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Showing content with the highest reputation since 05/06/2020 in all areas

  1. 11 points
    Remember it ? All the usual caveats of "absolutely not its final form" but thought I'd show a (very) rough glimpse of its (very) rough format. Things have been quiet on it publicly because as I said in the very original thread that what was first shown was merely a jumping off point and it pivoted into what is now a very different product. As you should now be able to guess from this image, it is doing something a little different and offers both AF-S and AF-C modes for, lets just say, more than one focus target The purpose of this thread, aside from the update to prove its not slid into Sony A7S-III territory, is to provide little updates on what is happening as we edge towards release of the actual product particularly as the previous thread is a bit defunct in terms of what its final form will now be. I'll put up some video samples soon, although @Andrew Reid has had some over the past month so should be able to vouch for it actually working I won't be getting too much into the detail about whats going on under the hood until later on and I will be doing a blog post with Andrew to provide more insight nearer the time of pre-orders which should be in August. FYI, the cables you can see are powering the PBC and not going to the camera so no camera mod is required ! So, for now, fire away if you have any questions if you have any interest in it but if you can please just keep it to general operational stuff.
  2. 11 points
    JordanWright

    Lenses - Sticky Topic

    A few stills from a shoot last night all on the Pocket 4K XL and CZ 35mm 2.8.
  3. 9 points
    Cosimo

    Some Galileo action going on

    Matching different cylinders glass from different anamorphic scope is equivalent of a cylindrical Galilean telescope running backwards, finding a match with different systems that meet the afocal condition. Here are few prototypes I put together and some sample shots. I hope you like, thanks! .
  4. 9 points
    Man, yeah. Lots of complex emotion on this for me over the last week. I’m a white Minnesotan, working 6 days a week even during COVID-19... I thought about photographing/video documenting, and I agree it is incredibly important work and that things must be seen. But my heart is broken. Just straight ripped apart. I just got home from two days In Minneapolis/St. Paul, and I’m glad I didn’t bring a camera, and I left my phone in my bag. There’s a LOT of I guess I’d call it “social justice tourism” going on, and that just sits uneasy with me. Like, people were posing with their friends and signs for selfies, and then leaving the sit-in at the capitol before it was done... even more selfies with the George Floyd mural at Cup Foods. Don’t get me wrong, it is good that those people are at least engaging on some level, but social media is already drowning in this stuff at the moment, that isn’t necessarily an efficient vehicle for change. I don’t need pictures to communicate what I’ve seen with my own eyes. I saw the entire capitol lawn filled to bursting with beautiful peaceful people all afternoon, championing full institutional overhaul of the oppressive system... which by the way was organized and led by FREAKING HIGHSCHOOL STUDENTS, who were all more articulate than yours truly. I worked alongside hundreds of my fellow Minnesotans ALL DAY yesterday as we packed food and household supplies for our neighbors in need. We were tired. We were drenched in sweat. It was beautiful. Emotions, events, words and actions are in the highest contrast in this moment. Sometimes you’ve gotta leave the camera behind and commit your full self to being present. And I must say this: while the news has been reporting both the peaceful protests and the unrest, the time devoted to each is woefully disproportionate to the time Minnesotans have been devoting to each. Yes there has been some destruction and some violence. But there is an immeasurably larger effort of peaceful demand for justice. Heres the only picture from today, snapped by a construction worker on an adjacent building and texted to one of the church food drive organizers. All of those bags of groceries were gone within half an hour. The need is real, but Minnesotans are rising to the occasion, government or no government.
  5. 9 points
  6. 8 points
    So many times I wish I were a photographer instead You can get a beautiful shot with a camera that looks the same whether moving or still... But movement always has to justify itself. If the frame floats or moves with IBIS, shot dead. Mood gone. It's such a fine art. Camera movement is such a fussy thing. It's like colour - There's no point it being there unless the movement is beautiful or has meaning. Otherwise, may as well be still - or black and white. With a photo you can just make a pretty shot and it's job done. It's about timing, framing. With video you have to sustain all that's nice and has meaning for 10x longer. Sometimes 1000x longer. With photos there's the one-man nature of it... with video, you have to rely on others a lot more - actors, writers, and so on. And that's before you've even started the shoot Sometimes I hate video. And think I'd be better off with a Fuji GFX 50R, just enjoying myself. Just one man and his camera. With video, you often have to lug around rigs, tripods and monitors. To anybody who sustains their filmmaking over the years at a high level I salute you. It must be incredibly stressful!
  7. 7 points
    Hi all, This short vlog may be of interest as it's just a little chat about the dreaded Gear Acquisition Syndrome, and shot on S1H All natural light, VLOG 10-bit 4K 25fps full frame, I used a Tiffen Black Promist 1/4 and some stos of ND, Lens is the L mount Panasonic 50mm 1.4 Lighting is a window and a large silver reflector
  8. 6 points
    And all turned to mush with its 55Mbps bitrate 😞
  9. 6 points
    noone

