Tim Sewell

I really only have one question and that is why did they name it after a Volvo?
A used Volvo C70 is also cheaper and less good at video, but the Canon C70 is easier to park.

I think Canon and Fuji make their own sensors don’t they? And the DPAF on Canon cameras is all their own work (and still much better than Sony’s).

I try to do this at least once a week. The feeling of relaxation that comes over me as I wander around shooting a little bit of this and a little bit of that is a fantastic antidote to the week's stress.

Yet another bargain - Sony FS5 Mki for GBP1100! So off to the beach I go. Unfortunately I went with the wrong lens still attached, so some of these shots are a bit soft. This was on SLog2 with SGamut. Now working on some stuff in SLog3 with Sgamut3.cine, which I'm advised should give better results.
Thoughts on the camera
I really like the size and the ergonomics. WB setting is a little cranky and I wish I could map push AF to one of the handgrip buttons, but overall I'm really enjoying it - especially the 10bit HD 4:2:2 and the S&Q modes. I haven't even tried the 4K yet. Obviously the AF is the definition of shonky compared to the C100 mki with DPAF that I sold to buy this.
 

Lots of good deals on the S1 on eBay right now 🤣

Yet another bargain - Sony FS5 Mki for GBP1100! So off to the beach I go. Unfortunately I went with the wrong lens still attached, so some of these shots are a bit soft. This was on SLog2 with SGamut. Now working on some stuff in SLog3 with Sgamut3.cine, which I'm advised should give better results.
Thoughts on the camera
I really like the size and the ergonomics. WB setting is a little cranky and I wish I could map push AF to one of the handgrip buttons, but overall I'm really enjoying it - especially the 10bit HD 4:2:2 and the S&Q modes. I haven't even tried the 4K yet. Obviously the AF is the definition of shonky compared to the C100 mki with DPAF that I sold to buy this.
 

Pretty honest take:
 

I'm sorry, but this just isn't the case. People buy C-line video cameras for a plethora of reasons and for many use cases there's no way they would swap out a full-control, fully specified professional cine camera for a hybrid body. The form factor of a hybrid just wouldn't cut it in a wide range of professional working situations. Codecs, resolution and so on are important, but they really are only one part of the considerations that apply to choosing a working tool.

I'm sorry, but this just isn't the case. People buy C-line video cameras for a plethora of reasons and for many use cases there's no way they would swap out a full-control, fully specified professional cine camera for a hybrid body. The form factor of a hybrid just wouldn't cut it in a wide range of professional working situations. Codecs, resolution and so on are important, but they really are only one part of the considerations that apply to choosing a working tool.

I'm sorry, but this just isn't the case. People buy C-line video cameras for a plethora of reasons and for many use cases there's no way they would swap out a full-control, fully specified professional cine camera for a hybrid body. The form factor of a hybrid just wouldn't cut it in a wide range of professional working situations. Codecs, resolution and so on are important, but they really are only one part of the considerations that apply to choosing a working tool.

Let's be honest, these stupid workarounds are not practical on set.
It is up to Canon to fix the damn camera, not us.
We paid the money, and not a small amount.
Unscrewing the back, prodding the card door sensor, ripping the clock battery out... None of it is acceptable for $4000

My wife hates opera so I make her happy by not taking her.
Then I use the savings made on the tickets to buy more lenses.

As an update I've decided to build a set from the Super Takumars and sell the Rokkors I've bought so far. The Rokkors have a lovely build quality, but it seems they don't have an option of a nice sharp 35mm - I got two different versions and both were unacceptable soft. The Taks, on the other hand, are beautifully built and render amazingly nicely. So far I've go the 28, 35, 50 1.4, 85 1.8 and 135 2.5 in my sweaty hands and am awaiting delivery of the 20 4.5 and the 200 4. Now I have to re-line one of my hard cases for them and set about getting focus gears made. I'm in 2 minds over de-clicking. A couple of these weren't cheap and I worry that de-clicking might hammer their resale value if I ever have to rake some funds back. Does anyone have any experience of that?
As soon as those last 2 arrive I'll shoot a test of all lenses on the same subject for the delectation of EOSHD members.

