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Found 16 results

  1. Finally, the music clip I shot is out. Great decoration work and showing that the mighty 50D still has plenty of qualities. Shot with Canon 50D in raw, isco Ultrastar, Helios 44M, Jupiter-9 and Practika 135/2.8 Please share your thoughts
  2. For sale a like new VAF50D mosaic engineering anti aliasing flter, make an offer please! New import from USA to France is 350e with import taxes, crazy expensive but so important for having a perfect picture when RAW recording with the 50D, and the difference is clearly noticeable, you can have it right now for way less, international shipping, just dare give an offer and i'll let you know Thank you.
  3. FS (for sale) VAF-50D Mosaic Engineering anti aliasing and moire filter for CANON 50D 220e / 250usd free shipping from France, paypal payment. send me private message if possible.
  4. The official topic for discussion of Magic Lantern raw video recording on Canon DSLRs.
  5. So, as mentioned a few weeks back, I've just completed the first episode of a webseries shot with anamorphic lenses and MagicLantern raw. For this one, we used a LOMO Foton-A, and there's only ONE Iscorama shot. Episode 2 was almost entirely Isco, except for the very beginning. As soon as it's ready, it'll show up here too. Don't forget to enable the english subtitles, as all dialogues are in portuguese. :P
  6. In the poll if you bought your 50D in a package deal, as best you can, estimate the portion that was due just to the Canon 50D body sans grips, lenses, flashes, etc.   I picked up a Canon 50D a couple of weeks ago for a little more than $350.  That was about the price I heard being kicked around months ago.   The question I have is was there ever a bubble post ML RAW announcement?  When I check eBay in the United States there seems to be a continuous unbroken stream of Canon 50Ds offered for sale.  Most of the body only sales can be had for $330-$430.   I
  7. Hello EOSHD community, I am new to the DSLR RAW filmaking, and I've been introduced to this "new world" in a time of intense change and breakthroughs in terms of Hardware and Software to the movie making industry. I was used to film with the classic compressed DSLR, when I would press the button, it would record, than I get home, dumped the videos in PREMIERE and than export in whatever I wanted and... DONE! Now I bought the Canon 50D, because I was told that was a really amazing camera with great 14-BIT RAW video capabilities with this Firmware called MAGIC LANTERN... (and than, tragicla
  8. Reading through the shoother guide book I notice Andrew refers to the ML 50D as a Super 35mm raw shooting cinema camera, and this confuse me a bit, I know that within the ML you can set the camera to do a 4:3 crop mimicking the crop of a 35mm film yeah but the relationship with the optics is still like a crop sensor camera right? I mean the sensor is not getting any bigger so you still suffer from not being able to use all the glass and so having to do the Focal Length multiplication. I also noticed Andrew recommends using 64gb cards but frankly I can't afford them right now so are 32gb card
  9. Just wanted to start a thread (sorry if it already exists) about Andrew's fantastic EOSHD 50D Raw Shooters guide.  I'm here to tell you that if you have a 50D, or the budget to buy one, I got mine to work in a couple of hours (bought it, with lens, for $500 on Craigslist).  And the workflow is surprisingly EASY!  (if you don't need the highest quality conversion).   First here's my first 50D Raw footage.  Everyone is so used to the video look they no longer realize how harsh it is.  Finally, I've shot video that have the natural film look!  I can't tell you
  10. http://vimeo.com/71482344 Leave A Trail - Canon 50D Raw Short Film, 1920 X 1080 Shooting raw on the Canon 50D. I shot with a faster CF Card (100 MBS) that gave me 1584 X 892 resolution at 24 FPS using the newest Magic Lantern Raw hack without skipping frames. I could shoot for at least 4 minutes (I didn't try shooting longer). I did my color correction with Adobe Photoshop and converted to 1920 X 1080 for Vimeo in Compressor. Comments welcome. Thank you.
  11. http://vimeo.com/71062233   For this video, I shot with a faster CF Card (100 MBS) that gave me 1344 X 1008 resolution at 24 FPS in Magic Lantern hack 4:3 mode without skipping frames. I could shoot for at least 6 minutes (I didn't try shooting longer). I did my color correction with Adobe Photoshop and converted to 2688 X 1008 in Compressor for Vimeo.   Thoughts and comments welcome. Thank you.  
  12. http://vimeo.com/70606224   The Canyon - Shot during a two hour trip to the canyon For this video, I shot with a faster CF Card (100 MBS) that gave me 1344 X 1008 resolution at 24 FPS in 4:3 mode without skipping frames. I could shoot for at least 6 minutes (I didn't try shooting longer). I did my color correction with Adobe Photoshop and converted to 2688 X 1008 in Compressor. Anyone else shooting anamorphic on the 50D in 4:3? Can anyone shoot higher resolution than 1344 X 1008? Thank you.
  13. http://vimeo.com/70606224 The Canyon - Shot during a two hour trip to the canyon For this video, I shot with a faster CF Card (100 MBS) that gave me 1344 X 1008 resolution at 24 FPS in 4:3 mode without skipping frames. I could shoot for at least 6 minutes (I didn't try shooting longer). I did my color correction with Adobe Photoshop and converted to 2688 X 1008 in Compressor. Anyone else shooting anamorphic on the 50D in 4:3? Can anyone shoot higher resolution than 1344 X 1008? Thank you.
  14. Hi there   I'm thinking of getting a 50D, but I'm a bit worried that I don't have Adobe Photoshop/ACR, Lightroom or Premiere, which seem to figure heavily in people's workflows. Has anyone tried processing ML raw video outside of the Adobe ecosystem? Nothing against adobe, I just can't afford to invest in a different platform right now.   I have Aperture, FCPX, and DaVinci Resolve Lite. Anyone have any suggestions for what a non-adobe workflow might look like? I am going to be at a disadvantage compared to those in adobe-world? :-)    Andrew, does your 50D raw vi
  15. http://vimeo.com/70387959     For this video, I shot with a slower CF Card (60MBS) that gave me 1152 X 864 resolution at 24 FPS in 4:3 mode without skipping frames. I could shoot for at least 4 minutes (I didn't try shooting longer). I did my color correction with Adobe Photoshop and converted to 2304 X 864 in Compressor.   Thank you  
  16. Hello all, i have been doing wildlife / birding photography for a few years now and i have always wanted to experiment with video and install magic lantern on my 5D II but have never gone ahead and done it, but i just picked up the 50D because of the possibilites of the raw video recording (and i needed to replace my old and beaten up 40D).    Anyways i really would love to get into film making, especially wildlife filming, but i don't know ANYTHING about the basics of filming.  I am wondering if there is a good guide anywhere out there.  I will be using the 5D II or 50D
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