    Tokina AT-X 60-120 2.8

    I was after a 2.8 manual focus mid range zoom for years when using Pentax DSLRs and just occasionally, I would see this lens on Ebay. I have had a lot of mid range manual focus film era zooms and most have not been great, two exceptions being the Tamron adaptall 70-210 3.5 (model 19b), a lovely lens but very big and heavy and Canon FD 80-200 f4 L (this one I never had until a lot more recently). When I DID see a 60-120 2.8 lens, they were very few and far between and all from Japan and usually very expensive or had fungus or other issues. More recently i have given up on old lenses unless I get them very very cheap from the charity shop I volunteer at or likewise at a pawn shop i haunt but have gotten rid of most of them in the last couple of years. I was looking for an AF portrait lens on Ebay for my A7s but kept going down and came across this old lens (around 40 to 50 years old). $150 Australian plus postage is an absolute bargain and when the lens was listed as near mint condition, well I put off paying the electricity bill to buy it It turned up today (two days early) and I fell in love at first sight and want to marry it after a minutes use! There are very few reviews of it around but most say it is very good though some say it is not sharp...Well I think it may well be the sharpest zoom i have ever had and its bokeh is to me, superb. It is not quite mint (though looks like it was made yesterday), One touch and the focus works very smoothly but the zoom action is a little stiff (better that than loose though). Minimum focus distance is a fraction longer than i would like but that is just nit picking. For video, I will only use it to record single musicians either seated or not moving far just for the odd song (on a tripod and zoomed to the focal length wanted and set). For stills it will be a wonderful portrait lens (all I need are victims) but it might be a while before i can use it properly unless i stop random people in the park. I am sure it will have downsides (maybe if a light source is in view though yet to try it) and I get a new flash in the next few days that i want to try it with. IF you can find one in even half decent condition, from what i have seen so far, I would say BUY it (or kill for it but check the prison will allow you to keep it with you first). Some lame first shots. Any errors are MINE, not the lenses. All at 2.8
  10. 6 points
    Hiya! Another extensive post coming from me - brace yourselves! Long story short: I tried to minimize my 35mm eqv. setup and see what potential drawbacks would this bring. Left side: newly acquired Newyi 25/1.8 CCTV C-mount lens bought for astonishing 23$. Right side: Zhongyi Lens Turbo II + Nikkor 35/1.8 G (officialy it's a DX lens [meant for Nikon APS-C cameras], but it happens to cover FF quite nicely). Goliath vs David: Operation-wise, it's difficult to pick a clear winner. Newyi, being a CCTV lens, is so tiny that it's rather tricky to wield, even with my small fingers. Aperture ring is stepless and smooth, whereas focus ring is a bit stiff near infinity. Can't say a bad word about focus throw or focus zones overlaying one another - those are all good and allow to precisely nail the focus. Nikkor, on the other hand, isn't the most intuitive lens and is rather quirky to operate manually. There are no focus marks and the focus ring has little steps that can be felt while fine tuning. There is no aperture ring and the only way I can affect the aperture is via an AI - EOS adapter with built-in aperture lever. Having said that, Nikkor simply feels better in my hands. It may be bigger, heavier and not meant for manual use, but it is what it is. Newyi is advertised as a f/1.8 lens, yet it doesn't gather as much light as it really should. The same scene, shot in the same conditions, required a shutter speed of 1/60 when I used Newyi wide open, compared to a shutter speed of 1/105 when I used Nikkor (via dumb adapter, not a speedbooster). Speedboosted Nikkor gave me a reading of 1/160. That's a 2/3 EV of difference, which makes Newyi rather a T/2.2 (if not less) lens, not a T/1.8 one. Speedboosted Nikkor is almost a T/1.4 beast. Field of view between those two is almost identical. Nikkor has some serious barrel distortion, but it's due to it being a DX lens. Sharpness and contrast: Wide open Newyi is not only tack sharp in the center, beating the Nikkor easily, but also free of any noticeable aberrations/fringing. Unfortunately, it's less contrasty and introduces some ugly beige/red tint to the shadows. Some 100% crops. Those are my thoughts after owning the Newyi for 3 hours. I really wanted it to replace its bigger competitor, but to me contrast, color rendering and ability to gather more light is more important than sharpness and portability. Nonetheless, the fairy tale has a happy ending and Newyi managed to find a new host - Sony NEX-5. I hope my sister enjoys it, lol. Here is a photo taken with it on a NEX-5: And a 100% crop:
  11. 6 points
    Attila Bakos

