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independent

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Everything posted by independent

  1. No I think Apple is in it for the money. Their $10,000 Mac Pro and $6,000 monitor and $1,000 for a stand isn’t for mass consumers. It’s just economics; the high price reflects the smaller units to maximize profits. But it also shows apple’s willingness to develop niche products that fit into their ecosystem. And that’s why I think it’s a no brainer for Apple to produce a completely reimagined and redesigned pro camera, because they have the pro software and pro hardware for complete integration. They can make the most efficient camera with the most cutting edge technologies with brillian
  2. Incorrect. The market that is “shrinking” is the smartphone market. Everybody already has one, and apple has marginal advantages over the competition. Again, apple hasn’t seen growth here, which is why it’s pivoting in other industries - and succeeding. The iPhone wasn’t the first smart phone, nor was the iPod the first MP3 player, nor was AirPods the first Bluetooth headphones, nor the Apple Watch the first smart watch, and so on. But they were the most successful because they reimagined existing products. The pro camera market has been shrinking not only because so much money/inno
  3. Business mercy? It’s Apple’s modus operandus to generate growth by penetrating other markets with disruptive technologies - the way they did with watches, headphones, phones, mp3 players, etc. In fact, Apple’s growth has come from wearables and services; their phone, computer, and tablet sales have been stagnant. However, if Apple put their Ax or Mx ARM chips in a full sensor camera, with neural processing, software integration with Prores Raw, lidar-boosted autofocus, etc., they would likely crush the pro photo/video market. It’s almost a logical move. Apple has already a compl
  4. Apple should buy Nikon and bring all their innovative technologies to professional cameras.
  5. Truly mind-blowing. For all the shit Apple gets, and often well-deserved since they do put out a lot of bullshit, the M1 is an industry disrupter. Processor clock speeds and ram sizes are rendered meaningless now, especially with the optimization w/ macOS. Sure, the next more advanced M1 Macs will be insane, but I'm not waiting if I can do basic 4K-8K editing for the next few years with a cheap, small, quiet computer. I can't wait to get this damn egpu off my desk, farting hot air into my face. (If only SSDs would improve in $/TB, and I can get rid of this 8-disk raid too). With th
  6. The inability to add RAM or an eGPU means these macs better do everything you need now and the near future. They do need to sell iMacs and Mac Pros, though.
  7. So all three Macs share the same M1 chip...wouldn't they all perform roughly the same? Also, sad to see the Mac Mini top out at only 16GB of ram and drop the 10-bit gigabit ethernet.
  8. I owned the a7s and skipped the a7sii for the a7iii, which had been the best all-around hybrid camera for a good time. The internal 10-bit codecs are a necessary upgrade, as is the improved color, but I think what's most interesting is the gyro-based catalyst browse stabilization (like the SteadyXP module). What's slightly disappointing? It seems that the low light isn't that much improved, with both noise visible in higher ISOs combined with noise reduction that you can't turn off, which affects resolution (no oversampling). It's unequivocally a more reliable camera than the
  9. C70 is the best bet at the moment for your budget. Weddings and docs should prioritize usability over all else. You miss the shot, you're fired! You just need to choose what's practical for a dynamic shooting environment. The c70 is unique in that price range for internal NDs, superior dynamic range, clean low light, great color, all leading to minimal post work, which also allows for fast turnaround. Of course the on-board audio features, AF, lightweight, etc. all contribute to what helps a solo shooter or skeleton crew. You certainly can make it work with other cameras, but they won't b
  10. It’s technological progress. All cameras today have hot chips and fishy algorithms in them too. The iPhones will continue to devastate consumer photo cameras, but that’s a problem for manufacturers. Regardless, pro video is currently too far ahead for too many reasons. If anything, I see this accelerating innovation and features in the pro market, and I welcome whatever makes the job easier. I do look forward to better TikTok videos.
