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Anyone with a Panasonic S5 II or S9 interested in testing my in-cam ARRI compatible LOG C3 profile? 1 2
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Hi Thank you so much for taking the time to write this out, I appreciate it. Been pretty happy with the S1R2 mostly for stills so far, S52x's still do most of the video work for me (along with a Fuji X-H2S) -
It depends if you are doing a lot of run and gun, can't live without Open Gate (because I think this feature is not just usefull but also give a real full frame look to the image) and appreciate some tricks like DR BOOST (at the cost of high rolling shutter). If yes, the S1II and even the S1RII are really a good choice, even if you like photography and if you can afford the Leica APO Summicron SL and the 24-70mm/50mm S Pro. If you don't have the need for the best IBIS or don't need to record while walking, Nikon is maybe a better alternative. AF is generally better even if the S1II is really not bad and more accurate than the S5II and S1RII. If you shoot wildlife, Nikon is also a much better choice, especially with the Z8, because Nikon has more tele lenses , better RS, unlimited burst and no blackout. The S1 and S1RII, while they have very fast burst (70fps for the S1II), you can only shoot for about 2 seconds, which is ridiculous. The Nikon S f1.2 lenses are excellent, they are more affordable, faster and have deeper bokeh than the APO SL. However they are heavier, bigger, and maybe less suited for video. If you are on Windows and use Resolve, Nikon with N-raw is much easier to edit than Prores Raw, both the S1II and S1RII only have Prores Raw. N-Raw is supported by Resolve and you have the lenses corrections backed in the files, you can even choose to record N-Raw directly in 709. Prores Raw is supported by Premiere Pro but there is no WB/ISO option. You also have the option to record 6K60fps (Z6III) or 8K60fps (Z8), on the S1II you only have a slightly cropped 6k30fps, it's worse on the S1RII because of the big crop. Outisde of Raw I think I also prefer the output of the H265 codecs compared to Lumix, Nikon is sharper but retains more fine details. So to resume : -IBIS is much better on Lumix. -DR is slightly better on Lumix (with DR BOOST or DRE ON). -Lumix has more nice features than Nikon (Open Gate, Real Time Lut etc). -Color is subjective but I really like the output of the S1RII. -AF is slighter better with Nikon even if the S1II is now closer than ever. -Video quality (fine details) is slightly better on Nikon (in RAW they are the same but N-Raw allows 60fps raw no crop). -For wildlife, Nikon is better, but keep in mind the Z8 is heavier than both the S1II and S1RII. -Nikon has more great lenses, Leica ones are as good but much more expensive. For me, as I like to do a lot of run and gun, Lumix is still the better choice for video but I need more editing time to get what I want because of Prores Raw. For stills, I don't shoot a lot of wildlife but I really like the Nikon S 1.2 lenses rendering. Leica lenses are also stellar, but you trade fast aperture and bokeh for more POP and significantly less weight. I think the S1RII is maybe the better choice if you don't need to shot fast scenes because the 8K H265 quality is pretty good, the IBIS is excellent, the AF is enough for most things and you can record Open Gate. The S1II can be the best choice if you need low rolling shutter and want the best detail rendering (Prores Raw) IBIS and DR. Like the S1RII you have Open Gate, but the big issue for me is the detail rendering with non raw video. The Open Gate 7,2K and especially 8K just looks much better on the S1RII. The Z8 is probably the best choice for stills in most cases, especially for wildlife. The video is outstanding too. But the camera is not lightweight, the IBIS is also much worse. The Z6III is a very good compromise, not as big as the Z8, 6K60fps is more than enough because the detail rendering is great. Maybe there is some bad shadows noise at some ISO but I think the issue is overrated since the last firmware update, like the DR slightly worse below ISO 800 compared to the Z8, it's really hard to notice a difference. But it's maybe because I don't shoot at very high ISO. For now, I decided to keep only the S1RII,S1II and Z6III. I will wait only a few months, if the next Nikon Z (with RED) has better IBIS, the choice will be obvious for me. But if Panasonic releases some new S Pro lenses very soon, it will be much harder to choose which system to keep. -
i think i'm on version 17.2.00 of dng converter, their all backwards compatible. I convert to camera raw 4.6 as its the last version listed for cs3. it pretty simple to use, select your directory and hit convert, er.. pick a directory to save your files otherwise you'll waste 10 minutes wondering where they went... Its a 1.6 gig dl which makes it a fair size. Its free as well. its a handy program, once you have a dng, the worlds your oyster. either photo or video editing, you can do image sequences as well, which avoids the banding you get with jpg's, if your into timelapse or hyperlapses or some form of animation. Camera Raw 2.4 and later: The DNG file will be readable by Camera Raw 2.4 (Photoshop CS) and later, and Lightroom 1.0 and later Camera Raw 4.1 and later: The DNG file will be readable by Camera Raw 4.1 (Photoshop CS3) and later, and Lightroom 1.1 and later. The DNG file will often be readable by earlier versions, depending on the camera model. Camera Raw 4.6 and later: The DNG file will be readable by Camera Raw 4.6 (Photoshop CS3) and later, and Lightroom 2.1 and later. The DNG file will often be readable by earlier versions, depending on the camera model. Camera Raw 5.4 and later: The DNG file will be readable by Camera Raw 5.4 (Photoshop CS4) and later, and Lightroom 2.4 and later. The DNG file will often be readable by earlier versions, depending on the camera model. Camera Raw 6.6 and later: The DNG file will be readable by Camera Raw 6.6 (Photoshop CS5) and later, and Lightroom 3.6 and later. The DNG file will often be readable by earlier versions, depending on the camera model. Camera Raw 7.1 and later: The DNG file will be readable by Camera Raw 7.1 (Photoshop CS6) and later, and Lightroom 4.1 and later. The DNG file will often be readable by earlier versions, depending on the camera model. Camera Raw 11.2 and later: The DNG file will be readable by Camera Raw 11.2(Photoshop 20) and later, and Lightroom 8.2 and later. The DNG file will often be readable by earlier versions, depending on the camera model. Camera Raw 12.4 and later: The DNG file will be readable by Camera Raw 12.4 (Photoshop 21) and later, and Lightroom 9.4 and later. The DNG file will often be readable by earlier versions, depending on the camera model. Camera Raw 13.2 and later: The DNG file will be readable by Camera Raw 13.2 (Photoshop 22) and later, and Lightroom 10.2 and later. The DNG file will often be readable by earlier versions, depending on the camera model. Custom: Backward Version: DNG 1.1, DNG 1.3, DNG 1.4, or DNG 1.6 (default 1.6) -
By Clark Nikolai · Posted
I had a better look and they're not going directly from the sensor, they're going from an already made machine vision camera. https://machinevisionstore.com/Catalog/Details/992 https://machinevisionstore.com/content/downloads/basler/AviatorDatasheet.pdf These are used on assembly lines and such. It connects with Camera Link (which is an industrial standard for these kinds of cameras.) https://en.wikipedia.org/wiki/Camera_Link Maybe this thing isn't "faux" after all. -
Wow, I'll have to look into this!! Sounds super useful if you want to share something quickly rather than publishing a set of finished stills. I have noticed over the years that I tend to continually refer back to the stills I have saved, so I've gotten much more organised in labelling them etc as they're more of a permanent reference than a temporary thing.
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