    Colorizer 3D LUT smoother

    Just finished a new tool, it does what the title says. It's in beta, bugs are possible. [CLICK HERE] Fuji just released the Bleach Bypass LUT, which has some weird transitions, so I'll use it as a demonstration. This is the stress test image I'll use: See what happens when you apply the Bleach Bypass LUT: Now I use my tool in "box" mode with 1 iterations to create a new LUT: This is "box" mode with 5 iterations: More details on the site.
  12. 5 points
    Going beyond full frame with Fuji GFX cameras has many perks. However one of the drawbacks of medium format used to be the amount of money you would have to spend on the lenses - and the size of them, and the slow apertures. With the development of mirrorless medium format cameras with a mechanical focal plane shutter that's all changed. I had no money left for lenses anyway, after I bought my Fuji GFX 100! So I set myself a challenge. What is the CHEAPEST lens I could use for great images on medium format? Here I used my Fuji GFX 50R to shoot the photos you see below, but the same look applies to the GFX 100 in 4K as well. https://www.eoshd.com/lens/best-50mm-lens-for-fuji-gfx-100/
  13. 5 points
    Frontline riot photographer...what is that ? Wedding photographer, I know... but Frontline riot photographer. "...I'm risking my life to cover this story (gunshots, rocks, fire, tear gas, etc.)" I think it's the etc. that pose a problem here. Anyone with a camera "feel the need to document" the riot. So cool, you don't have to travel to war zone like Syria or Yemen to be in the boots of a photojournalist, just go downtown, to get a shot of adrenaline. The smell of tear gas is so exciting my dear ! Do you think I should take a ND filter, because yesterday I couldn't focus well with the flash grenade. No joke, last time I saw on the news, a lady with a gimbal running with the protesters. Next is what ? slow mo with a Phantom ? 360 VR ? The same people are taking pictures of homeless, you know...to document poverty. All of that, to feed social media and get followers. Pathetic. When you introduce yourself saying: Frontline riot photographer. "...I'm risking my life to cover this story (gunshots, rocks, fire, tear gas, etc.)" it's an insult to photojournalist who died, doing their job.
  14. 5 points
    After firmware 2.0 I see less reasons to do so. Would love some more less cropped high frame rate options. Overall 2.0 is quite impressive for V-Log. Magenta tint seems gone Orange/yellow lights won't burst into noise anymore Sharpening seems to be turned off Noise reduction -1 fixes the motion related issues, also much nicer grain pattern which matches the framerate (temporal NR seems to be gone entirely) Here's a small test I did for an upcoming music video https://drive.google.com/file/d/1pUW5itKQn2Jjz1pqkqh4sPxB-IgnOWgE/view?usp=sharing
  15. 5 points
    Andrew Reid

    Anamorphic on medium format

    NEW BLOG POST https://www.eoshd.com/anamorphic/preview-of-coming-attractions-anamorphic-goes-medium-format-with-fuji-gfx-100-and-a-look-at-the-leica-sl2-5k-43-mode/
  16. 5 points
    MrSMW

    Fuji X-T4

    Ah, a little further elaboration... I use the 16-80 on one body with tripod, ie, static for ceremony & speeches only. The Sigma 18-35 is on another body and freestanding monopod for more considered work indoors. The Tamron 45 takes over outdoors and with both of the latter lenses, mostly shooting wide open ie f1.8. No client has ever mentioned blur, bokeh or any other technical/visual aspect. If they are ever going to want to talk about something, it will be music choices and can they have their Ed Sheeran first dance inserting somewhere 🤯
  17. 5 points
    If you wanna do it properly for professional work, there's a dedicated plug-in for adding motion blur called ReelSmart Motion Blur: https://revisionfx.com/products/rsmb/premiere-pro/ It has a number of parameters for fine tuning and allows you to add precise amount of blur based on captured shutter angle and desired shutter angle.
  18. 5 points
    I am just amazed they felt it necessary to release a 'cine' phone before they release the A7S III!
  19. 5 points
    Andrew Reid

    Enjoying the Panasonic S1 again

    What a gem this camera is. I always get distracted by what else is coming out - GFX 100, SL2, X-T4, and the list goes on. But when I look at my footage shot in Asia and Berlin on the GH2, I realised how effective locked down shots are with manual focus. Back when we had to use a tripod... Even the slightest shake is a distraction. There was no racking or AF during a shot either, that just ruined things. This was before follow focuses were common on mirrorless cameras... and the AF, well, it was useful for AF-S to lock off a subject and then you'd record and keep it there. I continue to come back to the S1 because it is the spiritual successor to the GH2. It's not expensive (well, compared to an S1H or cine camera) so it's aimed at the same people. It's relatively small, smaller than an C200 or FS5 for example which are the smallest popular cine cameras. It has a very good battery and huge EVF. The IBIS is tip top. The image in V-LOG, 10bit 150Mbit astounding, yet the file sizes remain much smaller than 400Mbit ALL-I. The 4K 10bit image quality difference to the S1H hardly exists. The ability to load a LUT onto the live-view display and shoot with your favourite one - what other mirrorless camera does that for £1500?! It is amazing in low light, it's full frame, and you can leave the tripod at home. I would take either over the X-T4 as it stands, good though that is. Now the GFX 100 is marvellous... but it's £8k even used! The SL2 would be wonderful if it actually shot 4K without the battery error, so that ruins that. The Sony A7 III is fine, but the image just doesn't hold a candle to the S1. So putting autofocus to one side and just shooting nice stuff the classic way... there is no better tool than the S1. If you want to use manual lenses with IBIS and shoot 4K 10bit LOG, the S1 is the best camera out there, especially for the price. Although the Sigma Fp doesn't have the same amount of features or an EVF, or yet a LOG profile, I rate that highly as well. Will do a round up of all the current cameras soon on EOSHD.
  20. 5 points
    BTM_Pix

