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Found 22 results

  1. Well hello there EOSHD forum readers, I've just posted my short film, Axiomatic, to Vimeo. Shot with an older version of the 5D3 Raw hack without the audio component - remember when we had to reload the Raw modules each time after restarting the camera? Ah well...it still worked flawlessly and I cannot thank all the ML developers enough for what they unlocked. 5D3 raw is simply amazing. Spanish, French and English subtitles are available for whomever needs them and viewer discretion may be advised as there is brief nudity, violence and coarse language. However I tried to make ev
  2. As the title says. I am in the process of selling a very lean 5d3 to go 1DC. Contact if you want to do the trade/$ or sale.
  3. One of my like new Canon 5D mark iii for sale or trade here. I am interested in matching something more like my 1DX mark ii, a 1DC or 5d mark iv Make an offer, glad to add a bit of cash of course. Looking forward to a good trade. I also have a Canon 85mm f1.8 and Canon 40mm f2.8 for sale.
  4. Magic Lantern RAW 14bit video. Graded in Davinci Resolve. Mostly 6D, very few shots on 5D3. Thanks for watching, Alex
  5. Shot with Canon 5D Mark III entirely in raw. 1920x1080 25fps I used two sandisks extreme pro 160mb/s 128gb. I used canon 16-35 f2.8 L II and canon 70-200 f2.8 L II IS lenses. Smooth shots made with Glidecam HD4000. Graded with davinci resolve, edited with Premiere Pro CC. I didnt have any problem at all cheers
  6. Hi all, New here! I'm a student hoping to get some feedbacks from the community here! Would like to share with you a video I made in Cambodia. The video is about the dreams of a Khmer. Hope I can get some feedbacks on improving it! Thank you!
  7. Hi, Recently completed a new film 'A Hackney Notebook'. A big thanks to the guys at ML for creating a brilliant raw option with the Canon :-) http://www.benjamindcooper.co.uk/ahackneynotebook.html Thanks In the east end of London there’s a secret village, a place that defies convention and opens the mind. Where you’ll find pirates chopping wood alongside the canals, and Jazz players leading funeral processions through the streets. Where you’ll find voodoo grooms marrying queen of heart brides and pop up vintage stores selling yesterdays clothes. Where old meets new and
  8. Hello! I'm a student hoping to get some feedbacks from the community here! Would like to share with you a video I made in Myanmar. I am trying to highlight the happiness within the people despite the rapid development of Myanmar through this video. Hope you like it!
  9. Hi! I'm new to the forum, and a recent purchaser of the EOSHD 5D3 RAW video ebook which has been great thank you very much! I learned about Cineform from the book, and at first glance it seems like a huge boon: smaller file sizes, fewer post production steps etc. But today after converting my first full 5D3 RAW video shoot with Cineform, I noticed it didn't seem to be as sharp as I expected. Let me briefly explain my old and new workflow and perhaps someone can tell me if I'm doing anything wrong: Old workflow: - Copy ML RAW video files to HDD - Point Rawanizer to the folder and
  10. Hello! I'm a video producer and i'll be getting a new camera anytime soon but i can decide on wich camera to buy or if i'm supposed to wait for a while. I'm trying to decide between a GH4, A7s, 6D, 5D3, and some others, more expensive like the C-100. Everyone of this cameras concerns me about some things. The GH4 concerns me about the lenses, the MFT mount. I have some canon lenses, nothing great or expensive, but i know they are easier to find, more versatile. And when i wrote to Metabones, asking about the speedbooster MFT-EF, they answered pretty rudely (i guess they get that q
  11. Hi, I am in photo and video since a few years and I had a lot of cameras : fuji XE1, XPRO1, canon 5D2, ... Since a few months I have nothing, and I watch the market which is changing a lot and want to invest in a system for a long time (lenses, accessories, ...) because I am tired to change everything each time. I am gonna give you what I shoot, and then my pros/cons for each and then you can tell me your point of view ? So I shoot 50% stills (Mostly landscapes and portraits). Exemples of shots : http://500px.com/loup_f What I basically need as lense is a or 16-35 (full fr
