Jump to content

Search the Community

Showing results for tags 'zeiss'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type



Find results in...

Find results that contain...


Date Created

  • started by

    end


Last Updated

  • started by

    end


Filter by number of...

Joined

  • started by

    end


Group


Website URL


Facebook


Twitter


WhatsApp


Instagram


Skype


Location


Interests


My cameras and kit

  1. Hi everyone. I just found 3 lenses in the attic. I attache a picture of them. For 1. and 2. i have some ideas, but i have no idea what 3. could be. im using Canon EF, so my questions would be: Can someone guide me / give me a hint / link about: 1. what are this guys (ok, i have idea about 1. and 2., but 3 - no idea. 2. what type of mount do they use? 3. what adaptor should i look for to mount them on Canon EF? thanks for your kind answers :)[attachment=38764]l.jpg[/attachment]
  2. ZEISS TODD-AO Zoom 50-150mm T3.2 Anamorphic x1.25 Large Format Vista Red Monstro On Ebay Price: S $3,000.00 https://www.ebay.com/itm/ZEISS-TODD-AO-Zoom-50-150mm-T3-2-Anamorphic-x1-25-Large-Format-Vista-Red-Monstro/153990922811?
  3. Hello, Long time lurker, finally decided to register to learn and contribute. I've been doing a little testing with some of my Contax Zeiss glass as a taking lens to my Iscorama. Previously, I've only used a Helios 44-2. The Zeiss is noticeably sharper and seems to work well. Sorry, no lens flares here - just a quick test of overall sharpness and bokeh. I tried using a Contax Zeiss 45mm f2.8 pancake, which made a a nice, compact setup, but it unfortunately wasn't as sharp and I'd hoped for. Drew
  4. http://vimeo.com/70264199   I had all but given up on ever finding the perfect 8mm anamorphic lens, but I recently got my hands on what I think is the most rare anamorphic lens that I have ever owned -- the Zeiss Ikon Anamorphot 22/1.5x. It is almost impossible to find any information on this lens. I could not find any pictures of the lens, nor any test footage. In fact, the only reason that I knew that it existed was a tip from anamorphic Godfather Kostas Petsas, who also has one. He compares his Ikon to the Iscomorphot 8/1.5x.   Like the Iscomorphot 8/1.5x, it's an 8mm "baby" l
  5. Hi folks. Been trying to consolidate my gear lately so here's a bunch of stuff for sale. Feel free to message me for more pics/information. Up first is the venerable Sigma 18-35mm f1.8 lens (Canon EF mount) also included as an extra is brand new cinemorph anamorphic filter from Vid-Atlantic. Lens is in great shape, comes front and rear caps, hood, protective case and original box. $675 Nikkor 28mm f2.8 AI-s Andy Lee has called this lens one of the greatest wide angles ever made by Nikon, extremely little distortion, and truly impressive almost macro-like close focus.
  6. Selling a lightly used zeiss batis 25mm f2. Feel free to message me if interested https://rover.ebay.com/rover/0/0/0?mpre=https%3A%2F%2Fwww.ebay.com%2Fulk%2Fitm%2F292429417659
  7. I have a new (never used, except to do an optical test on it against other lens) Contax Zeiss 28-85 f3.3-4 lens. Lens has been sitting in it's original box, and packaging. Essentially brand new. I would grade it 10. Only thing there might me mark from when I was taking a photo of it on my table, and I think I might have caused some discoloration on the paint marking on the body of the lens somewhere, I can't see it now, but I'm sure if I examine under bright light I might be able to spot it. I use to collect contax zeiss lenses I still have a few more left (message me if th
  8. Zeiss 100mm f2 Makro Planar EF Mount, excellent condition with hood. £600 London based
  9. In excellent, little used condition, complete with box, pouch etc. This is fitted with the high quality Leitax lens-mount adapter so it's good for a rock-solid fit to Canon EF mount cameras although this can be removed if you want to take it back to its original Contax/Yashica (C/Y) mount. £230GBP. I can add/supply some pictures if there's any interest....
  10. Hi all, I am selling my lovely Digital Bolex kit. It took me awhile to put it together and get it ready for the big show, so I would like to send it to a good home. Optimally, I would be able to send both the camera kit and the lens kit together, but I am willing to separate the 2. The Cooke zoom can be separated from the Super Speed prime set, but that prime set cannot be broken apart. *Camera Kit* Digital Bolex D16 2TB Native C-Mount Native m4/3 mount PL to M4/3 Adapter Zeiss CP.2 shims to shim the PL adapter for accurate focus Customized Rubber Skin Assorted Side Panels (
  11. A collection of commercial & branded content over the last three years. A huge thank you to everyone involved and making this possible. naivestudio.co.uk Created by Naive - Jonathan Edwards Director / DP / Editor Filmed on the Sony A7SII Lenses: Zeiss Loxia 35mm f2 / 50mm f2 / Batis 85mm f1.8 Rig: Movcam A7SII cage 4K / 1920 x 1080 HD / 16:9 / 120fps / 24fps
  12. Excellent condition A7S II for sale! The package comes with the CLM-FHD5 clip-on monitor which I've found to be an essential addition. I've also bundled in the Zeiss 24-70 f4 lens I've used for stills and gimbal work. It's nice, sharp and light. Comes with pouch and hood. Everything still comes with the original box, cables, chargers, manuals and 6 A7S II batteries (3 official, 3 third party). There's a few very faint marks on the camera, not really noticeable. The reason for sale is that we have another A7S II and we are looking to fund an FS5 as A and B-cam. Pri