    Anamorphic on medium format

    Still very restricted here about how far we can go from home but managed to use some of our allotted exercise slot this evening to take a bit more footage with the FP/45mm/Anamorphot. And yes, that is a snake in the bottom left of the top picture. And yes, I did shit myself when I saw it.
  21. 5 points
    Andrew Reid

    Anamorphic on medium format

    Some shots from the Baby Hypergonar on GFX 100 The trick here is apparently to use a lens with a rear element as small as your thumb. On a sensor the size of the albert hall. Light works in mysterious ways.
  22. 5 points
    BTM_Pix

    Anamorphic on medium format

    Well, inspired by your post, I thought I might sort out a setup today. Nowhere on the same level as your ones but here is my very compact L mount full frame RAW anamorphic setup. Taking lens is the Sigma 45mm and the (currently) less than ideal anamorphic element is provided courtesy of a pretty fucked SLR Magic Anamorphot-40 1.33x Compact. I got the Anamorphot-40 very cheap used about 18 months ago and it literally fell apart like a clown car the second time I tried to use it and as you can see it hasn't fully been re-constructed as yet ! Obviously, when picking up the separate parts of it I managed to get barrel grease all over the elements (front and back of both of them no less) so it needs a proper clean as well as a few more screws. I think I might persevere with that though as I think it will be worth the effort as even in its current smeary condition its got some promise from the couple of quick tests I did.
  23. 5 points
    Not sure whether this forum here is the right place for this video...
  24. 5 points
    Emanuel

    Blackmagic Pocket Cinema Camera 4K

    MFT is a great format indeed. When I mean dismiss any of them, I meant to ignore either of both actually. You can surely skip one of those if you have the other one, of course : ) But this camera series is a dream come true, my fav acquisition system ever designed, produced and delivered to my book : -) Mainly shot on P6K, here's a trailer of a feature film co-produced by me currently @ post production:
  25. 5 points
    Zeng

    Fuji X-T4

    Absolutely underrated. IBIS is on par with S1H. And I fell in love with it's autofocus using Z lenses (have 50mm and 24-70 f4). Never thought I would, but they did it right definitely giving video shooters some thought - lenses practically don't breath, focus absolutely silently, and there's no hunting, transitions are smooth. There was so much hate and misinformation about Z6 from the beginning. And Nikon are so incapable of marketing the strengths of their products, it almost makes you cry...
  26. 5 points
    Andrew Reid

    Fuji X-T4

    So very true Still sets a high bar nearly 6 years later. Especially with the high bitrate hack. That is a very good lens by the way, incredibly sharp for a zoom. Fuji's lenses are fantastic, however the Samsung version of that zoom was a stop faster at the wide end and had OIS. I notice the X-T4 IBIS has a mode which combines OIS and sensor stabilisation BTW. You should try the Fringer EF mount adapter for the Z6. The AF is like dual pixel AF. Works much more reliably than the Techart e-mount adapter did. The Z6 remains a very underrated tool. I think the problem is that almost all the competition is more interesting in one way or another and the body design make it look like a cheap Nikon 1 series thing. Yeah, I'm not warming to the feel of it either. X-Pro 3 and X-H1 far nicer and pro-feeling. The whole thing is covered in soulless, thin, faux leather. The way that fake leather covers the entire back of the LCD when it's closed - UGH. What were the thinking. X-T4, for want of a better word just feels a bit cheap? A bit clinical? Not as fun? Yet it has all the right features in the right place... Just played at a slightly tinny tone. I feel it will improve with a nice cage and wooden grip like SmalRig offers for certain cameras, such as the Sigma Fp. The shallow grip is woeful on the X-T4. The buttons feel no better than an X-T200. It's a bit of a shame, because the flip out screen, EVF, and new movie / stills switch are all good handling features. The X-H1 dialled down (no pun intended) the retro stuff and got it right. Why the X-T4 simply didn't just adopt the X-H1 body I have no idea. There doesn't need to be two lines at the moment. The one thing I DO like about the shutter dial is it's quick to go from 180 degree shutter to auto. I have 1/50 on T, Bulb uses minimum shutter speed in low light for video, and A is effectively an aperture priority mode for me. The ISO dial doesn't do it for me. Would rather have it on a jog wheel like normal. I find it depends a lot on the lens. Some of Fuji's best lenses like the 23mm F1.4 have old fashioned grinding motors and moving barrels during AF. They are extremely loud for video shooting and slower than the internal focussing lenses like the zooms. Fuji needs to update their primes and it was a stupid decision in the first place to put such old AF tech in the lenses. On the camera body side I feel the AF is fundamentally good but still not as reliable as it should be for video. I also like the Micro Four Thirds 1.95x crop mode at ALL resolutions and frame rates F-LOG is great for maximum dynamic range, at least 12-stops by eye, and the view assist works well too although could use a contrast adjustment slider. It does take longer to open out than a tilt screen, but it's horses for corses...pros and cons. The GH2 had one. I loved it, never had a problem with it. The finger hole to undock it and the mechanism is a bit too stiff and fiddly on the X-T4 though. The Nikon Z6 I think is a bit of a Canon EOS R6 type camera, if that is how we expect it to turn out - not quite a 1D X III with RAW and 5.5K but 4K at normal frame rates, a good all rounder, with good colour and decent AF with EF lenses (Fringer adapter). I feel the X-T4 neither has the nimbleness or fun of an NX1, but it doesn't lack for features that's for sure. It feels like Fuji has one set of designers on X-H1 / GFX 100 and another set on X-T series. One side is designing pro cameras, the other side is a bunch of hipsters with their retro ISO dials and should be fired.
  27. 5 points
    neosushi