  11. Taken aback by the patina in your voice. Several octaves lower than expected too.
  12. It depends on 1) what your projects needs are and 2) how you like to shoot. I really liked the Sigma 18-35mm so the 15-35mm RF feels very comfortable (shooting oversampled crop mode on the R5). So I'd recommend the RF 15-35mm for the C70 over the 24-70mm, which I'd prefer for full frame. Why not speedboosted w/ EF? Because of Nano USM, which makes the on-top mic far more usable instead of just relegated to scratch mic. EF is dead to me.
  13. The C70 and C300iii have a completely different sensor and image processing than the c300ii's--or any other camera's. The Dual Gain Output is the key technological advantage. Gerald Undone, Dave May, and Jake Ratcliffe from CVP all clearly showed how the DGO helps retain color and pull detail from the shadows or "underexposed" images, without the artifacts seen in other cameras. Even the new Sony a7s iii, while amazing for its high ISO sensitivity, is surprisingly noisy in the shadows, as noted by Brandon Li BTS/review. And internal NDs aren't absolutely necessary, but It certainly s
  14. It's the same sensor. The magic is a dual gain output, like Arri. But not the same; Canon's advantage is in the shadows while Arri's is in the highlights. So you should still protect the highlights w/ the C300iii or C70
  15. Oh believe me, it was a joke about people overreacting about cameras. Read it again. But if you have to explain a joke to a cunt, well, I guess that's on me.
  16. Ironically, you missed the irony and the joke. And the irony. As well as the joke.
  17. There's no video camera right now that checks off as many boxes as does the C70. That doesn't meant it's the right camera for everybody. However, it is amazing to see how many people require a built-in EVF, SDI-port, and RAW. And must let the world know the tragedy of their unmet needs. We all know you twits shoot on iPhones. The C70 has portrait mode too you cunts
  18. Green screen/vfx. Unpredictable lighting. "Artists." R3d users. Me and my R5
  19. The C70 is an interesting intermediate option during this critical turning point in lens mount. RF lenses, and the RF mount, are clearly the future; Canon is not making any more EF lenses. Also, technically the RF L lenses are superior, which matters. I've tested the EF 50 1.2 v RF 50 1.2, and the resolving power of the RF is significantly superior. For static shots, you will immediately notice the difference (shot in 8K raw, viewed on 5K monitor). Also, for some lenses, there's not a huge price difference between EF and RF (24-105 F4 retails for the same, RF 15-35mm v EF 16-35mm is $200
  20. More flexibility. You can still push the color grade much more w/ 12-bit raw. And with some post work, de-noising, you can probably get it to look closer to the shootouts. But the c70/c300iii 10-bit 422 XFAVC looks great straight out of the camera if you don't screw up too badly with exposure, white balance, etc. Faster turnaround, you don't have to spend as much time in post.
  21. They will. But it'll be in the Canon C500 III.
  22. An EVF is a great thing to have, but I've primarily used the LCD for the touchscreen focus on the R5, even in daylight - I just change the viewing angle. I've also used the Ninja V on top of the R5, which was quite good during daylight too. The availability of even higher nit monitors somewhat mitigates the issue. To be honest, I never liked the EVF placement on any of the Canon cinema cameras, and I've either owned or operated almost every single one of them (not the C700). It's not very ergonomic to hold the camera in that position. The EVF is best placed on the side of the camera, for
  23. Codecs are efficient, practical, professional, broadcast-ready codec that you don't need to clean up in post. Following the c300iii, the shadows will be noise-free under ISO 25600, SOOC. True, you don't have all the flexibility of raw if you want to do heavy color grading, but you also have great color because of the the parallel readout of RGGB rather than debayer process. Also, due to the efficient codec, you save a lot of cash on media and storage. If you're a one-man shooter who shoots fast, all this helps.
  24. GG bros. I'm not replacing my R5, but I am def picking this up as a personal A camera (goodbye c300ii). This comes in half the price of comparable cinema cams with more features. Full frame (w/ adapter), DPAF, auto ISO, dual gain sensor, tiny size and associated grip package, cheaper media and associated storage/editing costs It also knocks off all the hybrid cams: Internal NDs, full featured audio (xls for real shotgun mics, physical controls buttons), all the monitoring tools, no overheating, handle + mic adapter for no bullshit cage.... The only thing missing is IBIS, w
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