EOSHD

Welcome to the EOSHD forum. The knowledge-base for all mirrorless, DSLR and pro video cameras.

Subforums

  1. ANAMORPHIC

    The largest online community devoted to anamorphic filmmaking.
    Discuss lenses, adapters, workflows and post lenses for sale

    14,448
    posts
  2. BLACKMAGIC CINEMA CAMERAS

    Raw shooting cameras - URSA Mini 4.6K, BMCC, BMPCC and more

    2,331
    posts
  3. SHOOTING

    Screening room and the creative side of filmmaking - share your ideas / stories

    2,486
    posts
  4. SAMSUNG NX1 / NX500 HACK

    Discuss the NX1 hack and more. Share your mods. Share your tests.

    3,042
    posts
  5. GEAR FOR SALE

    Post classified ads for your camera gear and filmmaking related kit!

    889
    posts

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EOSHD C-LOG and Film Profiles for All Canon DSLRs
EOSHD Pro Color for Sony cameras

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    • Anyone Else??
      Keep working out your craft - invest in yourself, in projects that matter to you, build up your portfolio. That's it   Getting better gear is only one step further of making up excuses...    What kind of video would you see youself doing ultimatly?   When I was going in school for tv production, we would create all kind of video just to find our style, our way. And we would also participate to every contest possible... Overall me and my roomate got over 5000$ in various prizes in thoses 3 years. It's great to pay back a bit of gear too and a great motivator. I don't even need to talk about the learning aspect of it !  
    • Kowa 16-H Operation Problems
      Do you know the way how to use dual focus?  maybe the lens has no problem.
    • Kowa 16-H Operation Problems
      Sure thing, I'll take some more detailed before and after shots.  The lens was purchased from eBay by seller "cameralovelove" from Japan.
    • The £3-£4K Market
      JVC LS300 is 8bit output also.  Wouldn't a used Sony FS5 with the latest firmware tick all the boxes also?  Also the Red MX or Sony F3. Red is far from a run and gun camera for sure. Not that the F3 is a lot better. It is just the Sony F3 is so damn cheap for what you get. Unless you buy a Whole Red MX kit form someone I think I would pass. Bits and pieces for them are crazy expensive to add on. But the 4k on the Red is sort of future proofing itself more so than the F3. If had 6k I guess I would have to go with the Red MX or Sony FS5. I am not too big fan of the Sony FS700,  Now if you need Slo Mo it IS the camera to buy. But it does tick all the boxes you want. Probably the best one trick pony available for the price. Not much it can't shoot. I have seen the 4k model for 4k lately. That is a bargain for what they can do. Wow no easy choices.
    • Anyone Else??
      Yeah, I'm blessed to not have enough money to upgrade ever. Also reminded myself the other day that my interest in gear is just a side effect, was never the point. Now I know how to use a camera, so I'll be a lot more prepared when I have a film ready, and my camera has done great things in good hands, so I'm done seeing any point in upgrading to a way more expensive, barely more capable camera with a new learning curve. A monthly film challenge would be really cool, but I don't think my mind works that way
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