    Fuji X-T4

    I see a lot of mixed feelings on this thread, and that may be because this community is very demanding, in a good way I would think that's because many of us owned THE NX1, which was so much ahead of it's time. Now that being said, I just got my XT4 a couple of days ago with a 16-55 2.8., and it's my first XT4 camera so keep that in mind while reading my first review so far. Also I'm a 70% video oriented 30% stills. Also I have zero brand loyalty. I don't care about brands at all. If tomorrow Sony has the camera and lenses that suits my needs better I'll sell everything and jump ships. Just to give you a bit of context I should also add that I own a Z6 and I find that it's an amazing camera with amazing (too few) lenses. So far this is how I feel about the XT4 : Ergonomics : It's a beautiful camera ! However I don't like the ergonomics to be honest. I think the camera feels bulky, it's like handling a brick. I'm still working to get the most practical set up and it feels like a lot can be customized in terms of buttons. So I'm pretty sure that I could get used to after a couple of weeks toying around. Now that being said, it doesn't compare in any way with the pleasure of holding the Z6. There are so many buttons in the back, and to me it feels like those big buttons on top of the Fuji that give the "vintage look" could also turn out to be useless and maybe in the way of better ergonomics. I don't know how much this participates in the Fuji identity, but to me it's more of a waste. Again, I'm not a "Fuji" shooter, just a filmmaker with a Fuji camera in his hands I love how they have 2 different modes for stills / movies. I would think that this is now a norm in 2020 but kudos to Fuji to bring that to their camera, feels like they really listen to their user base. Autofocus : I need more to get around all the AF settings but so far in terms of Face/eye tracking to me the AF lacks a lot behind Sony, AND Nikon (Nikon made a great job at improving the AF in the past months. I used it a lot during interviews and it was flawless in eye Af). Now that being said, the AF in stills, is incredibly snap and fast. But I don't think I could trust it for a documentary yet where I would have to run around a subject. I would trust Nikon AF, it's not as good as Sony or Canon, but I feel confident enough. Probably because it never "hunts" even when it loses its subject, it doesn't. So far I felt that the XT4 could hunt in eye tracking and actually even lose focus when the box for the eye was correctly placed ! So I need to dig more into this, but it feels strange. Again the box would lock the eye, but still focus on something else... I give the camera the benefit of the doubt because I haven't played around enough with all the settings yet, and also I feel like Fuji could bring an update on the AF firmware wise. Video modes : what is there to say ? Internal 4k 10bit with F-log AND assist (Rec 709 lut) with no crop, 60p with a very small crop, 240fps in Full HD. However I haven't been able to find the 120fps mode, so I don't know if you have to make a special setting or what not... Dynamic Range : That was one of my primary concern, and I feel like it's actually great. However the different picture profiles for video are IMHO way too contrasty and make everything looks like it was shot on a cheap smartphone (highlights are completely burnt etc). I'm going to film everything in Flog probably, and just apply a standard lut after wise. Skin tones : Now that is something so important for filmmaker. I love how the Z6 has this very smooth skin tones. A bit too magenta, I keep dialing in some more green tones (especially when using Filmconvert). But skin tones feel very silky-smooth with the Z6 while still retaining some details. I'm not sure how much I love the skin tones from the XT4 in F-log, I would need a bit more time, but just the fact that its 10bit gives you more leeway for grading. For now I'd say that it lacks a bit of saturation. I have this feeling that many videos I have seen with the XT3/XT4 have very pale skin tones and lack a bit of contrast and texture. Now again that is more of an intuition so far. I have a strong feeling that if correctly graded this camera can deliver. I can't wait to experiment with my clients to see how this goes (hopefully well !). Stills : I haven't play much with still but the AF seemed very responsive, very fast, trustworthy. And you can tweak the Burt modes a lot. Battery life : seems really good ! I heard the XT3 had a weakness in this area, I can say that I wouldn't be afraid of using just one battery for a short interview job. But of course you always need at least two. They should have included a charger for the battery. That feels cheap. My Z6 had one. IBIS : It's REALLY, REALLY GOOD. 90% of the time. And then sometimes it does something a bit weird. I would say, don't take IBIS for granted, rather lear how it works and use it to your advantage. It was never designed to replace a gimbal. However I could definitely see myself going around filming in the city without a tripod And that is really COOL ! Flip screen : don't like it. I'd rather have the classic tilt camera. I couldn't see why Vloggers would need such a powerhouse camera to film themselves, not judging it's really just a thought. Fuji : you guys should dedicate the camera to "power users". Don't try to go in all the different directions. I'm only speaking for myself but I'm not a big fan of filming while looking outside of the axis of my camera. I don't want to look on the side it bring my balance off. I don't know if the floppy screen is something people have been asking ? But to me it's a downside. I don't know how you guys feel about it. Overall : So far it's a great first impression. It's really funny to see a vintage looking camera actually performing like a monster. 10 bit 4K 60p F-log + assist almost no crop... That is insane. I'm not a big fan of the handling of this brick, but I can't see why I couldn't find a sleeve, handle to make it more to my taste. I also read that this is already improved since XT3, so keep up the improvements Fuji Also I love how this camera eats my 128GB Sandisk 95Mb/s with 4K @ 400mbps. That is really cool. If Nikon comes up with a Z6 Mark 2 10bit 4K internal, will I keep my Fuji ? I honestly don't know, probably not. But the camera market is not about "what if", but "what is". So for now I'm very, very happy that I can be a hybrid shooter with IBIS, and 4K 10bit 1,5x crop factor. That's it for me sorry for making this way too long ^^
  28. 5 points
    before i found this forum my inclinations where left to right, large format, medium format, 35mm format , super 35, micro four thirds 😉
  29. 5 points
    Eugenia

