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Found 6 results

  1. Hello, I am new to this forum (first post) and beginner filmaker and I will need advice ... Last June I started shooting for my documentary project on the local natural heritage, for now with my own money, so my gear is rather light... I'm shooting with a Canon Eos 70D DSLR, outdoor, and i'm shooting the natural spaces of a valley (along a river). At the start I wanted to film in RAW with Magic Lantern, but with my 70D i'm stuck in 720p (for a continuous recording), so finally i've shot in a compressed way, Mpeg-4 All-I 8bit 4:2:0 @1080p 29.97fps with a picture style (EOSHD C-LOG (0,-4
  2. Magic Lantern RAW 14bit video. Graded in Davinci Resolve. Mostly 6D, very few shots on 5D3. Thanks for watching, Alex
  3. Here is the narrative music video 'Don't Stop' that I have directed & shot with my lovely BMCC : + few DNGs to play with : https://dl.dropboxusercontent.com/u/...tStop_DNGs.zip Lenses used : 21 & 35mm Zeiss CP.2 - Tokina 11-16 + Mikkro Nikkor 55mm AI-S Softwares used : Resolve 9 - FCPX - After Effect and Mocha Pro I would love to get some feedback ----- Produced & directed by MARC LINNHOFF - marclinnhoff.com Music by BROAD RUSH get the full version here : hook-up.fr/broad-rush-dont-stop/ Backstage photos from P-mod : flickriver.com/photos/p-mod/sets/721576333
  4. I've been experimenting with Resolve and ACR, trying to find the best workflow for RAW. By best, the highest quality possible in the shortest amount of time. ACR+AE runs a few frames/sec on my 4-core MBP and about 6-fps on my 12-core Mac Pro (both cases running with AE multiframe processing on). Resolve runs near real-time on the laptop, and slightly faster on the Mac Pro (Quadro 5000 is getting long in the tooth- a newer consumer card with hacked mac ROM would be faster). While I have been able to get Resolve looking closer to ACR, I have not been able to match it. http://www.dvxuser.co
  5. https://vimeo.com/72163697   I've been learning DaVinci Resolve to add to my video workflow. This is the first project that I graded with it. The footage was shot with the GH2 (Driftwood Cluster_v7), Voigtlander Nokton 25mm f/0.95 and Nikon Nikkor 50mm f/1.8 Series E.   Program used: Premiere Pro, After Effects, DaVinci Resolve   There are many ways to do this. I figured out this workflow by reading the manual PDF and some tutorial videos. It works for me so far.   1. edit using MTS (from the GH2) in Premiere Pro (sequence01)  2. lock the edit 3. transcode used clips w
  6. Like many people, I am looking at getting a new computer that will work well Davinci Resolve and will reasonably future-proof as the era of 4K begins to descend upon us. As a long time Mac user, the idea of the Hackintosh is growing on me. But I'm a camera guy, not a computer guy. It has been about a decade since I've tried to customize my computer hardware and a lot has changed. A lot of this is looking pretty foreign to me. There's a pretty comprehensive guide at NoFilmSchool that was just updated last month ([url="http://nofilmschool.com/build-a-hackintosh/"]http://nofilmscho
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