  12. I'm just kidding! I'm not a professional, nor do I know the significance of all the trends in the film world, because I upload basically to YoTube. I do know that when I look at the footage from the GH4, yes it looks sharp, but that sharpens makes it look more like video to my ignorant eyes. If I owned one the first thing I would invest in are some Tiffen softening filters..... seriously! It also looks compressed as opposed to 5D3. The 5D3 looks smooth and creamy, and spacious compared to the stark sharpness of the GH4. I always associate sharpness with video, and smoothness with fi
  13. The Northrup video (thanks KarimNassar for posting) got me thinking about the following math to match a crop sensor to an FF sensor camera (this was also helpful: http://www.josephjamesphotography.com/equivalence/#introduction ): Multiply the focal length by the crop factor Multiply the f-stop by the crop factor Divide the ISO by the square of the crop factor The first two equations deal with the difference in scale. The physical aperture (light opening, "entrance pupil") will be exactly the same: Given: f-stop = focal-length/aperture-diameter aperture-diameter = focal-length/f-stop
  14. Hi guys Ive been trying to combine c100 footage which is crisp next to 5d footage with 85L which is beautiful and doffy but not very sharp. Here is the video http://www.philwittmer.com/#!John-Amelia/c10u6/20453556-BEFD-4BE6-8C19-A5FE56F7B5FD The full frame 5d is great for portraiture and the c100 is great for a filmic look. I tried to embrace that difference by having the crop bars mainly on the c100 footage. What I would like to try in the future tho, so i dont have to change cameras. Is using the letus anamorphx adapter on the 85L (or even the sigma 18-35) to widen up th
  15. Hello everyone, I just installed Magic Lantern on my 5D3 last week. I have been doing some test shoots with it, but I keep coming up with this vertical banding. I have looked all over the place to find a solution, but can't seem to pin one down. I don't know if this is a problem within my camera, or the program I used to process the RAW image to CinemaDNG. Any suggestions would be incredibly helpful. Thanks!
  16. Drop an MLV on the application and you can view the MLV with sound in real-time. Press E to encode to ProRes HQ (10-bit 422): http://www.magiclantern.fm/forum/index.php?topic=9560.0 (no GUI- all keyboard commands). I've been using ACR and AE with other workflows (mlvbrowsesharp etc.) resulting in a 175Mbit/s 10-bit 422 DNxHD file for editing. The final quality has been excellent, however the workflow was cumbersome. mlvrawviewer uses the AMaZE algorithm to deBayer with excellent results (paused and when exporting to ProRes: live playback with bilinear on GPU is also decent). While the
  17. This movie was shot for the Austrian instant36 film festival within 36 hours.   http://vimeo.com/67071564  
  18. FS700 + Speed Booster cut with 5D3 RAW and iPhone 4S [video]https://www.youtube.com/watch?v=D6NKjnKPAU8[/video] Vimeo (HQ 1080p available for download) https://vimeo.com/67540334  
  19. Hi everyone,   I'm posting this because I think it will genuinely be of interest to at least some of you, and I'm really hoping it isn't considered spam, because that is definitely not my intent.   I'm a DSLR filmmaker and I developed a cool little widget thing that I'm now making available via Kickstarter. It's called the Multiplate and it stays on your camera all day long, and lets you mount things like a monitor, 15mm rods, follow focus, matte box, handles, etc - without having to switch out to a totally different configuration. Just attach the pieces you need, take off the on
  20. Well after working with the new Canon 5D Mark iii a few times this weekend I have to say for me, its a hell of a lot better hands down then any other Canon DSLR, except for the 1DX because I have not had the time with that camera to really tell. I have to wonder though about the HDMI out update that is coming. I'm now looking at buying a 5D3 soon but would like to know what you guys think this upgrade will bring. One other thing is why is in April, could we see maybe the new 7D with the same function at the same time. Will we see 60p added? Will the HDMI add more detail, I know most of you wil
  21. Arghhh! I'm getting some crazy red lines in different parts of the footage when shooting with a brand new 5d3. They tend to be in darker places but not confined to low light shooting. You get about 5/6 short red lines appear in a patch together and when you move the camera around, they stay with the subjet. I'll try and get some footage uploaded. Any ideas? Uploaded a clip: http://www.chrisdaviesphotography.com/Other/Videos/25378079_DKGgL7#!i=2087842556&k=6DcbD6T
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