    FAKE ANAMORPHIC - CANON EOS M2

    Γεια σου πατριώτη! Nice footage! You're not supposed to decompress anything on a fake anamorphic recording though. It's still square pixels. So when you shoot with Magic Lantern, you should not tell it that it's anamorphic recording, but rather normal recording. Then it will appear correctly when editing. Here is mine from today (Canon M50, Helios 44-2, Viltrox Speedbooster, Vid-Atlantic anamorphic aperture filter). I also have a modded Helios 44-2 (that doesn't require the Vid-Atlantic filter to get anamorphic bokeh) in the mail, coming soon:
  30. 4 points
    https://www.metabones.com/article/of/Speed_Booster_for_Fujifilm_X FINALLY!
  31. 4 points
    Andrew Reid

    1D X III vs EOS R5 and R6

    I'd rather have 5K 60p RAW than 8K 30p RAW.
  32. 4 points
    Those were quite gorgeous 10 years..
  33. 4 points
    FranciscoB

    Video is difficult

    I think it would be usefull to separate the several areas of filmaking and not generalize. I did a few weddings during one summer and I hated it. People are unconfortable around cameras and just want to enjoy the wedding. As for photography, people have an instant gratification and can later post the pictures on social media, so the attittude is different towards photographers. For commercials you have to deal with the client. Most of the times you have to compromise or do what your client wants, even when you know it's shit. There's less chance of creating "your" own commercial, as you're getting paid for a specific purpose. My stuff is low budget, so the hability to do something great is more difficult. What I've gotten from it is that I don't mind to get a little less money for more time. It's less stressfull and more enjoyable. But it's not always possible. For corporate, my experience is that I had less people watching over my shoulder but people rely a lot on interviews. There's a formula that the client wants and that's it. Normal people don't do so well on camera under pressure. So It's always a huge amount of time for people to be able to speak full sentences for the camera. I think I would behave the same way. And then you deal with terrible lighting and ugly ass interiors. I watch this forum for a while now and it's mostly about gear talk. That's great but it's only a small part of the conversation. Some people work on the industry and some don't. There's a lot of cynicism towards the industry and some is valid. My recommendation is for people to lose the gear addiction and think of a theme that they would like to explore. In photography or video. Some ideas don't need a lot of money. Just time and dedication.
  34. 4 points
    thebrothersthre3

