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Anyone with a Panasonic S5 II or S9 interested in testing my in-cam ARRI compatible LOG C3 profile? 1 2
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It is, but true artists love the craft. That's why they are artists and not accountants. When talking about AI for creativity it's always about the program used, never the person doing the work. "How do I make this easier?" is the question of an engineer or someone who wants to cut corners. Now we all use some sort of AI for our day to day jobs. I get it. It's either that or get out. But no self-respecting artist goes into the daily creative grind thinking I should embrace tech to increase my output and spend my free time on TikTok. -
As the poster above said, the cinema look is hand-crafted. I would add dramatic lighting to your list. Think of the great Italian chiaroscuro painters from the XVII century. By nailing that artistic expression you're 99% into cinematic. Lots of light makes things uninteresting, didactic.
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By zerocool22 · Posted
Hi, Who here has used an dji ronin 4d? Whats your experience? What are the cons and pro's? (The weight seems a big con. 5kg..) maybe also its size is an issue, as its quite the setup. And it might not fit in places where an mirrorless might fit. But I never used or seen one, so I am not sure. Cheers -
Although it's not exactly what you're looking for, I'd have to second the Nikon Series E lenses. They truly are remarkable little lenses. I haven't been able to find a good copy of the 35mm 2.5 but the 36-72, 50mm and 100mm are nice little lenses, especially the size of the 100mm. Also the older non-ai lenses are pretty spectacular as well. One lens I hate to mention because it does get such bad reviews is the 35-70 3.3-4.5 ai-s lens. It's tiny and a lot better than the bad reviews give it. I mean, it isn't great, but there's something very Nikon in its not greatness. Another zoom lens I love, which I assume you're familiar with is the Canon FD 35-105mm 3.5. This lens is ALMOST parfocal. Obviously constant aperture. Internal zoom. Fairly compact. I've had a few copies over the years, then end up selling it because I didn't use it too often, regret it and seek another one. My most recent copy I put on the Sigma FP and here's a sample of it at 105mm wide open... No mind-blowing image by any means, but fairly sharp wide open and I like the way it handles the highlights. Of course it's a mess in direct light... as I found out last week during a shoot. However, there are rumors that Canon considered putting the L badge onto it because they were so happy with the lens. As far as primes, other than the Nikons, the Takumar lenses are a personal favorite of mine. I've heard people argue that the 28mm 3.5 is one of the best 28mm lenses they've used. I haven't used that one but the 35mm 3.5 is excellent. I've used a couple of the wide angle Tokina lenses from the late 70s, early 80s and they were decent, but I think they were f/2.8 lenses. Obviously you could get a cheap Neewer fixed ND to pop on the lens and leave there to give you that slower stop and to protect the front of the lens. Also check out the old Vivitar lenses, I have a set of mostly Tokina made ones in the m42 mount and I have always been very fond of them. The image instantly feels like an old 70s made for TV movie. I'm probably going to sell them though, not because I don't like them, I just have too much stuff and really need to scale back. I guess you could also look at some of the older Zeiss Jena lenses... even the MF ones would give you the slower apertures you were looking for wide open. Great thread! Wish there were more threads like this on here like it. -
Decided I am selling my S9...I know. It's a killer camera. I realized I want something more durable as my a-cam. I got it for a killer deal, but that also just makes it all the more easy to sell as I am pricing it low at around $900 WITH the Smallrig cage. After further thought, I want a camera that is weather sealed, and reports about the rear dial going out (it feels soooo cheap) do not give me the most ocnfidence.)
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