squig 0 Posted June 17, 2017 Share Posted June 17, 2017 6 minutes ago, mercer said: Obviously, I have to stop down to get the sun stars, so I guess I should Iight my actor as well and bring down the mids in post to create the silhouette. Thanks Squig, never had to do silhouettes like this. I DGAF about a bit of noise either, I usually add some. Noise on the Mk3 is quite organic up to 1600 ISO. I usually only get rid of the chroma noise in ACR. If I find I have to remove luma noise it's because I've underexposed. The only rule is: do some tests. Quote Link to post Share on other sites
mercer 4,151 Posted June 17, 2017 Share Posted June 17, 2017 39 minutes ago, squig said: I DGAF about a bit of noise either, I usually add some. Noise on the Mk3 is quite organic up to 1600 ISO. I usually only get rid of the chroma noise in ACR. If I find I have to remove luma noise it's because I've underexposed. The only rule is: do some tests. Yeah I am only having issues with chroma noise. Btw, do you like ACR better than Resolve? I use FCPX and only use Resolve as an intermediary to get to ProRes... but if I remember correctly, you can't export as ProRes in Adobe any longer, right? Quote Link to post Share on other sites
squig 0 Posted June 17, 2017 Share Posted June 17, 2017 3 hours ago, mercer said: Yeah I am only having issues with chroma noise. Btw, do you like ACR better than Resolve? I use FCPX and only use Resolve as an intermediary to get to ProRes... but if I remember correctly, you can't export as ProRes in Adobe any longer, right? Resolve is way faster than AE/ACR, but ACR produces a nicer image. AE CS6 is way faster than CC2017 (Adobe disabled multiprocessing in CC2015) and it exports to prores. I don't have the full version of Resolve so I can't say whether it's better or worse at removing chroma noise than ACR. Quote Link to post Share on other sites
SigurdW 73 Posted June 24, 2017 Share Posted June 24, 2017 Finally managed to get my head around processing crop_rec material, so did a small test at around 2.7K mastered in 3.4K Anamorphic Setup: 5D3 Helios 44M Bolex-Anamorphot 32/16/1.5x Graded using @hyalinejim Kodak Ektar 100D TWISTED lut (Thanks!!). mercer and Hans Punk 2 Quote Link to post Share on other sites
mercer 4,151 Posted June 24, 2017 Share Posted June 24, 2017 1 hour ago, SigurdW said: Finally managed to get my head around processing crop_rec material, so did a small test at around 2.7K mastered in 3.4K Anamorphic Setup: 5D3 Helios 44M Bolex-Anamorphot 32/16/1.5x Graded using @hyalinejim Kodak Ektar 100D TWISTED lut (Thanks!!). Looks great. That little extra resolution is nice. Somebody wrote a while back that 5D3 ML Raw just makes them smile... and it's so true. SigurdW, jpfilmz and zerocool22 3 Quote Link to post Share on other sites
jpfilmz 161 Posted June 25, 2017 Share Posted June 25, 2017 5DMK3 Raw 3k upscaled to 4k. The first shots are filmed in a mirror's reflection so they are not as sharp. I really hope the C200's raw is similar to this. mercer, tweak and webrunner5 3 Quote Link to post Share on other sites
tweak 437 Posted June 25, 2017 Share Posted June 25, 2017 3 hours ago, jpfilmz said: 5DMK3 Raw 3k upscaled to 4k. The first shots are filmed in a mirror's reflection so they are not as sharp. I really hope the C200's raw is similar to this. Those images look super nice. Quote Link to post Share on other sites
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