    Video is difficult

    Yeah if there was a clearer path to education I'd definitely take it. From what I have seen film schools are often kind of a joke. At least that is my opinion after having worked with multiple students from these schools. I will also say everyone of these students have been very talented people. I just don't think the schools have taught them much. I learned more on my own from simply making my own films, working with other people, reading books, and articles/youtube. I did take the time to actually buy books on lighting, cinematography, and sound early on though. I feel like reading is unheard of these days unless its an online article haha. Interestingly I've found that a lot of online information especially mainstream stuff is really poor. It seems to often be written or produced by people who know very little about the actual subject but rather are just good at marketing themselves. Most filmmaking stuff on youtube is so basic and generic. Most experienced people are busy actually working and have no time for YouTube. So rather we get these wannabe filmmakers who are really just youtubers and there experience doesn't really go beyond that. There are exceptions to this of course. As to the "just do it" attitude I think its complicated. A lot of it comes from YouTube guru's, motivators and entrepreneurs. The big thing with YouTube is you just need to convince people you are an expert so they will buy your classes. I just saw a youtube ad the other day and it was a 15 year old kid talking about marketing! The kid was wearing braces haha. He was saying how he learned from the best and wants to tell you what to do with your money. It was completely ridiculous. At least someone like Tai Lopez took the time to get a lambo and huge Cali house to convince people he was a finance genius. Its the idea that to achieve something you just need to jump into it and fail until you succeed. There is of course truth to that but people take it to the extreme. Claiming to be something you are not professionally is fraudulent. I have worked wedding jobs being the sole videographer with very little experience. I feel bad as I often did a not so great job(at least in my opinion). That said my employers never told me I did anything wrong and continued to hire me. They also hired me in the first place despite my inexperience so I blame it on them and actually have since quit working with them. They did give me the opportunity to learn by failing and I think I am decent at doing weddings now. That said I'd much rather have learned under someone's wing rather than the way I went through it. A big thing now is these wedding companies that contract videographers to shoot their weddings. They claim to have award winning weddings(whatever that means?), yet they don't actually have a specific group of videographers. They contract random people from all over the place so the product they deliver has no consistency. Maybe some of their weddings are shot by an industry professional but others are shot by someone who's doing it for the first time. Their means of vetting who they hire is also a joke.
  35. 4 points
    Kisaha

    Video is difficult

    VIDEO IS EASY that is what they will tell you! Real life facts that I am thinking about a lot the last couple of weeks 1) friend wants to be a youtuber, she wants to learn everything about editing, equipment, lights, sound, and everything in between. Whatever I learned in 20+ experience and a few degrees, she wants in one afternoon. 2) we have a small team, doing internet videos, try to fit 15-20 small ones per day of shooting, the team is a DP with 30+ years of experience at the highest level, me with 20+ years, and our editor 15+ years at the highest level (for our country the highest level, don't get me wrong) and we have a young guy helping building his experience now. At one time, the 25 years old gal doing social media for the client, comes to see. She stayed for an hour, she walked all the time with high heels, played with her phone, and the first thing she said, "I want that to be like this", after half an hour trying to explain her that what she wanted wasn't applicable in this prouction, she left..we lost almost an hour because of her and we missed our brake because we didn't have time for the rest. 3) on another such video, same team, another girl supervising social media for the client, never present on set, send a text "maybe it is better for me to edit the videos, what program do you use so I can watch some tutorials today and do the videos in the weekend?", that was the actual text message... 4) the last, a lot, years, I have met a lot 22-25 year old kids introducing themselves as "DoP" or "director". I have never heard, "I am trying to do camera", or "I would like to be part of a production". 5) In the past, I had a director, that withouht being in the busniness, through social networking, connections, luck, and very low salary has become a director! Knowns nothing about anything, but through youtube videos and director's masterclasses believes he is one of the best in the business! Very proud that became a director without experience and no studies, really having no clue at all. I can't even explain how terrible is to become something you do not deserve, and there is no direction ever, mostly the shooting was happening because of some experienced actors, the DP and me. Crazy stuff..There are others like him coming. 6) wedding video and photography...what a joke..I have met policemen, DJs, wood cutters, military personel, and so many different people, that occasionally, or more professionally are doing weddings. So many of them, are bringing their wives/girlfriends (I have seen that in video mostly), and boyfriends/husbands ( I have seen that in photography mostly) to do second photo camera, or video, or second/third video. So many bad experiences on weddings, I should write a comedy book. 7) we were discussing with an old DoP about instagram recently ( I do not have, I am not familiar at all with it), and he was telling me that 8/10 photos on instagram have a crazy horizon at the back for no particular reason at all..Of course there is a reason, 101 in photography isn't needed anymore. So, video is easy, just press the RED button.
  36. 4 points
    Stab