  13. First online social media advert for J'adore Models Manchester, shot on the Sony A7SII in SLog3. Used the excellent Zeiss loxia primes, 50mm f2 and 35mm f2. Recorded full-frame 4K at 24fps, shutter lower than I would prefer due to room lighting restrictions but decided to roll with it instead of using LEDs to keep a cinematic look, pools of light and dark shadows etc. Looking to shoot more of these throughout the year and would love to know what peoples thoughts were... We are a boutique agency in Manchester. Our guys and girls have the freshest and coolest faces on the scene. We bel
  14. Latest work shot on the Sony A7SII with Zeiss Loxia prime lenses. Online commercial for a british watch brand. The film will be used for website/blog use and also taking 15 second social media cuts for further advertising. Also used the excellent 3DR Solo drone for the opening wide and SLog3 profile for further flex in the grade. Hope you enjoy! We are inspired by traditional British styling & tailoring and modern ink culture to create a unique blend of convention and edge. This makes our collection truly distinctive. Our products are all beautifully presented and strikingly original.
  15. Hi. Here is a music video I directed last week on my Sony A7sii using zeiss super speed lenses via a pl mount adapter. Hope you like it. Guy
  16. Latest in the Ascensions Series for Highsnobiety. Took huge risks with this film, to shoot in harsh winter conditions, heavy rain throughout with little shelter. Shot over three days, we hiked further than a marathon and climbed over 7,500ft, the most intense and demanding film in the series yet. The aerial and natural elements where shot on returned visits to concentrate on time with the model. A more in-depth piece will be released via Zeiss and Lenspire later today i believe. Hope you enjoy my hardest project to date and would love further feedback. Ascensions is a new short film series t
  17. Latest work shot on the Sony A7SII in PP5 due to indoor light restrictions. Time-lapse work via the A7II, all with Zeiss E-Mount lenses. Loxia 50mm and 35mm, final time-lapse with the Zeiss Touit 12mm in aps-c crop. Cut and graded in FCPX. Love to know what people think? THFKDLF headed out to Bright Tradeshow, Berlin to showcase their upcoming collections and produce a capsule over the 3 day show. Here is what happened. Bright is an original platform which conveys a snapshot of modern lifestyle within an atmosphere relevant to its target group. Since culture is in constant motion, and the in
  18. HUF heads to the summit in our latest "Ascensions" film After kicking the Ascensions Series off with up-and-coming streetwear brand THFKDLF, we now turn our attention to established streetwear imprint HUF. Each video in the series is shot amid a vast natural landscape, with the intention of representing a brand’s rise toward the summit in their field. Since beginning as a small shop in San Francisco in 2002, HUF has turned into a strong name in the skateboarding and streetwear worlds. Donning the brands spring and classic garments, the model heads through an abandoned quarry and up to the UK’s
  19. Been shooting out in the forest last sunday with the Contax Zeiss 35-70 f3.4 and 80-200 f4. The 100-300 which is supposed to be better has yet to arrive. I find that 80-200 is much better without a teleconverter attached to it, much more crisp images. Graded using filmconvert and loving it. I think the contax glass lineup compliments what filmconvert tries to do. On a sidenote, I got lost during filming couple of times in the bush. I think I got disoriented while trying to avoid the race tracks. There was no signal and phone battery was on 5%. I hated myself for walking into the forest so unpr
  20. Here is the narrative music video 'Don't Stop' that I have directed & shot with my lovely BMCC : + few DNGs to play with : https://dl.dropboxusercontent.com/u/...tStop_DNGs.zip Lenses used : 21 & 35mm Zeiss CP.2 - Tokina 11-16 + Mikkro Nikkor 55mm AI-S Softwares used : Resolve 9 - FCPX - After Effect and Mocha Pro I would love to get some feedback ----- Produced & directed by MARC LINNHOFF - marclinnhoff.com Music by BROAD RUSH get the full version here : hook-up.fr/broad-rush-dont-stop/ Backstage photos from P-mod : flickriver.com/photos/p-mod/sets/721576333
  21. HUNTER shot on BMCC 2,5K edited on FCPX, Resolve and AE Directed, Shot & Edited by Marc Linnhoff Music by Broad Rush Label : Dub All Or Nothing With : Clarisse Hagenmuller, Denis Jelly, Pierre Riff, Joffrey Schmidt, Sandrine Pirès, Marine Gardeux, Sylvain Clauser Routier, Anne Sophie Gole, Jonathan Lagrave Sponsored by Frank Linnhoff DP : Dom Pichard aka P-mod p-mod.com DP Assistant : Ludovic Haas Camera Assistant : Vladimir Lutz lutzvladimir.fr Make-Up & Hair : Anne-Ka Lejeal, Sophie Renier, Elsa Parmentier Costume : Adèle Wucher Barbecue Spit made by Christo
  22. Short film which was featured at the Sony Ci booth at NAB Las Vegas 2014. A journey consumed with grandeur yet desolate landscapes. Filmed on the Sony NEX-FS700 Lenses: SEL18200 / Nikkor f/1.8 50mm 1920 x 1080 HD / 16:9 / 240fps / 24fps
  23. Finally finished my short film project "Separate Flow". Waiting for the right anamorphic and I think the SLR Magic Anamorphot was it. Very practical to use on location, it worked really well for this project. Debated long and hard on using either the GH3 or 5DmkIII RAW. In the end I went with shooting RAW even though I had a lot of problems, including the camera shutting down at one point. But it's the flexibility of RAW in post that won out in the end. In the future I will use AF with the GH3/4 since it's more usable, especially when using a steadicam.
  24. Is there any loss in quality using a ZF lens on a Canon body via an adapter? Would having a mount professionally switched using a company like Duclos in the U.S or TLS in the UK, be any better? Alex
×
×
  • Create New...