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Found 11 results

  1. Hey guys, just finished this one we shot in 2014 (yeah, that's a long way back). This was my second time using 5dmarkIII and RAW except this time we shot way more material. It's not very good but we got it finished so I guess that counts for something ay? Sorry about the accents, we are from Finland so our english ain't the most natural. Learned a shit ton while doing this. If you have any questions about 5dmarkIII raw, just shoot away. Everything is upscaled to 4k here.
  2. Hi Everyone. During my quest to understand how raw files work and what are the benefits of using one format over another, I never really found out a clear definitive answer. So i decided to start this topic in oder to do so. My fundamental questions are: A) Which raw files DON'T have baked-in white balance? B) Is there anything as logarithmic raw files? And the answers I have found so fare are: A) .ari files and Magic Lantern 14bit .dng files B) I don't consider .MXF or .R3D files to be raw but uncompressed video therefore no. Otherwise I would say that the only logarithm
  3. Hi! I'm new to the forum, and a recent purchaser of the EOSHD 5D3 RAW video ebook which has been great thank you very much! I learned about Cineform from the book, and at first glance it seems like a huge boon: smaller file sizes, fewer post production steps etc. But today after converting my first full 5D3 RAW video shoot with Cineform, I noticed it didn't seem to be as sharp as I expected. Let me briefly explain my old and new workflow and perhaps someone can tell me if I'm doing anything wrong: Old workflow: - Copy ML RAW video files to HDD - Point Rawanizer to the folder and
  4. Digital Bolex is now holding pre-sales on their website. www.DigitalBolex.com. It's a big moment in camera history! Congratulations D16 backers as well as the production team behind the D16. Digital Bolex is fulfilling pre-sale orders within 8 - 12 weeks. One surprising factoid is that the camera has an internal hard drive option. It's the buyer's option to purchase a 250GB or 500GB internal SSD. Additionally, they are offering a number of different products including accessories and apparel. As stated in the D16 advertising, the camera costs about the same as a Canon 5D III. Howev
  5. Bit expensive but still looking good Built in America for Cinematic Use. The Delkin CF 1050X memory card is a specialized cinema card that's designed to excel in high end recording equipment, such as 4K cameras and digital backs. With capabilities to record data at speeds surpassing 120MB/s, built in UDMA 7 support, and VPG (Video Performance Guarantee) profiling, the CF 1050X card keeps up with the most demanding digital cinematography requirements. Unlike memory cards that are mass-built and shipped in from overseas facilities, the Delkin CF 1050X card is built with carefull
  6. Hello EOSHD community, I am new to the DSLR RAW filmaking, and I've been introduced to this "new world" in a time of intense change and breakthroughs in terms of Hardware and Software to the movie making industry. I was used to film with the classic compressed DSLR, when I would press the button, it would record, than I get home, dumped the videos in PREMIERE and than export in whatever I wanted and... DONE! Now I bought the Canon 50D, because I was told that was a really amazing camera with great 14-BIT RAW video capabilities with this Firmware called MAGIC LANTERN... (and than, tragicla
  7. http://vimeo.com/71482344 Leave A Trail - Canon 50D Raw Short Film, 1920 X 1080 Shooting raw on the Canon 50D. I shot with a faster CF Card (100 MBS) that gave me 1584 X 892 resolution at 24 FPS using the newest Magic Lantern Raw hack without skipping frames. I could shoot for at least 4 minutes (I didn't try shooting longer). I did my color correction with Adobe Photoshop and converted to 1920 X 1080 for Vimeo in Compressor. Comments welcome. Thank you.
  8. http://vimeo.com/70387959   For this video, I shot with a slower CF Card (60MBS) that gave me 1152 X 864 resolution at 24 FPS in 4:3 mode without skipping frames. I could shoot for at least 4 minutes (I didn't try shooting longer). I did my color correction with Adobe Photoshop and converted to 2304 X 864 in Compressor.   Anyone shooting anamorphic video in 4:3 with a 2X lens? Please share workflow and shooting tips.   Thank you.
  9. http://vimeo.com/71062233   For this video, I shot with a faster CF Card (100 MBS) that gave me 1344 X 1008 resolution at 24 FPS in Magic Lantern hack 4:3 mode without skipping frames. I could shoot for at least 6 minutes (I didn't try shooting longer). I did my color correction with Adobe Photoshop and converted to 2688 X 1008 in Compressor for Vimeo.   Thoughts and comments welcome. Thank you.  
  10. http://vimeo.com/70606224 The Canyon - Shot during a two hour trip to the canyon For this video, I shot with a faster CF Card (100 MBS) that gave me 1344 X 1008 resolution at 24 FPS in 4:3 mode without skipping frames. I could shoot for at least 6 minutes (I didn't try shooting longer). I did my color correction with Adobe Photoshop and converted to 2688 X 1008 in Compressor. Anyone else shooting anamorphic on the 50D in 4:3? Can anyone shoot higher resolution than 1344 X 1008? Thank you.
  11. http://vimeo.com/70387959     For this video, I shot with a slower CF Card (60MBS) that gave me 1152 X 864 resolution at 24 FPS in 4:3 mode without skipping frames. I could shoot for at least 4 minutes (I didn't try shooting longer). I did my color correction with Adobe Photoshop and converted to 2304 X 864 in Compressor.   Thank you  
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