    Video is difficult

    Yes, video is very hard. The difference between, for instance, wedding video and photography is almost ridicilous. I have seen photographers literally just burst firing away at the wedding cake whilst moving the camera. One of those 30 pics should be alright, not? And if not, you just crop and enhance the 30 MP 14-bit raw image until it looks good, with a bunch of downloaded Lightroom presets. Also, the shooting is done on auto iso, auto focus, auto shutter speed, etc. The difference couldnt be greater. No audio, no capturing complete stories or scenes, no camera movement, no keeping the focus, no 'shit people might move in front of my camera soon', just recompose and burst away. And yet they earn the same or more. And girls drool over them. The last one was a joke. But not really. But then, lets talk about actual film making. I just finished my first feature film script. Jesus christ, i have a lot of respect for writers now. What a task, to do it properly. And it's never finished. There is always room for improvement. Of course I wrote something that needs a big production budget and a lot of visual effects... Impossible to pull of without major funding or a production company. But then, i will probably not be given the chance to direct. Difficult. But working on proper film productions is the only way forward. No more messing around with cheap and soap like short films. Or test video's. Cat video's. Travel video's. They were interesting when i started out, but also because camera's were just getting better and content was interesting just because it was shot with a certain camera. Those days are over. Every modern camera looks good. Its a done deal. Also, there a literally millions and millions of video's online now who do the same thing. Everyone seems to do the same. Billions of GB's of test video's, flowers with shallow dof, their girlfriend in slowmo in the park, their last holiday with a cheese voice over to make it look like there is a narrative, city shots without meaning, etc. I cannot look at it anymore. It's the 'easy' version of film making. You point your expensive big sensor camera at random stuff and expect that people will want to watch your 'film'. There is no story, no narrative. Also not when you add a voice over in post. Or music you ripped from another youtube video. Yes i am very harsh. Also on myself. I want to make real films. I am talented, but i'm not sure i have enough of it. And i will ever make the high end narrative stuff that i appreciate from selective other people. And... If i will ever fully enjoy it. Because film making is indeed hard. Long, exhausting days on the set. The stress. The constant 'will this even work'. But, when you finally do create something which has story, performance and production value and it all comes together and actually does work, it is the most beatiful form of art that exists. When you blow the audience or your clients away, in retrospect it was all worth it. Or was it?
  37. 4 points
    1/4000 would be typical in mid-day sun. I'll shoot some video tomorrow and apply the trial plug-in. See what happens. Usually have a bunch of ravens flying around....filming that should provide a decent stress test.
  38. 4 points
    A lot of us can’t help it! It’s a human tendency to want the next best thing and never be happy with what we have. To be honest I had a itch to pull out my wallet and replace my GH5S...XT-4? S1H?... Then this global pandemic hit and quarantine happened. We also decided to move and sell our house so I naturally grabbed my camera and documented it. To be honest the more I was creative with my camera the more I enjoyed using it to create something. The image with V-LogL is quite fantastic. I decided to use Buttery LUTs in an attempt to just shoot and focus my attention on exposure and white balance and not mess around too much in post (Some screenshots below). We don't think about the specs of our hammer when we use it, we think about what we are making with it. So that's the mentality I'm going remind myself to use. Some other conclusions: I am 100% convinced I prefer glidecam/shoulder strap stabilization and locked-off tripod shots over a gimbal (so I'm selling my dusty Weebill S).
  39. 4 points
  40. 4 points
    BTM_Pix

    Anamorphic on medium format

    Ah...so maybe breaking it and covering it in barrel grease is the secret. I need to do a YouTube video about it immediately with a thumbnail of me holding it at arms length in front of the camera whilst doing an open mouthed shocked face
  41. 4 points
    Instructions unclear. Bought two more cameras using stimulus cheque.
  42. 4 points
    Well this stopped me buying something. So mission accomplished sir. I thank you.
  43. 4 points
    The monitoring output on the S2K is VGA if I remember correctly so it is likely a custom/lashup version of a small monitor. In more contemporary times he has been sporting a pair of Carl Zeiss Cinemizer OLED glasses.
  44. 4 points
    Leica haven't responded to anybody about it. Tons of users with the same issue https://www.l-camera-forum.com/topic/306288-4k-recording-with-low-battery/ It's disgraceful. I want a refund! Or a working camera. Whichever comes first.
  45. 4 points
    BTM_Pix

    USB 3.2 ?

    I started with the unexpanded (1K of RAM) version of the ZX81. Of course, we were happy then, even though we were poor.
  46. 4 points
    A simple talking head setup - check! Only 1 bulb (out of 4) used and - okay, I admit it - it was a bit too bright to my liking in this scenario. Don't ignore inverse square law, lads and guys! The key light was ~ 50 cm away from me. f/1.4 , 1/160 s, ISO 1000, WB - 4000K BTS:
  47. 4 points
    First post after visiting and enjoying this site for quite a while. I'm mostly into writing and looking to produce on low budget so it's interesting to read how others are getting stuff done with readily available gear. Came across this short and thought it might be of interest. Two versions on Vimeo ( via cinematography on Reddit ) and Instagram. Enjoy 😀
  48. 3 points
    You're not "fighting the power" when you're on the side of every Fortune 500 company and media outlet you fucking nerd. You're such a normie but think you're transgressive. You and McDonalds are taking on the man together to stop "racism"! LOLOLOL You're exactly the kind of virtue signaling, lecturing chode we need less of. You're an obnoxious bully, not a freedom fighter.
  49. 3 points
    sanveer

    RED Komodo

    This dynamic range chart seems curious. Usually the industry standard Xyla charts are available in 15, 21 and 26 steps. But this one seems to be somewhere in between 15 and 21 steps. Maybe RED invented their own chart?
  50. 3 points
    homestar_kevin

    Affordable set of 'cine' primes

    Sounds like you should look into Rokinon/Samyang lenses. The Nikon 20mm 2.8 and 85mm f/2 are both fantastic lenses, but are also both small, which you say you don't like. The samyang/rokinon lenses are all faster aperture and bigger in size. They're widely available in a ton of mounts, cover full frame, and are cheap/easily replacable.
EOSHD C-LOG and Film Profiles for All Canon DSLRs
EOSHD Z-LOG for Nikon cameras
EOSHD Pro Color V4 HDR for Sony cameras
EOSHD Pro LOG for Sony cameras


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