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Hey guys, I found this new anamorphic lenses ... information here: The Servicevision Booth was directly across from ours at NAB. Managing Director and Cinematographer Andres Valles surprised me on opening day with a preview of a set of 13 Scorpiolens anamorphic primes to be introduced at IBC in September. He also introduced me to the lens designer, physicist and optical engineer Cristina Alcaide. The Scorpiolens anamorphics are all 2x squeeze, and all have a slender front diameter of 95 mm. They are T2.0 from 24 through 100 mm. 130 to 260 mm are T2.8. The 300 mm is T3. Average length of the lenses is a mere 6.3 inches. The 24, 28, 150, and 200 mm are 7.5 inches long. The 260 mm is 8.3 inches, and 300 mm is 9.6 inches. More info: :o http://www.fdtimes.com/2012/04/29/scorpiolens-anamorphic-prime-lenses/ The Scorpiolens 2x anamorphic lenses are expected to exhibit practically no breathing and very little distortion, even at close focus. They will cover up to ANSI Super 35 Silent aperture (31.14 mm diameter). Feet and meter scales can be exchanged. Internal focus keeps the lens a constant length. Telecentric and multi-aspheric design, high resolution, and consistent optical performance are planned over the entire focus range. Servicevision is the largest motion picture rental house and manufacturing facility in Spain. Offices in the US are in North Hollywood. - See more at: http://www.fdtimes.com/2012/04/29/scorpiolens-anamorphic-prime-lenses/#sthash.jTi2HrSd.dpuf
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Ultra rare Original ISCORAMA anamorphic lens with Nikon F-mount. Here it is mounted on my nikon d3000 for reference. Mint condition, full metal body,solid construction and heavy. Comes apart and there are two pieces. Rear elements are extremely clean. Comes with 72mm UV filter and hard leather case. For more information please contact me on here or at thomasminerphotography@gmail.com http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=130962018872&ssPageName=ADME:L:LCA:US:1123 Pictures I've taken with the lens http://i752.photobucket.com/albums/xx164/tommyboy11/Example3.jpg http://i752.photobucket.com/albums/xx164/tommyboy11/Example4.jpg http://i752.photobucket.com/albums/xx164/tommyboy11/Example1.jpg http://i752.photobucket.com/albums/xx164/tommyboy11/Example2.jpg
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Selling this ultra rare pre isco 36 iscorama lens F2.8 comes in 2 pieces in amazing condition here are the pictures of the lens itself. Included is the 72mm UV filter as well as hard carrying case. The only thing I know about this lens is that it is a nikon mount and that it was used in the 60's in cinema. Offers start at 4500 U.S. For more information please contact me either on here or at thomasminerphotography@gmail.com Sorry for the exseccive links but I was unable to post the pictures directly on here. Pictures of Lens http://www.flickr.com/photos/tommyminer_photography/9423899779/ http://www.flickr.com/photos/tommyminer_photography/9426669274/ http://www.flickr.com/photos/tommyminer_photography/9426669442/ http://www.flickr.com/photos/tommyminer_photography/9423900075/ http://www.flickr.com/photos/tommyminer_photography/9423900139/ http://www.flickr.com/photos/tommyminer_photography/9423900209/ http://www.flickr.com/photos/tommyminer_photography/9426669764/ http://www.flickr.com/photos/tommyminer_photography/9423900363/ Pictures I have taken with lens http://www.flickr.com/photos/tommyminer_photography/9426749750/ http://www.flickr.com/photos/tommyminer_photography/9423981339/ http://www.flickr.com/photos/tommyminer_photography/9426751724/ http://www.flickr.com/photos/tommyminer_photography/9426752652/
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http://vimeo.com/71062233 For this video, I shot with a faster CF Card (100 MBS) that gave me 1344 X 1008 resolution at 24 FPS in Magic Lantern hack 4:3 mode without skipping frames. I could shoot for at least 6 minutes (I didn't try shooting longer). I did my color correction with Adobe Photoshop and converted to 2688 X 1008 in Compressor for Vimeo. Thoughts and comments welcome. Thank you. -
