gt3rs Posted January 16, 2022 Share Posted January 16, 2022 17 hours ago, BenEricson said: interesting! Okay thanks for clearing that up. Yes. You’re right. They’re also doing a lot of noise removal etc. It is a really clean image. Maybe raw improves things. Watch some 4k uploads on Vimeo of the Komodo and then watch some stuff with the C70. There is a huge difference in sharpness and color depth with the red. I suppose this is like the iPhone though. The good and bad is the processing. The processing hides noise and artifacts, but can remove detail etc. Ultimately, the processing an iPhone does, is optimal in most scenarios. I probably should back up on what I said about Canon Raw Lite. I don’t have any experience with the codec but have some second hand experience. My very talented editor friend was complaining about how ridiculously slow the files were editing. (30 min to import an hour long interview.) I recommended re-compressing the CRL files to 12 bit 444 ProRes. That seemed to be a solid work around. Again, maybe the work flow gets better / smoother as premiere releases updates. A free added feature is always welcomed. You’re right though, they just want to sell units and compete with the Komodo / Pocket 6K. CRL plays back real time in Resolve on a gaming notebook and I’m talking about 8k so 4k is no problem at all. I shoot 95% in CRL. There is no need to transcode it at all maybe with other NLE is needed but not in Resolve on a good machine. Quote Link to comment Share on other sites More sharing options...
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