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Blackmagic Pocket Cinema Camera 4K


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18 hours ago, MurtlandPhoto said:

Up at the top, click "Sync * A005_12070220_C002.braw"

Then there are no BRAW settings since I'm targeting the timeline clip, not the master one. 

 

I've found it fixes itself after restarting Premiere and reimporting the clip but then for some reason breaks again after a couple of minutes.

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My dear erstwhile member can you please stop attacking John Brawley now. I have long since given up on camera forum arguments so might not be completely up on who is right and who is wrong-evil /

I like the pictures. A lot.  This camera will probably replace the micro cinema camera for me as it’s not much bigger and is much easier to work with.  I didn’t feel as strongly about the 4K

What a shame. Who are these "deep state" BMD insiders that are here pushing an agenda ? Myself and Hook.  Who else ?  What do you guys think, there's a plot and conspiracy ?  You guys don't wat t

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On 12/17/2019 at 3:46 AM, Adam Kuźniar said:

Last weekend I shot a concert with my friend, myself on the GH5 and him on the Pocket 4k. After the first rehersal when we were setting up the shot, he came up to me and said "you know what the lights are all over the place so I'm just gonna set the exposure for the darkest moments and shoot BRAW so when the lights hit you'll be able to just bring down the exposure with ISO setting". I didn't know too much about shooting on the Pocket so I agreed and off we went.

 

Well, it turns out when you shoot above 1250, you can't go lower than that since it's when the second ISO gain engages. It's something I had no idea about (since I shoot on the GH5) and he neither (since he never shot above that before). Now I'm stuck with overexposed shots and an understandably mad client. So learn on my lesson and don't do that.. Or you know, read the friking manual like you should.

 

Ouch, lesson learned.

This is also a quirk of the dual gain circuits on the Pocket and GH5S. Sometimes, on the GH5S, I get better results (noise wise) by bumping up the ISO to engage the "high" circuit and then adjust exposure down. I loose DR but in a lot of those cases DR doesn't matter that much (low-light or not a high DR scene). 

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2 hours ago, Video Hummus said:

Ouch, lesson learned.

This is also a quirk of the dual gain circuits on the Pocket and GH5S. Sometimes, on the GH5S, I get better results (noise wise) by bumping up the ISO to engage the "high" circuit and then adjust exposure down. I loose DR but in a lot of those cases DR doesn't matter that much (low-light or not a high DR scene). 

Yeah the high end of the low circuit looks terrible. 

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4 hours ago, Adam Kuźniar said:

FYI the new BRAW plugin for Premiere 1.6.1 work a lot better, no more render issues and the panel doesnt seem to stop working as often as it did on 1.6

Just curious, why not do your color in DaVinci?

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37 minutes ago, Turboguard said:

Just curious, why not do your color in DaVinci?

Although I'm not the person you asked, I often edit in Premiere and on those projects, I find it much easier to grade in Lumetri rather than round tripping. This way, you can do a rough edit, rough grade, fine tune the edit, adjust the grade, tweak the audio, tweak the grade, add titles, tweak the grade leave it over night, tweak the grade with fresh eyes and then export. 

I'm sure it's different for everyone, and workflows differ, but rarely am I totally happy with my first grade, and even if I think I am happy with it, watching the project again will prove myself wrong. If I had to roundtrip for every pass I'd waste even more time for not very much gain.

For this reason, when I can I also edit in Resolve, but due to client criteria, that's not always possible. I'm also much quicker with Premiere than I am with Resolve and when your workflow wastes as much time as mine, claiming back as many seconds as you can really helps.

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12 hours ago, Turboguard said:

Just curious, why not do your color in DaVinci?

All I really do on this project is mess around with the RAW settings, slap the FilmConvert on and call it a day and I don't really want to buy another version just for Resolve. 