I have a newly serviced and tested, super sharp CinemaScope for sale. It has a deeper Rose Gold colour than the one illustrated. The ISCO Ultra Star CinemaScope Anamorphic Anamorphot with 15mm rod rail support included. Focus range is 1.5m to Infinity at all F-stops with a normal focussing helicoid as standard. You can purchase from me direct from the link in the footer or via my ebay listing. You can purchase with confidence as I am an active member of this great forum and I am Paypal or Credit Card friendly and include a 14 day return with buyer paying shipping. http://www.ebay.com/itm/130969131159?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649 -
Hi all, I found this lens. Actually I have no idea what year will, or the quality of their lenses. Do not know if it will be worth to have it and try to adapt it to my camera. I have a t4i These data are anamorphic lens: Variable Hilux Projector Lens 102 Anamorphic Snaplite Comes with lens Snaplite marked: Kollmorgen Optical Corp. Brooklyn NY / 6.25 in # 20064 attached some pictures and I hope your answer. Greetings to everyone! [attachment=590:lente-de-proyector-hilux-variable-102-anamorphic-snaplite_MPE-O-11854632_6134.jpg] [attachment=591:lente-de-proyector-hilux-variable-102-anamorphic-snaplite_MPE-O-11854632_6783 (1).jpg] [attachment=589:lente-de-proyector-hilux-variable-102-anamorphic-snaplite_MPE-O-11854632_5673 (1).jpg]
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http://vimeo.com/70606224 The Canyon - Shot during a two hour trip to the canyon For this video, I shot with a faster CF Card (100 MBS) that gave me 1344 X 1008 resolution at 24 FPS in 4:3 mode without skipping frames. I could shoot for at least 6 minutes (I didn't try shooting longer). I did my color correction with Adobe Photoshop and converted to 2688 X 1008 in Compressor. Anyone else shooting anamorphic on the 50D in 4:3? Can anyone shoot higher resolution than 1344 X 1008? Thank you.
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http://vimeo.com/70606224 The Canyon - Shot during a two hour trip to the canyon For this video, I shot with a faster CF Card (100 MBS) that gave me 1344 X 1008 resolution at 24 FPS in 4:3 mode without skipping frames. I could shoot for at least 6 minutes (I didn't try shooting longer). I did my color correction with Adobe Photoshop and converted to 2688 X 1008 in Compressor. Anyone else shooting anamorphic on the 50D in 4:3? Can anyone shoot higher resolution than 1344 X 1008? Thank you.
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Open to Offers here via PM or Via Ebay Link Below -Do not leave reply on forum because I might not get it right away, Via PM or Ebay is fastest way to contact me. A ) http://www.ebay.com/itm/221259234516?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1558.l2649 B ) http://www.ebay.com/itm/221259235512?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1558.l2649 C ) http://www.ebay.com/itm/221259238039?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1558.l2649 D ) http://www.ebay.com/itm/221259243143?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1558.l2649 E & F ) http://www.ebay.com/itm/221259240262?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1558.l2649
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http://vimeo.com/70387959 For this video, I shot with a slower CF Card (60MBS) that gave me 1152 X 864 resolution at 24 FPS in 4:3 mode without skipping frames. I could shoot for at least 4 minutes (I didn't try shooting longer). I did my color correction with Adobe Photoshop and converted to 2304 X 864 in Compressor. Anyone shooting anamorphic video in 4:3 with a 2X lens? Please share workflow and shooting tips. Thank you.
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http://vimeo.com/70387959 For this video, I shot with a slower CF Card (60MBS) that gave me 1152 X 864 resolution at 24 FPS in 4:3 mode without skipping frames. I could shoot for at least 4 minutes (I didn't try shooting longer). I did my color correction with Adobe Photoshop and converted to 2304 X 864 in Compressor. Thank you
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Hello this is my first post in this anamorphic forum. I've read the book, brought the lens and now want to share and learn from other anamorphic shooters. So if you would indulge me please watch my first and only video I made using a Sankor 16c + Hellios 44 with Vid-Atlantic VClamp. Also please check out the attached photo taken today which I really like. http://www.youtube.com/watch?v=UoQ9_hE4XZg&sns=em I love the result but my anamorphic setup takes much too much time, trail & error, it getting anything usable. One the trick that I've found very effect is the mount the VClamp to a uv filter so the Sankor has a flat surface to be clamped onto.
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I am selling another one of my compact Moeller rigs. This unit is freshly serviced and performs to factory specification. It has a Cyan coating. See photo below of a similar lens I sold recently (right click for big sizes) - Moeller 32/2x CinemaScope Anamorphot - Custom Lens Support for 15mm Rods/Rails - Sigma Achromat Diopter 58mm - Coupling Ring for 52mm This is a professionally serviced lens and has NATO MIL SPEC Helicoid grease assuring you of smooth focussing whether you are shooting in the Alps or Cococabana beach. The lens is free of internal dust, fungus and haze. Focus range is 5 feet to Infinity and using the achromat can get you closer to 2 feet. There is some paint loss on the high ridges of the focus ring and minor very faint cleaning marks which don't show in the footage. You can use any type of lens with this rig - classic manual, auto focus, rotating front element lenses and even plastic kit lenses. The support, once set up, will guarantee no slanted videos. The aluminium locking clamps are spring loaded, solid brass retention ring and heavy duty marine grade stainless steel cap hex bolt offers you the best quality. Price is £465.00 plus shipping. Returns are 14 days at buyers shipping cost. Contact me at the website below for a shipping quote to your area. or visit the ebay listing http://www.ebay.com/itm/130951632142?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649#ht_5280wt_1140
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Ok so there was a previous forum thread regarding a rehousing project for the LA7200. Based off the video there, I have had this design in my mind for my own rehousing project and improvements as well for close focus and/or marrying the LA7200 with a manual focus lens and making an all in one lens solution for the Canon 5d Mark III. Progress is starting off well. Getting the hang of AutoCAD and designing as such. I am planning on first prototyping with a 3d printer I have access to then going to a further manufacturing step from there. Not trying to get too ahead of myself however you can keep track of the progress and id appreciate comments or suggestions regardless as I try to work this out. Steps: Design model in AutoCad --- 15% Port model into Google Sketchup 3D print prototype Test Prototype Test again.... Make changes... Probably test again.... Use AutoCad model for CNC machining Produce final model. Planned features... Close Focus and far focus at a twist of the ring. Easy to handle enclosure Focus ring easy lens adjustment Standard housing to fit Cokin P or other diopters much easier Possible features 15mm rail mount auto adjusting focus solution Housing combined with Aperture adjustor on a Canon FD manual Lens Direct connection to the 5d Mark III basically making it a hack lens using a custom EF mount or 72mm thread AF confirm chip? (not a bad idea) All the lens flares! (ALL THE LENS FLARES!) Er multicoating removal. Something like that. Close to exact Measurements via caliper - (short of cutting the existing enclosure in half. I could not get the measurements exactly for how close the back and front lens elements are in terms of distance) Front Element - Concave Width: 84.90mm Height: 72.96mm Depth: 16.25mm Rear Element - Convex Width: 52.96mm Height: 40.99mm Depth: 4.13mm Front Element Holder depth - 17.82mm Outer Hood Depth - 13.14mm Approx 23.8mm distance between the two lenses. (not entirely sure on this. Like I said, cant figure it out unless i cut the thing in half and really I want to be able to use it until the enclosure is finished at least) All in all, working pretty well so far. Got the elements into AutoCad, and its time to start designing the enclosure for it.
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http://vimeo.com/70264199 I had all but given up on ever finding the perfect 8mm anamorphic lens, but I recently got my hands on what I think is the most rare anamorphic lens that I have ever owned -- the Zeiss Ikon Anamorphot 22/1.5x. It is almost impossible to find any information on this lens. I could not find any pictures of the lens, nor any test footage. In fact, the only reason that I knew that it existed was a tip from anamorphic Godfather Kostas Petsas, who also has one. He compares his Ikon to the Iscomorphot 8/1.5x. Like the Iscomorphot 8/1.5x, it's an 8mm "baby" lens that is fully rack-focusable. The helicoid is smooth and has a very manageable throw, so focusing is no problem at all as you will see in the test video above. The slightly wider diameter actually makes the lens easier to focus the baby Isco, and of course it is much more focus-friendly than the strenuous focus throw of the Iscorama. It's a little bigger than the Iscomorphot 1.5x (front filter thread is about 43mm, and rear diameter is about 32mm) but still much smaller and lighter than the Iscomorphot 2x or the Iscorama. It's nice not to have to add in a support system to hold the weight of the additional lens. Coupled with a DSLR, a taking lens with a silver finish and a silver clamp from Redstan, this could be a great stealth anamorphic setup. I think that perhaps the most substantial difference between the Ikon and the Iscomorphot is that the Ikon is usable when the taking lens is wide open (at least at f/1.8). Though it is not razor sharp like the Iscorama, I don't see a limitation here. The minimum focus distance is impressive. I've been able to focus as close as 22" wide open without any diopters. I haven't really put it through the paces yet, but from what I've seen, the lens has some nice, understated character. It's a lot less smeary than some of the 8mm anamorphics that I have used. The flares are thinly stretched blue ovals, similar to my Moller 32/2x (but I think that I may like the Zeiss flares even more). I have been able to use it with my FS100 with a 50mm lens, which is usually my go-to lens when I first get an anamorphic lens. I'll have to test it to see if I can get away with using a wider taking lens. I am excited about this lens. It is the easiest, simplest anamorphic lens that I have ever used and the image is very pleasing. I think that this is a winner. If anyone else has one, I'd love to compare notes.
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https://vimeo.com/69963790 HERE IS SOME ROUGH EDIT of my project Womanhattan. Some of the shot are in anamorphic (baby hypergonar 1.75X on Contax G Zeiss 45MM f2/GH3/GH2/SLR 25mm TO.95, SLR Magic 12mm T1.6) There is five days left before the end of the crowdfunding. Since monday you will have five extracts. This is the third : day three july the 10th, 2013- taken in NYC april 2013 CROWDFUNDING FOR WOMANHATTAN, THANKS FOR YOUR SUPPORT ! English : ulule.com/womanhattan/ français : fr.ulule.com/womanhattan/ Womanhattan Facebook page : facebook.com/pages/Womanhattan/308092392578172 Day one is here : https://vimeo.com/69880083 Day two is here : https://vimeo.com/69946026
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Im in Japan right now and hunting for anamorphic lenses. Havent found any for a good price until today. Two anamorphic lenses which Ive never heard before. Cornie Anamorphic 16 Hokushin Anamorphic-16 Its about 90$ for the first one and 130$ for the second lens. Is it worth the money? What adaptors can I use to get it working on my Canon 7D? The guy who owns the camera shop has limited english skills and didnt even know he had anamorphic lenses and what they are used for. I found them in the shop by accident. The second lens appear to be promising, Ive been searching the web for more info and reviews about it but cant find anything. Thats why im asking you guys, the best anamorphic forum on the web for help! Best Regards Denko
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https://vimeo.com/69880083 HERE IS SOME ROUGH EDIT of my project Womanhattan. Some of the shot are in anamorphic (baby hypergonar 1.75X on Contax G Zeiss 45MM f2/GH3/GH2/SLR 25mm TO.95) There is five days left before the end of the crowdfunding. Since today you will have five extracts. This is the first : day one july the 8th, 2013- taken in NYC april 2013 CROWDFUNDING FOR WOMANHATTAN, THANKS FOR YOUR SUPPORT ! English : ulule.com/womanhattan/ français : fr.ulule.com/womanhattan/ Womanhattan Facebook page : facebook.com/pages/Womanhattan/308092392578172
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I know its like beating a dead horse. Long shot, but looking to see if i can find a proper +0.4 diopter for the Panasonic LA7200. Not finding much of anything so figured id post see if anyone either has one to sell or knows some good spots to look. Thanks!
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I have just won a Soligor CD 8/500mm mirror lens, the rare smaller one to put behind Big Bob (see pic below). Big Bob has a rear optic of 80mm and the Soligor is 72mm so all should be OK, when it arrives. As you know mirror lenses produce interesting aperture reflections which are round but have a hollow center because of the central mirror. (those of you may remember the Capt Scarlet & the Mysterons, a puppet show on UK TV) Anyway, I have been thinking about what the aperture reflections will look like and indeed what the bokeh will look like when it is anamorphosed. It may be 1 oval outside with an oval hollow 2 oval outside with a circular hollow 3 something else What do you think? Also what will happen to the flares? They may be 4 horizontal continuous lines as usual 5 horizontal broken lines I have a box of virtual cigars for the winners :P
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Hey all! First post here. I fairly recently got into anamorphic shooting. Since a young age, I wanted to be able to recreate the anamorphic footage. I used to use the magic bullet filter and crop my footage which looking back was really quite horrible and stupid. I bought a sun anamorphic lens off ebay for relatively cheap and am so happy! I made short little film earlier out in the sun. It's of nothing really, just testing out equipment. I think it gives of nice results, although I find it hard to keep focus. Hope to use it on a project at somepoint. https://vimeo.com/69722698
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Hi All, I just finished a big review of the Flare Factory 58 lenses from Dog Schidt Optics. You can read the full review here http://www.robbannister.com/blog/ The mandatory cat test was shot with the Neutral FF58 and the iscorama and the other video with the Amber FF58 is not with the anamorphic because I had sent it off for the close focus mod. Though the Amber version pairs really well with the iscorama and you can see a small sample of that at the end with the car. https://vimeo.com/67975230 https://vimeo.com/69262934 straight out of the camera no CC, password: radioactive https://vimeo.com/68393006
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Hello EOSHD people :) Here is my new project in crowdfunding, made of archives from VHS to anamorphic, please read this ! :) : Now, discover and support WOMANHATTAN my next film in progress on crowdfunding Ulule!
 To give to my project its best quality and offer the best possible visibility 
I need a financial boost (with friendly counter-parties! ).
This subscription is available on the crowdfunding platform Ulule for 30 days (until July the 12th 2013).

 Support the project, even a little, it will help WOMANHATTAN a lot!
If you can participate, and / or forward the message, do not hesitate!
 http://www.ulule.com/womanhattan/ PROJECT SUMMARY:
 For 20 years (1993-2013), I got used to go with my girlfriends to New York, and set my love memories on film...
WOMANHATTAN is a film from my point of view as an obsessive director: the obsession of filming my girlfriends in New York, the obsession of magnifying them, the technological obsession of finding the camera shots that best reflected my feelings.
 WOMANHATTAN is a trip back in time, before and after 9/11, where I take us to the heart of New York and its urban landscapes, my thoughts on the passing of time, on love and the possibility of being free one day from my obsessions, and living fully the present and my love life. To discover my world here is the teaser : https://vimeo.com/31303587 And also on facebook :
 https://www.facebook.com/pages/Womanhattan/308092392578172 I hope you find this project exciting and unique enough to be a part of it. Thank you! Seb Farges https://vimeo.com/51028337 -
This is advance pre-press release information A completely re-built and re-engineered precision optic. The photo below shows a prototype. Preliminary Specification**: super sharp anamorphot utilising optics that won Schneider Kreuznach Academy Awards for technical achievement 4 K aquisition friendly focal range from 0.75 metre to infinity, without dioptres large 50mm rear optic port 2X aesthetic, stunning blue flares and 2X oval bokeh support for Flex-eDrive* focussing accessory supports lenses from 40mm (APS-C) for 2.35:1 format supports lenses from 30mm (APS-C) for 2.35:1 format via Canon RAW 4:3 crop modes lens support for 15mm rod/rail systems included, for quick lens change and assured vertical alignment suitable for manual, auto focus and rotating-front-element lenses push on lens shade included, easily removeable 77mm filter thread included * Flex-eDrive is a planned product which functions as a flexible drive shaft to permit manual or motorised focus via stepper/servo control ** Specifications subject to change and improvement Initially a small batch will be made with follow up demonstration videos. If you would like to register your interest in this product and be placed on the mailing list, please visit my web page (under construction) and click the contact button. http://transferconvert.co.uk/cinemania/contact.html I will use relevant questions to formulate a FAQ support page. June 2013 John Barlow Supporting the Indy Film Maker