Funny how the camera buying internet has gone from "what are the most sick cinematic camera movements?" to "will my camera melt and burn my hands, and shall i buy a self generating ice pack to get 2 mins 8k recording on my year long trip to Africa?" 
FWIW, the A7SIII looks like the better video tool. I live in Manchester UK. Sunlight doesn't exist. Only rain. (besides today!) 

Just sold my XA-10. Used it for interviews, but in low light it wasn't that good. Not sure why you would buy it if you don't need the XLR inputs. The touchscreen is resistive and will annoy you. My M50 b-cam had better quality and video options and is cheaper to find. The XF-100 at least has all the physical buttons, but the sensor is the same as the XA-10, so not that great in low light. The C100 is a whole different level on image quality and low light. Couldn't even mix is with the other two as the image quality difference was very obvious.

I don't earn my living from video, but my main takeaway from both the Canon and Sony launches is this: if, for your bread and butter, you need things like 8K, massively over-sampled 4K, 10bit internal from a full frame, top-of-the-range AF, high frame rates, minimal RS and cinema colours all in a single A camera package that is reliable to professional standards and doesn't overheat... don't buy a hybrid in a DSLR/hybrid body shape, as with current technology all of the above just isn't available in that format. To get all that, you need a proper cinema camera in a proper cinema camera form factor. Sorry, but that's just how it is.

Lovely piece of work. Thanks for sharing!

I don't earn my living from video, but my main takeaway from both the Canon and Sony launches is this: if, for your bread and butter, you need things like 8K, massively over-sampled 4K, 10bit internal from a full frame, top-of-the-range AF, high frame rates, minimal RS and cinema colours all in a single A camera package that is reliable to professional standards and doesn't overheat... don't buy a hybrid in a DSLR/hybrid body shape, as with current technology all of the above just isn't available in that format. To get all that, you need a proper cinema camera in a proper cinema camera form factor. Sorry, but that's just how it is.

I don't earn my living from video, but my main takeaway from both the Canon and Sony launches is this: if, for your bread and butter, you need things like 8K, massively over-sampled 4K, 10bit internal from a full frame, top-of-the-range AF, high frame rates, minimal RS and cinema colours all in a single A camera package that is reliable to professional standards and doesn't overheat... don't buy a hybrid in a DSLR/hybrid body shape, as with current technology all of the above just isn't available in that format. To get all that, you need a proper cinema camera in a proper cinema camera form factor. Sorry, but that's just how it is.

I don't earn my living from video, but my main takeaway from both the Canon and Sony launches is this: if, for your bread and butter, you need things like 8K, massively over-sampled 4K, 10bit internal from a full frame, top-of-the-range AF, high frame rates, minimal RS and cinema colours all in a single A camera package that is reliable to professional standards and doesn't overheat... don't buy a hybrid in a DSLR/hybrid body shape, as with current technology all of the above just isn't available in that format. To get all that, you need a proper cinema camera in a proper cinema camera form factor. Sorry, but that's just how it is.

^ I'm pretty sure Canon & Sony agree with you there! 

I don't earn my living from video, but my main takeaway from both the Canon and Sony launches is this: if, for your bread and butter, you need things like 8K, massively over-sampled 4K, 10bit internal from a full frame, top-of-the-range AF, high frame rates, minimal RS and cinema colours all in a single A camera package that is reliable to professional standards and doesn't overheat... don't buy a hybrid in a DSLR/hybrid body shape, as with current technology all of the above just isn't available in that format. To get all that, you need a proper cinema camera in a proper cinema camera form factor. Sorry, but that's just how it is.

Pretty sure I fall into this category.

The footage from this old sensor just looks better to me than anything else that's out there, including the new cameras or the really high end cameras. That's just my personal aesthetic.

In fact for me, the ideal camera would basically be my C100 mk1 with the only changes being a bit of HFR and external 'real' 4:2:2 10 bit up to 60fps.

I am moving to 8K smartphones 😂