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Stathman

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About Stathman

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  1. Stathman

    EOSHD Opinion - The Sony A6400 is an absolute turkey

    "The Sony A6400 is an absolute turkey" who just missed Xmas 🙄
  2. @thebrothersthre3 Hi! Not happy with x-t3?
  3. Stathman

    Magic Lantern Raw Video

    Almost there?? https://www.magiclantern.fm/forum/index.php?topic=17695.msg209985#msg209985 Happy New Year!!!
  4. Probably the lut he applied messed up the image and he didn't noticed. 🧐
  5. Stathman

    Standalone video players & colour reproduction

    Finally, they added a Display Color Management option on Premiere 2019.
  6. Stathman

    Standalone video players & colour reproduction

    @KnightsFan Quicktime
  7. Stathman

    Standalone video players & colour reproduction

    After some more tests on after effects I have found that this settings gives me the most accurate results: 1. Enable "Use Display Color Management" 2. Prepare your work in Rec.790 Gamma 2.4 color space 3. Just before rendering switch the working space to sRGB 2.1 4. The exported ProRes file will look almost identical to the preview you get on Rec709 working space. Just with a negligible exposure shift.
  8. Stathman

    Standalone video players & colour reproduction

    Just did a quick test on Davinci also. The way I get the exported file (ProRes) to look exactly the same with what I see inside Davinci is this: 1.Turn off "Use Mac Display Color Profiles for Viewers 2. Instead, convert your monitors' icc profile to .cube and use it as a 3D Video Monitor LUT 3. Use sRGB for Timeline Color Space 4. Export ProRes I'm sure that this is not the correct way to do it, but this is a workflow that works for me.
  9. Stathman

    Standalone video players & colour reproduction

    Dimitris, maybe the problem is the codec you are using to export the files. Which codec do you use? After effects has color management. Premiere doesn't. You have to create a lut for it. On After can go to Project Settings -> Color Settings and choose the color space you want to work. I have found that Rec 709 Gamma 2.4 has inconsistencies when exporting ProRes files. For ProRes export, working in sRGB 2.1 colour space gives me the most accurate results.
  10. Stathman

    I WILL be getting a Fuji X-T3!

    Can you share any samples?
  11. Stathman

    Magic Lantern Raw Video

    Yes, 70D works well. DPAF also.
  12. Stathman

    I WILL be getting a Fuji X-T3!

    No gpu acceleration on DaVinci, Premiere and FCPX for x-t3's h265 files. Bummer, waiting for an update. Thanks for the files guys.
  13. Stathman

    I WILL be getting a Fuji X-T3!

    Can you share any h265 10bit files to play with?
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