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  • Posts

    • Well the 28-200 is going back. Hate it. Suspected I might… I just cannot stand slow, variable aperture zooms, even in good light. Going to find me a used Sigma 28-45mm f1.8 ASAP and just skip the second whole long zoom thing as after all, I already have the f4 70-200. Oh well, I tried. Switched it for the Sigma 28-70mm f2.8 and phew, crisis over 😉 The S1Rii is working out OK so far for stills. Not as snappy as my A7RV which itself is not as snappy as my Zf, but neither of those fit in with The Greater Plan. S9 still my fave for video.
    • Allthough it is not entirenly only my issue. Clients (production companies) ask footage to be shot in log. And while it is no longer my issue but the editor or color grader issue. I prefer the colours coming straight out of camera to be nice. Especially when they are combinging footage from different shooters and camera's. I don't want to be the guy where they have the most work in post with. As most production companies ask feedback forms from everyone involved, and if an editor writes down "I prefer the footage from shooter B because the colours are ready to go, and I am shooter A, then I might move down the list of shooters to call for a new project". Alllthough I will try to always use the C500 ii for these types of clients when possible. Where the colours are stellar straight out of camera.
    • Awesome.. a new market opportunity opening up, for buying cheap plastic lens caps and grinding RX1R III into it with the dremel. Obviously i couldn't sell them too cheap as one of the smarter cookies might smell something fishy going on...  
    • Herbie goes to monte carlo 1977. Even more vintage... or the village people that was 1980 as well.
    • After all the social media shilling of the last 10 years maybe Sony want to see if they now have the brand power to pull off Leica level mark-up (without the German bits) and enter the luxury goods business.
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