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Why not Leica as a good fit for Arri ? They can keep it in Germany, use it as a platform to sell more of their cine glass and God knows they can be trusted to keep out the riff-raff from buying them! Interestingly, though, both companies have a relationship with Panasonic so could be good news for the riff raff with a trickle down. -
Read this: https://www.linkedin.com/posts/oceanfootagemastery_underwatercinematography-myoctopusteacher-activity-7396815155616989184-C-CD -
I think very few of us would know and even less care, what anything was shot on unless told. I do not know too much about the movie industry except that in Hollywood, it’s a massive racket of control, tradition and expectation whereas outside of Hollywood, filmmakers are saying fuck off to your control, tradition and expectation and making films with less kit, less bodies and far less BS. I suspect like all great empires, it’s had its day and is falling apart with something else taking over and that something else is the rise of the less controlled, less traditional, less expectation and almost a return to how it began with a more pioneering filmmaking style. I rarely go to the cinema these days and it’s even more rare for me to have even the slightest interest in any big budget movies because as has been mentioned, if they are not an over AI’d bunch of balls, so much is badly scripted, poor story, woke rubbish…made by companies who lack any passion for the craft and are simply about making as much money as possible. It’s not the camera and never really has been. One thing is for sure…I think…and that is the industry is not dead or even dying, just the structure of it is changing, coupled with the mass market viewing practices, but that is another topic and one I suspect we can’t get past. -
By newfoundmass · Posted
I think we learned long ago that the "camera" was one of the least important parts of telling a story. You can take an iPhone and create beautiful art if what you're filming is compelling, you are skilled enough, and the story you're telling is good. Frankly I'm surprised that we haven't seen more folks using mirrorless cameras, because if anything, they are overkill for a lot of films being shot today, especially ones that will never be seen on the big screen. My buddy made me re-watch Terrifier 3 since he just got into the series. It was filmed on an ARRI Alexa 35 using Panavision anamorphic lenses, but honestly, you never would've been able to tell if they'd shot it on a S1/H, S5/S5II, GH6/7, A7Siii, R5C, etc. and using any of the budget anamorphic lenses that have been released for these cameras. It's great to have an ARRI Alexa 35 and Panavision lenses, I can't really fault any low budget director using them if they have the opportunity to, but it didn't make the film any better and, no offense to the director and editor, but he wasn't skilled enough to get anything more out of using that camera and lenses than if he'd just used any mirrorless camera released in the last 5 years. -
By newfoundmass · Posted
If you were in the US (I don't wish that on anyone currently) I'd take you up on it for sure! I've actually been itching to get back into M43, something I didn't foresee coming. I have no plans to get rid of my full frame Lumix cams, I'm still very happy with them, but I do very much miss those small lenses! I've also been looking at a camera that I can further help my nephew learn on, I think a more modern M43 would be great for him to learn on as he wants to try and help Uncle Adam! The funniest thing about getting a M43 camera is that the used prices have GONE UP since I left the system! LOL!
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