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Internal 32-bit float stereo paired with lossless 120mm reach from a 20mm lens — all inside a genuinely pocket-sized 10-bit 1-inch sensor gimbal camera? 1 2 3
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By fuzzynormal · Posted
The GM1 is long gone, but here's the tiny a110 lens: FWIW, my wife and I made a doc 10 years ago using the GX7 and the GM1 (with a different lens). It was fun. I did use the a110 primes I have for a short film. Finally, I also have the a110 Pentax film camera and have started shooting with it just for kicks. -
By Eric Matyas · Posted
Greetings Fellow Creators, Please be sure to check out my Ogg Game Music Mega Pack. It has over 1400 tracks in it (looping and non-looping) so you can download all of my video game music at once...a huge time-saver. Here's the link: https://soundimage.org/ogg-game-music-mega-pack/ You can also download my smaller genre packs here: https://soundimage.org/ogg-music-packs-2/ That said, this week's brand new free-to-use-with-attribution music tracks are on my Fantasy 13 page. They are: "THE WIZARD'S CONCOCTION" "VILLAGE IN ASHES" Here's a link to that page: https://soundimage.org/fantasy-13/ I can't believe July is almost over...summer is going by so fast! Well, see you in August then! -
By Andrew - EOSHD · Posted
The old DPReviews are still the best outside the regular modern blog posts and Youtube vids of the cameras being revisited. Unfortunately that recent DPR re design wasn't kind - the site is almost unusable now. -
I agree about it being too smooth, especially because the position of the camera isn't stabilised so there can be huge parallax movement which clashes with there being no movement in the direction of the camera at all. I raised the topic because it would be interesting to see a combination of OIS + IBIS + Super EIS where the EIS smoothes the motion rather than locking the image completely. It's much harder to get the locked stabilisation than just smoothing it and leaving some of the motion in the image, so it's definitely possible to tone it down a lot. Perhaps this topic will be what people are arguing about when the GH10 and FX5 IV and R5 mk 5 are all being released on top of each other, so we've got to leave something on the table for then! -
No worries : ) On a slightly different note, this new generation of pocket cameras, such as the Insta360 Luna Ultra and DJI Pocket 4 Pro, may well point in another direction altogether... They offer impeccable stabilisation ; ) Granted, it is not exactly the handheld look you seem to favour, but that is precisely the kind of character Sony’s less effective IBIS can give you, especially when paired with a lens without optical stabilisation ; )) And very strong low-light performance too: LU1 | LU2 | LU3 | LU4 on a film set | LU5 + LU6 shot in exactly that kind of venue by someone who, like you, says he had never been particularly keen on using pocket or action cameras. Well, until this one came along... & 4P1 | 4P2 | 4P3 There is far less need to worry about professional lighting rigs today. To put it very simply, both have changed the whole game IMHO : )) especially at such an affordable price range nowadays : X What a time to be alive and kickin'! :- )
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