Plus I'm so much faster editing multicam shoots in Premiere than I am in Resolve and if I can keep the entire project to one program I will :)

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22 minutes ago, kye said:

So, S16 looks like it's a diagonal of 14.33 and FF is 43.27, which makes the crop factor of 3.02

Thanks, I asked because the OG Pocket was often referred to as having a S16 sized sensor but the actual crop factor was a touch less at 2.88x so I wasn't sure if BM followed the traditional S16 crop in the P4K or the OG Pocket crop of 2.88x.

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4 minutes ago, mercer said:

Thanks, I asked because the OG Pocket was often referred to as having a S16 sized sensor but the actual crop factor was a touch less at 2.88x so I wasn't sure if BM followed the traditional S16 crop in the P4K or the OG Pocket crop of 2.88x.

They're so close to each other I'd suggest confirming somehow, rather than relying on the accuracy of their marketing department!

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17 minutes ago, kye said:

They're so close to each other I'd suggest confirming somehow, rather than relying on the accuracy of their marketing department!

With the original they were at the mercy of the sensor but with the P4K its a specific crop they created, so one would assume they chose the traditional S16mm size... maybe @CaptainHook knows?

I find this mode very intriguing because it opens up a slew of lens options that could soften the look of the P4K. I don't know if you've seen any footage from the Alexa S16 mode but it's pretty gorgeous.

11 minutes ago, Anaconda_ said:

Oh man, I just sold my OG Pocket, otherwise I could have checked and compared for you. Sorry about that. Hopefully someone else around here can double check it.

I appreciate the sentiment. Weirdly enough, I haven't found one sample from the new S16 mode online... I would have thought it would be a pretty big deal since a lot of members at bmcuser were petitioning for that mode since the camera was announced.

Also, is the S16 crop mode only in BRaw or is it also available for ProRes?

And will regular SDXC cards work in that mode?

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7 minutes ago, mercer said:

With the original they were at the mercy of the sensor but with the P4K its a specific crop they created, so one would assume they chose the traditional sensor size...

I find this mode very intriguing because it opens up a slew of lens options that could soften the look of the P4K. I don't know if you've seen any footage from the Alexa S16 mode but it's pretty gorgeous.

I appreciate the sentiment. Weirdly enough, I haven't found one sample from the new S16 mode online... I would have thought it would be a pretty big deal since a lot of members at bmcuser were petitioning for that mode since the camera was announced.

Let me go and dig out the worst lens in the world and put it on my Pocket4K

Back in 10

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41 minutes ago, mercer said:

With the original they were at the mercy of the sensor but with the P4K its a specific crop they created, so one would assume they chose the traditional S16mm size... maybe @CaptainHook knows?

I find this mode very intriguing because it opens up a slew of lens options that could soften the look of the P4K. I don't know if you've seen any footage from the Alexa S16 mode but it's pretty gorgeous.

I appreciate the sentiment. Weirdly enough, I haven't found one sample from the new S16 mode online... I would have thought it would be a pretty big deal since a lot of members at bmcuser were petitioning for that mode since the camera was announced.

Also, is the S16 crop mode only in BRaw or is it also available for ProRes?

And will regular SDXC cards work in that mode?

Maybe the resolution will give it away?  If it's RAW then we can just work out what percentage of the normal resolution it is and then apply that to the normal crop factor of the P4K?

5 minutes ago, BTM_Pix said:

 Computar 12.5-75mm f1.2

Oh I don't know...  Those new fangled computars are gonna run the world one day boy!!

OK, from the BM page, the P4K sensor is 10mm wide, and that is 4096 pixels.  

I think the new mode is the "2688 x 1512 (2.6K 16:9) up to 120 fps" one (also from P4K specs page), which means that it's using an area of the sensor that is 6.56mm wide.

Referring back to this image again:

5a7d398f8f34de0001ef4be5_Sensor-chart-8_

a FF sensor has a width of 24mm, so therefore the crop is 24/6.56 = 3.66

I used the width as that stays constant when you choose different aspect ratios, so it's easier to work out.   Did I do that right?

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