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My cameras and kit

Found 24 results

  1. Eagerly awaiting your Pocket Cinema Camera? You already have a micro for thirds camera and some C-mount lenses? Want to know if they will cover the sensor of the Pocket? Lets find out! I hope you will add your results, so we can make this list growing. I will only add lenses to the lists when you have proof, in other words: images. How? Because we know the active sensor area of the BMPCC measures 12,48 x 7,02 mm, it is fairly easy to check if our C-mount lenses will cover the full sensor. Calculate this by taking a picture with a lens on your micro four thirds camera, and crop out th
  2. I'm really considering making a big upgrade to the URSA, but I've already invested in a fleet of Canon FDs. I've been doing some research on FD to PL mounts without a lot of luck. I know ARRI make an FD adapter to the ARRI mount (PL??) but besides that seems there's zilch out there. Some talk about machining the lenses to fit the new flange but I was hoping someone here knows of something...
  3. C100 Mark II + Extra Battery (Original) + HardCase in perfect condition Price: 2800 + Shipping. I'm based in Spain but I can ship everywhere, shipping costs are around 50-100 and it will travel in the HardCase (included in the price) so it will be just fine :) This is the most reliable camera that I've ever used. ND's included, natural cinematic colors, Dual Pixel, amazingly detailed 1080p from an internal 4K downsampling process (made in camera), dual slot sd card recording, etc etc, just 100 % proffesional. I'm selling it just because I allways work with a cameraman which
  4. I’m selling my 1DC on eBay! I can’t believe it...My favorite camera ever. https://rover.ebay.com/rover/0/0/0?mpre=https%3A%2F%2Fwww.ebay.com%2Fulk%2Fitm%2F112902067120
  5. Music video I directed just went live! Shot on Arri Alexa Mini with Cooke S4/i glass and it was a pleasure to use! I'm always taken by the Alexa image every time I work with it. Wish I could afford to use one every time I shoot! directed by Dave Altizer produced by Jarad Clement director of photography Chris Adams edited and color graded by Jarad Clement here are some BTS shots
  6. For sale: in EU, Blackmagic Micro Cinema Camera. Plus, Ikan VL35 (has a mark on the upper left, by removing the adhesive). Plus, a Hoya IR Cut Plus, a Sandisk 128gb/90mb The camera and the monitor, with the original packaging. All used only once. All the package, for 1200 euros *PM me for photos.
  7. Not mine, but great deal! Found it on eBay. 1DC with 4 batteries/ Charger 4x 128GB CF cards $3,999 https://rover.ebay.com/rover/0/0/0?mpre=https%3A%2F%2Fwww.ebay.com%2Fulk%2Fitm%2F272852833707
  8. Dear cinematographers and cineastes, What will film and cinema look like in future when analog film will disappear given the diversity of digital moving picture formats? The documentary CINEMA FUTURES explores this important subject. For the sake of film please watch and share. Thanks! Here's the international trailer: With Martin Scorsese, Christopher Nolan, Tacita Dean, Apichatpong Weerasethakul, David Bordwell, Tom Gunning, Jacques Rancière, Margaret Bodde, Paolo Cherchi Usai, Nicole Brenez, Michael Friend, Greg Lukow, Mike Mashon, and many others.
  9. - Red One Mysterium-X body - PL Mount - Nikon Mount - 6x 16GB Red CF cards - Red SDI HD adapter - Red Pro LCD + cable - Magic arm - Red Cradle - AC adapter - Top handle + rails The camera doesn't have any problem. Has low hours (I think around 600h, but I can confirm it). It's located in Lisbon, Portugal. Price: 3500€ + shipping Email: [email protected]
  10. The package includes: - Red One camera (around 300h) - PL Mount - Red Cradle - Red Pro LCD (has a small mark but works fine) + cable - 2x Red Drives (640GB and 120GB) + cable - Top handle and 2 rails The camera works fine but when is powered continuously for 7/8 hours some small red dots start showing in the image. I heard this is normal, it's due to sensor overheating. It was never a problem for me because I use it for 2/3 hours continuously maximum and then I turn it off to change set or batteries and the red dots never show up. The camera is located in Lisbon, Portugal.
  11. Latest work shot on the Sony A7SII with Zeiss Loxia prime lenses. Online commercial for a british watch brand. The film will be used for website/blog use and also taking 15 second social media cuts for further advertising. Also used the excellent 3DR Solo drone for the opening wide and SLog3 profile for further flex in the grade. Hope you enjoy! We are inspired by traditional British styling & tailoring and modern ink culture to create a unique blend of convention and edge. This makes our collection truly distinctive. Our products are all beautifully presented and strikingly original.
