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My cameras and kit

Found 7 results

  1. Magic Lantern RAW 14bit video. Graded in Davinci Resolve. Mostly 6D, very few shots on 5D3. Thanks for watching, Alex
  2. Want to share a trailer for a feature I shot using a 6D, 60D, and a GOPRO 3.
  3. Hello! I'm a video producer and i'll be getting a new camera anytime soon but i can decide on wich camera to buy or if i'm supposed to wait for a while. I'm trying to decide between a GH4, A7s, 6D, 5D3, and some others, more expensive like the C-100. Everyone of this cameras concerns me about some things. The GH4 concerns me about the lenses, the MFT mount. I have some canon lenses, nothing great or expensive, but i know they are easier to find, more versatile. And when i wrote to Metabones, asking about the speedbooster MFT-EF, they answered pretty rudely (i guess they get that question a lot). But i understand the superior image quality. The A7s, to me, it's one of the better cameras around, for it's price. I've been watching some "raw" footage of it, but i've been reading some bad reviews about it's color log and the workflow of editing/grading, regarding it's formats. On the other hand, i love the HDR and ISO. Regarding the Canons, i personally think they're more versatile cameras, but the image quality is getting ofuscated by these new cameras, maybe because it's been 2 years since Canon doesn't make any announcement on new equipment. Sometimes, i'm more inclined to buy a Canon for it's flexibility, a GH4 for it's easier workflow, and now, i'm kinda blind by the A7s. But always something turn me down, idk what to do, if i buy one of these, if i wait for any announcements, i'm getting crazy! What you guys think? What would you guys buy today or why wait a while. Thanks!
  4. With advice from some of you, I picked up a G6 recently for corporate video work (actually replaced my Canon 6D with the G6 to save money). I thought I was getting a GH3, but due to an inventory error by keh I ended up with no GH3, so I picked up a G6 off Craigslist. This is my first experience with Micro Four Thirds. FWIW, first impressions from my first weekend of shooting: Ah, the joy of a camera from a manufacturer who cares about video!! Now that I've seen how video-friendly Panasonic can make these things, I'm even more dumfounded that other manufacturers don't do the same thing (Dear Nikon, I would have bought a D5300 and been all-in with Nikon if you didn't have that ridiculously short video time limit). In less than 5 minutes I understood the menu system and had all of my key video settings ready to go. Very intuitive. Love all of the custom fn keys. Delighted by the battery life, no overheating issues, and no video time limits. First thing I did was set it up and just let it run - an hour and a half later, it was still recording just fine, and still had 2/3 battery life. My first touch screen, and I like it. The very light plastic is a shock coming from DSLR bodies, but overall I like it. That LCD hinge just scares me a little bit. It seems flimsy. Glad to have the electronic viewfinder for shooting video outdoors. The "record" button frustrates me some - it's indented so much into the camera body. If you're not looking at the LCD, it's not clear when you've depressed it and when you haven't. I love the little lenses. I got rid of my 6D partly because I just didn't carry it around because of size, and so many of the lenses were truly massive. I'm really excited about the deeper depth of field. I got the 6D partly because I wanted the super-shallow DOF. But for the kind of corporate stuff I do most of the time, I had to stop down to at least 4.5 just to get the nose in focus! So it's actually really cool to be able to shoot in the 1.4-3.5 range. Of course that also helps to offset the higher ISO noise issues. Video autofocus is surprisingly usable. I manual focus most of the time, but am pleasantly surprised to see that this will do the job if I really need it. The 2x crop factor is going to take some adjusting. I love using older manual focus lenses for video, and of course anything wider than 24mm costs a fortune. So I'll have to use MFT lenses to go wide. But gratefully I've discovered that one of the key focal lengths I need is the FF 100mm equivalent - which means the whole world of affordable 50mm lenses are available as options! Colors are really going to require some adjustment. Coming from Canon, I'm so used to pulling back the deep reds and rich colors. With the standard output from the Panasonic sensor, I can get a very natural look for skin tones if I do quite a bit of color correction. But overall I'm just surprised at how flat the image is, even when I crank up contrast and color. It seems to be really tailored toward film-look customizations in post processing. Again I'm not really concerned by this - I'll learn the PP that works best to get what I need. But it's a big shift from what I'm used to. Grateful for your advice that pointed me toward the G6, Tim
