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About squig

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  1. Size matters. I'd never take a DSLR on a backcountry snowboarding trip, I only carry what I need to stay alive. On overseas work trips I want all my gear to fit into an overhead locker. A mate of mine asked what he should get to replace his D600 and Nikkor primes for his regular Japan pilgrimage. I told him to get a Fuji X-T2.
  2. Nikon will know how the next hundred years is going to play out for them when they see everybody lining up to get a glimpse of the A7sIII.
  3. Are you saying you're from the future?
  4. Niche's drive sales, look at what the 5D Mk2 started.
  5. We'll be the only guys in 2028 with mirror boxes. The evolution of digital cameras reminds me of the evolution of digital synthesizers. In the 70's synths were fat sounding analog beasts (I still have my Roland Jupiter 8), covered in knobs and sliders, built to create. In the 80's digital synths lost the fatness and the knobs, you spent more time reading the manual than you did creating. Now 30 years later the big synth manufacturers have finally figured out what people want and it's all analog or analog modelling covered with knobs. The same thing happened with digital cameras, aper
  6. I don't come to this discussion as a hater, quite the opposite: my first SLR was a Nikon FM2. My first DSLR was a D90, I tested a D5200, and I had a full set of ai primes, still have a 180, 105, 300, and 16mm fisheye. If the Nikonhacker raw hack succeeded I would've dumped the 5D Mk3 for a D750. "Nikon, we made a lens for NASA once, buy our shit" just won't cut it anymore.
  7. Nikon did market a D850 filmmakers kit, so they're not completely comatose. But throwing together a few accessories because your competitors are kicking your arse is lame. How's playing it safe working out for ya Nikon? Complacency
  8. The rumor certainly suggests they'll be the mirrorless equivalent of the D750 and D850, and Nikon knows (finally) they have to counter the A7 S and R line. But just ripping out the mirror boxes and hacking off the mount won't cut it, they have to bring something more to the table, especially with the A7sIII looming. They're gonna need something like DPAF, global shutter, raw or lossless 10bit log recording, and the kind of professional menu options Magic Lantern and Panasonic have been doing for years like: anamorphic mode. Stellar dynamic range and low light performance won't be enough alone
  9. Diehard loyalists die, companies that don't innovate die with them. Sony made their intention to be number 2 public years ago, Nikon did NOTHING to prevent it. Nikon has the expertise to build an awesome mirrorless video spec'd camera. Nikon DSLRs have been used as B cams with Alexas for a reason, mostly for their high DR and color science. I'm still shooting with a hacked camera I bought in 2012 because no stock camera under $10,000 is any better for my requirements. If Nikon hasn't consulted with cutting edge creatives on the mirrorless design, the chances are they're screwed. Nikon has to b
  10. Nikon has been the architect of its own demise. Nikon sat on its arse when Sony was feeding on its brain. Its arrogance has been almost fatal. If the Nikon mirrorless isn't amazingly good, it's gonna be corporate Seppuku for Nikon. Nikon had an opportunity to pwn Canon with the successor to the D90. Nikon has no video division to cannibalise yet video has always been an afterthought with crappy low bitrate inter frame codecs, aliasing, huge crops, etc, etc. