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Found 48 results

  1. Hello, Long time lurker, finally decided to register to learn and contribute. I've been doing a little testing with some of my Contax Zeiss glass as a taking lens to my Iscorama. Previously, I've only used a Helios 44-2. The Zeiss is noticeably sharper and seems to work well. Sorry, no lens flares here - just a quick test of overall sharpness and bokeh. I tried using a Contax Zeiss 45mm f2.8 pancake, which made a a nice, compact setup, but it unfortunately wasn't as sharp and I'd hoped for. Drew
  2. http://vimeo.com/70264199   I had all but given up on ever finding the perfect 8mm anamorphic lens, but I recently got my hands on what I think is the most rare anamorphic lens that I have ever owned -- the Zeiss Ikon Anamorphot 22/1.5x. It is almost impossible to find any information on this lens. I could not find any pictures of the lens, nor any test footage. In fact, the only reason that I knew that it existed was a tip from anamorphic Godfather Kostas Petsas, who also has one. He compares his Ikon to the Iscomorphot 8/1.5x.   Like the Iscomorphot 8/1.5x, it's an 8mm "baby" lens that is fully rack-focusable. The helicoid is smooth and has a very manageable throw, so focusing is no problem at all as you will see in the test video above. The slightly wider diameter actually makes the lens easier to focus the baby Isco, and of course it is much more focus-friendly than the strenuous focus throw of the Iscorama.     It's a little bigger than the Iscomorphot 1.5x (front filter thread is about 43mm, and rear diameter is about 32mm) but still much smaller and lighter than the Iscomorphot 2x or the Iscorama. It's nice not to have to add in a support system to hold the weight of the additional lens. Coupled with a DSLR, a taking lens with a silver finish and a silver clamp from Redstan, this could be a great stealth anamorphic setup.   I think that perhaps the most substantial difference between the Ikon and the Iscomorphot is that the Ikon is usable when the taking lens is wide open (at least at f/1.8). Though it is not razor sharp like the Iscorama, I don't see a limitation here.    The minimum focus distance is impressive. I've been able to focus as close as 22" wide open without any diopters.   I haven't really put it through the paces yet, but from what I've seen, the lens has some nice, understated character. It's a lot less smeary than some of the 8mm anamorphics that I have used. The flares are thinly stretched blue ovals, similar to my Moller 32/2x (but I think that I may like the Zeiss flares even more).     I have been able to use it with my FS100 with a 50mm lens, which is usually my go-to lens when I first get an anamorphic lens. I'll have to test it to see if I can get away with using a wider taking lens.   I am excited about this lens. It is the easiest, simplest anamorphic lens that I have ever used and the image is very pleasing. I think that this is a winner. If anyone else has one, I'd love to compare notes.
  3. Hi folks. Been trying to consolidate my gear lately so here's a bunch of stuff for sale. Feel free to message me for more pics/information. Up first is the venerable Sigma 18-35mm f1.8 lens (Canon EF mount) also included as an extra is brand new cinemorph anamorphic filter from Vid-Atlantic. Lens is in great shape, comes front and rear caps, hood, protective case and original box. $675 Nikkor 28mm f2.8 AI-s Andy Lee has called this lens one of the greatest wide angles ever made by Nikon, extremely little distortion, and truly impressive almost macro-like close focus. This one has been loved a bit, but glass is clean and scratch free, no fungus or haze. Aperture blades do sho just the tiniest bit of oil, but they're snappy and open and close just fine. $125 Edelkrone QuickRelease One. I bought this after Matthias Burling reviewed it, but it never quite fit into my workflow the way I hoped it would. Cool piece of kit for run and gun though. Comes with original case as well. $40 Zeiss Jena Flektogon 35mm f/2.4 (RED MC Version) This lens is in absolutely PERFECT condition. I just had it completely disassembled by professionals and they cleaned the optics and regreased the focus mechanism so there is not even a speck of dust to be seen. This lens is very well-regarded, and is widely considered to be the very best of the East German Zeiss lenses. Superb close focus, wonderful character. $325 Samsung NX 30mm f/2 Great shape, front and rear lens caps, sharpest prime for NX system. Samsung NX 50-200mm OIS III Third and latest edition of this very nice, compact, convenient kit zoom for the NX system. If you can't afford the 50-150mm and just need the extra reach, this lens is worth it. $150 Sigma 30mm f1.4 Nikon mount (with Canon adapter/aperture lever) This lens is in flawless condition. I bought it but ended up never using it, comes with original box, lens caps, warranty information, very clean. $200
  4. Selling a lightly used zeiss batis 25mm f2. Feel free to message me if interested https://rover.ebay.com/rover/0/0/0?mpre=https%3A%2F%2Fwww.ebay.com%2Fulk%2Fitm%2F292429417659
  5. I have a new (never used, except to do an optical test on it against other lens) Contax Zeiss 28-85 f3.3-4 lens. Lens has been sitting in it's original box, and packaging. Essentially brand new. I would grade it 10. Only thing there might me mark from when I was taking a photo of it on my table, and I think I might have caused some discoloration on the paint marking on the body of the lens somewhere, I can't see it now, but I'm sure if I examine under bright light I might be able to spot it. I use to collect contax zeiss lenses I still have a few more left (message me if there is a specific lens you need and I might just have it and might want to sell it) this came from my collection. Message me if you want to see some photos of it. I like to get $300 for it .It's hard to find this lens in such a pristine condition anymore in US. Buyer pays shipping and Paypal fees. I'm "semorg" on eBay if you want to see my rating.
  6. Zeiss 100mm f2 Makro Planar EF Mount, excellent condition with hood. £600 London based
  7. In excellent, little used condition, complete with box, pouch etc. This is fitted with the high quality Leitax lens-mount adapter so it's good for a rock-solid fit to Canon EF mount cameras although this can be removed if you want to take it back to its original Contax/Yashica (C/Y) mount. £230GBP. I can add/supply some pictures if there's any interest....
  8. Hi all, I am selling my lovely Digital Bolex kit. It took me awhile to put it together and get it ready for the big show, so I would like to send it to a good home. Optimally, I would be able to send both the camera kit and the lens kit together, but I am willing to separate the 2. The Cooke zoom can be separated from the Super Speed prime set, but that prime set cannot be broken apart. *Camera Kit* Digital Bolex D16 2TB Native C-Mount Native m4/3 mount PL to M4/3 Adapter Zeiss CP.2 shims to shim the PL adapter for accurate focus Customized Rubber Skin Assorted Side Panels (Different Colours) Shark Hood Monitor Mirror Pistol Grip With Record Trigger USB Cord XLR - D-tap coiled power cord XLR - AC power cord Trigger Cover *Lens Kit* 3 Arri B - PL adapters Cooke Varokinetal 9-50mm T2.5 Cine Zoom (Covers 16mm sized sensor but can be adapted to s16 size image circle with Abakus adapter --not included but I can point you in the direction to acquire) Zeiss S16 Super Speed T1.3 Prime Kit (0.6x Aspheron, 9.5mm, low contrast 12mm with rear optic coating removed to fix excessive cleaning marks, 16mm, 25mm) with vintage metal case. If you are in Canada, I might be able to send you 2x 130wh Gold Mount broadcast batteries via ground shipping too. They make that 2TB Bolex an all-day monster. Feel free to PM me for any inquiries such as price and condition of items etc...
  9. A collection of commercial & branded content over the last three years. A huge thank you to everyone involved and making this possible. naivestudio.co.uk Created by Naive - Jonathan Edwards Director / DP / Editor Filmed on the Sony A7SII Lenses: Zeiss Loxia 35mm f2 / 50mm f2 / Batis 85mm f1.8 Rig: Movcam A7SII cage 4K / 1920 x 1080 HD / 16:9 / 120fps / 24fps
  10. Excellent condition A7S II for sale! The package comes with the CLM-FHD5 clip-on monitor which I've found to be an essential addition. I've also bundled in the Zeiss 24-70 f4 lens I've used for stills and gimbal work. It's nice, sharp and light. Comes with pouch and hood. Everything still comes with the original box, cables, chargers, manuals and 6 A7S II batteries (3 official, 3 third party). There's a few very faint marks on the camera, not really noticeable. The reason for sale is that we have another A7S II and we are looking to fund an FS5 as A and B-cam. Price is £2999 + shipping (as location varies). Collection in person is fine. PM me or email [email protected] if interested. European buyers only please.
  11. First online social media advert for J'adore Models Manchester, shot on the Sony A7SII in SLog3. Used the excellent Zeiss loxia primes, 50mm f2 and 35mm f2. Recorded full-frame 4K at 24fps, shutter lower than I would prefer due to room lighting restrictions but decided to roll with it instead of using LEDs to keep a cinematic look, pools of light and dark shadows etc. Looking to shoot more of these throughout the year and would love to know what peoples thoughts were... We are a boutique agency in Manchester. Our guys and girls have the freshest and coolest faces on the scene. We believe totally in presenting the next wave of unique, diverse and beautiful models to the industry and we’re about exceeding clients’ expectations, every time. jadoremodels.co.uk Filmed on the Sony A7SII Rig: Movcam A7SII cage Lenses: Zeiss Loxia 50mm f2 / Loxia 35mm f2 4K / 1920 x 1080 HD / 2.35 / 24fps Music: ASTR - Operate (Et Aliae remix)
  12. Latest work shot on the Sony A7SII with Zeiss Loxia prime lenses. Online commercial for a british watch brand. The film will be used for website/blog use and also taking 15 second social media cuts for further advertising. Also used the excellent 3DR Solo drone for the opening wide and SLog3 profile for further flex in the grade. Hope you enjoy! We are inspired by traditional British styling & tailoring and modern ink culture to create a unique blend of convention and edge. This makes our collection truly distinctive. Our products are all beautifully presented and strikingly original.Our obsessive attention to detail and passion for what we do has created…Ma-Ga London. 'It’s a real accomplishment to be yourself in a world that keeps trying to make you something else’ Filmed on the Sony A7SII Rig: Movcam A7SII cage Lenses: Zeiss Loxia 50mm f2 / Loxia 35mm f2 4K / 1920 x 1080 HD / 2.35 / 24fps Music: SLK - Ride (Prod - Embody)
  13. Hi. Here is a music video I directed last week on my Sony A7sii using zeiss super speed lenses via a pl mount adapter. Hope you like it. Guy
  14. Latest in the Ascensions Series for Highsnobiety. Took huge risks with this film, to shoot in harsh winter conditions, heavy rain throughout with little shelter. Shot over three days, we hiked further than a marathon and climbed over 7,500ft, the most intense and demanding film in the series yet. The aerial and natural elements where shot on returned visits to concentrate on time with the model. A more in-depth piece will be released via Zeiss and Lenspire later today i believe. Hope you enjoy my hardest project to date and would love further feedback. Ascensions is a new short film series that focuses on some of the established, as well as up-and-coming names in modern streetwear culture. Each short is shot amid a vast natural landscape, with the intention of representing a brand’s rise toward the summit in their field. The fourth in the series features Black Rabbit БЯ. Black Rabbit which name originates from the cyrillic initials, “БЯ” is not constrained by seasons and built without the pricing compromises demanded by the fashion market. The series is exclusively released via Highsnobiety. highsnobiety.com blackrabbit.jp Filmed on the Sony A7SII Aerial Film - 3DR Solo Rig: Movcam A7SII cage Timelapse: Sony A7II Lenses: Zeiss Loxia 35mm f2 / 50mm f2 4K / 1920 x 1080 HD / 16:9 / 120fps / 24fps Music: Wife - Like Chrome Album - What's Between Label: Tri▽angle Motion Titles: Yoke Creative yokecreative.co.uk Still Images: Benjamin Moore @photographmoore
  15. Latest work shot on the Sony A7SII in PP5 due to indoor light restrictions. Time-lapse work via the A7II, all with Zeiss E-Mount lenses. Loxia 50mm and 35mm, final time-lapse with the Zeiss Touit 12mm in aps-c crop. Cut and graded in FCPX. Love to know what people think? THFKDLF headed out to Bright Tradeshow, Berlin to showcase their upcoming collections and produce a capsule over the 3 day show. Here is what happened. Bright is an original platform which conveys a snapshot of modern lifestyle within an atmosphere relevant to its target group. Since culture is in constant motion, and the influences of its trends are always evolving, the element of its perception fluctuates between art, sport and music. Above all, authenticity is the leading component. thfkdlf.com / brighttradeshow.com / ae-sewingmachines.co.uk Filmed on the Sony A7SII Rig: Movcam A7SII cage Timelapse: Sony A7II Lenses: Zeiss Loxia 35mm f2 / 50mm f2 4K / 1920 x 1080 HD / 16:9 / 24fps Music: Ember Island - Can't feel my face Album - 3 Roses x Ember Island Cover Label: Non
  16. HUF heads to the summit in our latest "Ascensions" film After kicking the Ascensions Series off with up-and-coming streetwear brand THFKDLF, we now turn our attention to established streetwear imprint HUF. Each video in the series is shot amid a vast natural landscape, with the intention of representing a brand’s rise toward the summit in their field. Since beginning as a small shop in San Francisco in 2002, HUF has turned into a strong name in the skateboarding and streetwear worlds. Donning the brands spring and classic garments, the model heads through an abandoned quarry and up to the UK’s largest drop waterfall, showing off both the clothing and landscape to full effect. Video by: Naive Studio <iframe width="560" height="315" src="https://www.youtube.com/embed/b0khwTN4XNY" frameborder="0" allowfullscreen></iframe> http://www.highsnobiety.com/2015/08/06/ascensions-huf-video/ Filmed on the Sony Nex-FS700 Timelapse: Sony A6000 Lenses: Zeiss Touit 12mm f2.8 / 32mm f1.8 1920 x 1080 HD / 16:9 / 240fps / 24fps Music: Wife - Shards From the Album: Stoic EP Label: Tri▽angle Motion Titles: Yoke Creative yokecreative.co.uk Still Image: Benjamin Moore @photographmoore Love to know what people think! Kindest Regards Jonathan Edwards naivestudio.co.uk highsnobiety.com
  17. Been shooting out in the forest last sunday with the Contax Zeiss 35-70 f3.4 and 80-200 f4. The 100-300 which is supposed to be better has yet to arrive. I find that 80-200 is much better without a teleconverter attached to it, much more crisp images. Graded using filmconvert and loving it. I think the contax glass lineup compliments what filmconvert tries to do. On a sidenote, I got lost during filming couple of times in the bush. I think I got disoriented while trying to avoid the race tracks. There was no signal and phone battery was on 5%. I hated myself for walking into the forest so unprepared. Almost went to the point of panic until I eventually found my way back. Never knew I would need orienteering skills for filming. Thank god I took minimal gear that day. Below is the video.
  18. Here is the narrative music video 'Don't Stop' that I have directed & shot with my lovely BMCC : + few DNGs to play with : https://dl.dropboxusercontent.com/u/...tStop_DNGs.zip Lenses used : 21 & 35mm Zeiss CP.2 - Tokina 11-16 + Mikkro Nikkor 55mm AI-S Softwares used : Resolve 9 - FCPX - After Effect and Mocha Pro I would love to get some feedback ----- Produced & directed by MARC LINNHOFF - marclinnhoff.com Music by BROAD RUSH get the full version here : hook-up.fr/broad-rush-dont-stop/ Backstage photos from P-mod : flickriver.com/photos/p-mod/sets/72157633312056426/ Starring : Joffrey Schmidt - Clarisse Hagenmuller - Denis Jelly - Nina Schouler - Pierre Riff Camera & post-production : Marc Linnhoff Lighting : Ludovic Haas - Dom Pichard/P-mod Make up : Anne-K Lejeal - Elsa Parmentier Special thanks to Yoko Tsuji, Jacques Roth, Tsaki, Arnaud Masson, Jessi & Michel..
  19. HUNTER shot on BMCC 2,5K edited on FCPX, Resolve and AE Directed, Shot & Edited by Marc Linnhoff Music by Broad Rush Label : Dub All Or Nothing With : Clarisse Hagenmuller, Denis Jelly, Pierre Riff, Joffrey Schmidt, Sandrine Pirès, Marine Gardeux, Sylvain Clauser Routier, Anne Sophie Gole, Jonathan Lagrave Sponsored by Frank Linnhoff DP : Dom Pichard aka P-mod p-mod.com DP Assistant : Ludovic Haas Camera Assistant : Vladimir Lutz lutzvladimir.fr Make-Up & Hair : Anne-Ka Lejeal, Sophie Renier, Elsa Parmentier Costume : Adèle Wucher Barbecue Spit made by Christophe Fruh Skull made by Jean Linnhoff jeanlinnhoff.com Special thanks to Brigitte Desforges, Kevin Linnhoff, Frank Linnhoff, Jean-Marie Hagenmuller, Elodie Heitz aka Mnémo, Jacques Roth, Bouna, Jo, Delphine Lagrave, Famille Lejeal, Ross Middleton, La Clairière - Longemer Backstage photos by P-mod : flickr.com/photos/p-mod/sets/72157646215719879/
  20. Short film which was featured at the Sony Ci booth at NAB Las Vegas 2014. A journey consumed with grandeur yet desolate landscapes. Filmed on the Sony NEX-FS700 Lenses: SEL18200 / Nikkor f/1.8 50mm 1920 x 1080 HD / 16:9 / 240fps / 24fps
  21. Finally finished my short film project "Separate Flow". Waiting for the right anamorphic and I think the SLR Magic Anamorphot was it. Very practical to use on location, it worked really well for this project. Debated long and hard on using either the GH3 or 5DmkIII RAW. In the end I went with shooting RAW even though I had a lot of problems, including the camera shutting down at one point. But it's the flexibility of RAW in post that won out in the end. In the future I will use AF with the GH3/4 since it's more usable, especially when using a steadicam.
  22. Is there any loss in quality using a ZF lens on a Canon body via an adapter? Would having a mount professionally switched using a company like Duclos in the U.S or TLS in the UK, be any better? Alex
  23. Hey! Does anyone have a suggestion for a good film-look lens with Nikon mount which doesn't cost a thousand dollars? I'm not quite happy with my lenses so far concerning the sharpness and look, as most of them are photographic lenses. Zoom wouldn't be bad, but doesn't have to be. Also of course it should be somewhat fast. Perhaps anyone has a advice or a secret tip? Shall be used on BMPCC with BMPCC-Nikon Speedbooster.
  24. https://vimeo.com/59642343 Used Equipment: Canon C100 Zeiss CP2 18mm/35mm/85mm “A human being is only breath and shadow.†– Sophocles This quote from Sophocles inspired me to shoot this short film. It was a really nice experience to work with Canon C100. I pushed the ISO up to 4000 because i wanted to see how much noise will be generated. Of course there is some grain in the picture but the low light ability of the Canon C100 is still amazing. Working with the Compact Prime Lenses was uncomplicated. The Magnifier Button, which operates also during recording is an amazing tool. The form factor of the C100 is very handy and you are able to make your shots in a quick and comfortable way.
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