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Showing results for tags 'Log'.
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I never shot with any format other than internal gh4 4k and need to shoot client footage who is requesting 4k Log ProRes LT footage to be used by news. I currently own a GH4 and lenses. Wanted to know what I needed to deliver this type of footage. Should I get an external recorder or buy a GH5s? Can gh5s shoot this internally? Thanks
Hello, I am new to this forum (first post) and beginner filmaker and I will need advice ... Last June I started shooting for my documentary project on the local natural heritage, for now with my own money, so my gear is rather light... I'm shooting with a Canon Eos 70D DSLR, outdoor, and i'm shooting the natural spaces of a valley (along a river). At the start I wanted to film in RAW with Magic Lantern, but with my 70D i'm stuck in 720p (for a continuous recording), so finally i've shot in a compressed way, Mpeg-4 All-I 8bit 4:2:0 @1080p 29.97fps with a picture style (EOSHD C-LOG (0,-4,-4,2)) + Vari ND Filter, hoping to get myself out of it even in post-prod ... But here the quality of the images, in a context of shooting outdoors in shaded places very contrasted (...), do not satisfy me ! So I would like to have advice to achieve a higher quality outdoor shots (natural light)? To illustrate my purpose you can see these few shots that I graded in Resolve + corrections in After Effects: https://vimeo.com/alexandrewebercom/riviereardeche The third shot is particularly ugly ... - Have I "pushed" the mpeg-4 too far by color grading it or is it simply the limitations of this compression? - How do I do with hyper contrast scenes (it was about 14h when shooting)? - Am I condemned to film in RAW whatever the chosen camera (to be able to uncork the blacks or to recover in the whites in post-prod)? - Is it better that I under-expose or over-expose this type of scene? - Can you suggest gear/ configuration more suitable for my use: Camera, Raw / Prores, Log, external recording ... ? Thanks a lot !
Does anyone know if it's possible to create a good "recipe" for converting BMCC raw video to something similar to what the BMCC camera would create when it outputs Film Log ProRes - preferably using Adobe Camera Raw and After Effects? (I'll be using Resolve at some point, but I'm waiting for the new MacPro's to upgrade, and my 2012 Pre-Retina MacBook Pro can't handle Resolve). To be more clear: I'd like to shoot RAW, but immediately batch convert to something that closely resembles what I would get if I had shot ProRes422 Film Log. Is there such a recipe? Or does the BMCC apply something more like a changeable algorithm to create it's ProRes Log? So... what kind of curve, saturation, highlight control, shadow control, sharpening, noise reduction, etc... would you be best to use if you were willing to do a batch convert and then grade the ProRes afterward? There may not be a "one-click" solution but my current workflow is brutally slow. Thanks for any help anyone can be, -Aaron