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Found 17 results

  1. A collection of commercial & branded content over the last three years. A huge thank you to everyone involved and making this possible. naivestudio.co.uk Created by Naive - Jonathan Edwards Director / DP / Editor Filmed on the Sony A7SII Lenses: Zeiss Loxia 35mm f2 / 50mm f2 / Batis 85mm f1.8 Rig: Movcam A7SII cage 4K / 1920 x 1080 HD / 16:9 / 120fps / 24fps
  2. Hey guys, Just wanted to share a promo I just made for DKNY with the Sony a7S. This was made as a tribute to my beautiful wife, Kari, whom passed in August 2015 from Cystic Fibrosis - a chronic illness with no known cure. Every shot but the New York B-roll was with the a7S (recorded in 4K by the Atomos Ninja Flame), and graded with FilmConvert. I hope you enjoy the video. Please let me know what you think! Best wishes, Bradley
  3. First online social media advert for J'adore Models Manchester, shot on the Sony A7SII in SLog3. Used the excellent Zeiss loxia primes, 50mm f2 and 35mm f2. Recorded full-frame 4K at 24fps, shutter lower than I would prefer due to room lighting restrictions but decided to roll with it instead of using LEDs to keep a cinematic look, pools of light and dark shadows etc. Looking to shoot more of these throughout the year and would love to know what peoples thoughts were... We are a boutique agency in Manchester. Our guys and girls have the freshest and coolest faces on the scene. We bel
  4. Latest work shot on the Sony A7SII with Zeiss Loxia prime lenses. Online commercial for a british watch brand. The film will be used for website/blog use and also taking 15 second social media cuts for further advertising. Also used the excellent 3DR Solo drone for the opening wide and SLog3 profile for further flex in the grade. Hope you enjoy! We are inspired by traditional British styling & tailoring and modern ink culture to create a unique blend of convention and edge. This makes our collection truly distinctive. Our products are all beautifully presented and strikingly original.
  5. Latest in the Ascensions Series for Highsnobiety. Took huge risks with this film, to shoot in harsh winter conditions, heavy rain throughout with little shelter. Shot over three days, we hiked further than a marathon and climbed over 7,500ft, the most intense and demanding film in the series yet. The aerial and natural elements where shot on returned visits to concentrate on time with the model. A more in-depth piece will be released via Zeiss and Lenspire later today i believe. Hope you enjoy my hardest project to date and would love further feedback. Ascensions is a new short film series t
  6. Latest work shot on the Sony A7SII in PP5 due to indoor light restrictions. Time-lapse work via the A7II, all with Zeiss E-Mount lenses. Loxia 50mm and 35mm, final time-lapse with the Zeiss Touit 12mm in aps-c crop. Cut and graded in FCPX. Love to know what people think? THFKDLF headed out to Bright Tradeshow, Berlin to showcase their upcoming collections and produce a capsule over the 3 day show. Here is what happened. Bright is an original platform which conveys a snapshot of modern lifestyle within an atmosphere relevant to its target group. Since culture is in constant motion, and the in
  7. HUF heads to the summit in our latest "Ascensions" film After kicking the Ascensions Series off with up-and-coming streetwear brand THFKDLF, we now turn our attention to established streetwear imprint HUF. Each video in the series is shot amid a vast natural landscape, with the intention of representing a brand’s rise toward the summit in their field. Since beginning as a small shop in San Francisco in 2002, HUF has turned into a strong name in the skateboarding and streetwear worlds. Donning the brands spring and classic garments, the model heads through an abandoned quarry and up to the UK’s
  8. We felt the best way to really learn how to use the GH4 was to shoot a commercial. All the GH4 shots were in 1080p VFR 60fps mode, Natural picture style, Panasonic 12-35 F2.8 lens, gen 1 Fader ND 77mm (+ adapter), and Flycam Nano DSLR steadicam. The pool shots were iPhone 5S 720p 120fps, and underwater shots with GoPro Hero 3 Black. Edited in Premiere Pro CC with heavy use of the new masking tools. Neat Video was used for denoising. Really pleased that WMG (Warner Music Group) and youtube worked out a deal to allow their music to be used (along with an ad). https://www.youtube.com
  9. Our first shoot with the Sony A7S. Shot 1080p60 1/60th shutter with Picture Profile 7 (Slog2), with Color Mode changed to Cinema. Graded in Premiere Pro CC using color curves and saturation, the same setting applied to all clips. The goal was to see how well the A7S handled skintones under very challenging, changing lighting conditions: low light, multicolor spots, etc. NR was only used on the first clip (very very low light). Shot handheld using the Sony SEL18-200mm APS-C lens (FS700 kit lens), AUTO ISO, AWB, AF (center spot focus area), IS, manual zoom, built in mics. With this lens
  10. Hey,   My first real video production in RAW. It took place in Berlin. It is for the indie clothing label called ZIRKUS-ZIRKUS   Date: September '13 Video: Calvin Müller Visa: Sarah Bleszynski Models: Valentina Belleza, Nadja Allegra, Haile Iskel, Alex Temme Location: Berlin-Kreuzberg, GERMANY Music: Cage - Nothing Left To Say (2009) Shop: zirkus-zirkus.com   http://vimeo.com/76925336  
  11. Hey everyone, I'm new to the site. Just wanted to show a video I shot and edited. Shot on 5D MK III using ML raw format. Hope you enjoy and thanks for watching!   https://vimeo.com/77063826
  12. Model Kyllie music video shot with Canon 5DmkIII RAW and Panasonic GH3. This is my first foray into shooting a music video with slow motion in mind. I also wanted to shoot with Anamorphic lenses and use a Steadicam for movement.  Learned a lot from this shoot, I hope to make the next one much better.   https://vimeo.com/72950991  
  13. https://vimeo.com/72163697   I've been learning DaVinci Resolve to add to my video workflow. This is the first project that I graded with it. The footage was shot with the GH2 (Driftwood Cluster_v7), Voigtlander Nokton 25mm f/0.95 and Nikon Nikkor 50mm f/1.8 Series E.   Program used: Premiere Pro, After Effects, DaVinci Resolve   There are many ways to do this. I figured out this workflow by reading the manual PDF and some tutorial videos. It works for me so far.   1. edit using MTS (from the GH2) in Premiere Pro (sequence01)  2. lock the edit 3. transcode used clips w
  14. I've always known the GH3 packed a great punch in its IQ since I saw how much the latitude in the shadows improved over the GH2. It was my first sign that this little beast mixed with the right glass could produce amazing images and finally, having the time to create something for the art of filmmaking, decided to dive into the world of anamorphic and create something that I hope you all enjoy!   https://vimeo.com/71554911   All the technical details are in an article linked on the Vimeo page.   Used the Isco Ultra Star 2x anamorphic lens 
  15. This is my first foray. Fashion Film is great fun & seems to be an emerging genre, it definitely comes with it's own set of challenges & pitfalls though. Any feedback or questions welcome... http://www.youtube.com/watch?v=7AnN8OyF5R0      
  16. A dark fashion mood piece for Paris Couture show... Retro grunge horror style and Lynchian lunacy   https://vimeo.com/69454379
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