factor more often than the lens.  I'm easy to please though, as my aesthetic leans towards the analog and emotive rather than the person building a personal database of all image sharpening techniques ever created.
    • It won't feature Ibis, probably, if they are about to keep the size. I could live with that. 
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