  5. Considering the other things I also have to (want to?) buy for an upcoming video shoot, the 5D Mark III is a bit of a stretch. So, I'm thinking about the Canon 6d as the main camera on an upcoming shoot.   I have a separate audio set-up and don't do flash or studio flash photography, so those "issues" don't really concern me. The Mark III feels like I'm paying for a lot of AF and high-speed sports type features that I don't really need either.   Really, there are only 2 things that have me concerned: moire and resale.   The moire is really pretty bad with the 6d. But, wait, I watch the "test videos" and the moire is bad on things that really produce bad moire and I'm mostly shooting short clip interview type stuff (I can coach the clothing choices) and then having fun with some of the b-roll and scenic footage, so I would have a lot of control over what I was shooting and I doubt I'm going to just shoot roofs, brick walls and power cables. Not saying this stuff won't be an issue, but, I think I can avoid a lot of it, fix some of it in post or just trash the totally failed footage.   My other fear is resale. I can't lie, part of me was thinking, just buy two GH3 cameras (60p option, high bit-rate record, and generally pretty impressive video) but, the shoot is probably too soon for me to get the GH3 and get to know it and some lenses and I'm pretty familiar with Canon and I have some nice lenses like the 70-200 f2.8. I do have a fear that the 6d has a little bit of the DOA stigma attached to it, the video market may never warm to it and perhaps its resale market may not be quite as robust as a 5D Mark III or even the two GH3 cameras if indeed that camera gets a good rep with indi filmakers. Not a huge deal, but if I stretched for the Mark III, I feel like I could sell it pretty easily if I had to or wanted to go with the GH3 or even BMCC in the future.    For me the 6d would be a pretty solid step-up on the still side and I do take and enjoy taking stills, and a lot of the video I've seen is actually pretty decent as long as the YouTube clip is not titled something like "Check out this crap 6d moire footage!"   Oh and lastly, I assume that at some point, MagicLantern love with come the 6d's way? Does the 6d do the 160/320/640 ISOs out of the box? Also, the ability to use Clean HDMI out to an Atomos, dual card recording and of course this exciting RAW development means that I could get the 5D Mark III and not feel too put out.   I'm still not against getting two GH3 cameras and a few lenses. Again a money stretch, but, they have some pretty nifty video features. If I have to pull a few late nights figuring out how to use them, so be it.   Has anyone faced or made this choice?   Thanks.
  6. I'm in a tricky situation.   I have been saving for the last 6 months to buy a camera (about 3k) and am troubled about which one I really should pull the trigger on.   I have been using purely Canon DSLR's for the past year by working for a friend filming and editing "cinematic" weddings as well as our first commercial work. For the past 4 months it has been enough for me to work full time on. We have used 5DmkII's and 60d's mostly with a full set up of L glass--all his.   Now I want to own something for myself. I'm used to Canons but not terribly excited about their new tech out. I can borrow glass from him to start but plan to purchase some of my own later in 2013.    I want to use this on small documentary work and some narrative shorts that I have been writing. Something I could use for work though is important. Can't justify 3k on just a hobby.   My initial thoughts on cameras:   -Need to be versatile and adaptable to different situations for Event Videography -Form factor is important. Less rigging the better. I shoot mostly on a monopod and try to get my subject to feel very comfortable. I don't like hiding behind a wall of cords and knobs. Also the more rigging the less creative I tend to be with shot angles as I feel too worn down by weight. -Unique. My one complaint with Canon and L glass is it just feels so sterile. Not much character in flares and things. -Stills are not important. -Needs to last me 2 years.   Which camera fits my need? GH3, 6D, 5DmkIII, or BMCC? To me they each have a lot of ups and downs.   Thanks
  7. http://vimeo.com/54352877 Thanks Johnnie for another enlightening test. The image is sharp (sharpened in post) but soft out of the camera. Confusingly though we now have a different problem. Some intentional market segmentation causing this to be a worse camera for filmmakers than it needs to be. Moire everywhere! Terrible aliasing! No headphone jack! Therefore I cannot recommend it for video and I urge Canon to put a halt to this kind of bullshit immediately. Just make each product as good as it can feasibly be for the money. I mean seriously how much does a headphone jack cost!? I am going out tonight so no time to do a proper blog post on this but will look at it again later in the week.
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