  12. Latest work shot on the Sony A7SII in PP5 due to indoor light restrictions. Time-lapse work via the A7II, all with Zeiss E-Mount lenses. Loxia 50mm and 35mm, final time-lapse with the Zeiss Touit 12mm in aps-c crop. Cut and graded in FCPX. Love to know what people think? THFKDLF headed out to Bright Tradeshow, Berlin to showcase their upcoming collections and produce a capsule over the 3 day show. Here is what happened. Bright is an original platform which conveys a snapshot of modern lifestyle within an atmosphere relevant to its target group. Since culture is in constant motion, and the in
  13. My first test of using the GH4 with Cinema 4K setting at 24hz. Also my first test with my "new" Iscorama 36. I had a hard time adapting it to a rails system, but it's OK for now. I finally understand what it's like to rack focus, as well as how sharp it is. I have to do more tests though to see what I really prefer. I like the SLR Magic a LOT for run n gun, and it is just so easy, and I really don't need diopters. However it really isn't as sharp as the Iscorama. The other option is my Sankor 2x but that's way more bulky and heavy although just as sharp wide open as the Iscorama. I
  14. Hey! Does anyone have a suggestion for a good film-look lens with Nikon mount which doesn't cost a thousand dollars? I'm not quite happy with my lenses so far concerning the sharpness and look, as most of them are photographic lenses. Zoom wouldn't be bad, but doesn't have to be. Also of course it should be somewhat fast. Perhaps anyone has a advice or a secret tip? Shall be used on BMPCC with BMPCC-Nikon Speedbooster.
  15. Good evening guys, I'm searching for a very fast or the fastest lens for the BMPCC. Then fastest I can think of is the Nikon AI 50mm / 55mm f/1.2 in combination with the BMPCC-Speedboster. Do you have another (better) advice? BTW: It's mostly for concert and nighttime shooting and perhaps to get a nice DOP. Thanks a lot! Moe
  16. Hello, everyone. Perhaps this may seem like a silly question, but I could not find the answer anywhere! After we record in RAW on the Blackmagic, can we playback the clips on the camera lcd? It seems like a no brainer, but I have never held one and was a bit preoccupied because of the playback troubles on the 5D3 ML RAW.
  17. This is a little 2 minutes short film we shot with the Blackmagic Cinema Camera. It is our first major field test of the camera and we weren't disapointed at all. We shot with a Canon 50mm 1.8 & SLR Magic 25mm 0.95. Coming from a DSLR background, I was really surprised how well he dynamic range really held up. We shot ProRes for everything except the opening and closing shots which we shot RAW. We used one bounce card but the rest was available light.    It's titled: "Le Rire". As you can probably tell by the heavy-handed french music, we were aiming for the feel of a pixar-esq
  18. Does anyone know if it's possible to create a good "recipe" for converting BMCC raw video to something similar to what the BMCC camera would create when it outputs Film Log ProRes - preferably using Adobe Camera Raw and After Effects? (I'll be using Resolve at some point, but I'm waiting for the new MacPro's to upgrade, and my 2012 Pre-Retina MacBook Pro can't handle Resolve).   To be more clear: I'd like to shoot RAW, but immediately batch convert to something that closely resembles what I would get if I had shot ProRes422 Film Log.     Is there such a recipe?  Or does
  19. Hey Andrew,     I saw your post about working with premiere/ae with the bmcc and noticed you said you are using a macbook with an SSD as the main drive.     I just got my BMCC and havent been able to really use it at all because my macbook keeps crapping on itself everytime I try to do anything with the dng files or resolve. I have the same exact laptop as you I believe: Apple 2011 Macbook Pro 17' i7 8GB RAM.   I've been trying to do as much research as I can about installing an SSD as the main drive and switching the optical drive out of my computer in order to
  20. Some of the cons pointed out for Blackmagic Camera come from the point of view of casual DSLR shooting, not compared to other cinema cameras, which is what it's intended to compete with in a more budget-conscious manner. This was my thinking when pre-ordering the new Quad HD model.   A practical example:   The other day we were shooting an internal film for a client on Alexa Plus 4:3. Hey, if they can afford it...   The camera weighs 7KG (15lbs), that's just the body. Then you hang a Cooke prime on the front, a pair of Anton Bauers on the back and that's up to 10kg (22lbs)
  21. Hi there,   I am currently working on a research project for my final year in university where I study film production.   The paper is called "The Evolution of the Cinema Camera" and will discuss the technological advancements within the cameras through the decades. In particular though it will focus on the move from 35mm film to digital.   For the project I have been talking to various D.O.P's and also camera companies such a Panavision, Arri and RED, and getting their opinions on the change from 35mm to digital.    However, with digital now the primary choice
  22. Just found this on Vimeo.  Awesome, can't wait to see more footage!!   http://vimeo.com/55887965
  23. https://vimeo.com/55803392     Produced by http://www.Deadcatdigital.com Location: "Szimpla kert" ruin pub Budapest - http://www.szimpla.hu 11.12.2012 ISO: 2000-6000 1080i 4:2:2 MXF No color correction in post Canon EF Cinema lenses we used: 24mm T1.5 50mm T1.3 85mm T1.3 Music: Infected Mushroom-Muse Breaks RMX   [attachment=327:Canon_c500_deadcatdigital_cinema_lenses.png]
  24. Hi guys, writer/director here working on getting my first feature up and running. I entered this comp with only 9 hours before the deadline, primarily, as when I saw the judges, I knew it was real people who make and live cinema and not funding bodies and other lack of film education types, who were going to see them. I shot it on the GH2 to test what I have always believed in, which is, that when it comes to any kind of artistic or creative expression, it is what you have to say and not what you say it on or with that counts, and nothing else, and I knew others had made full blown producti
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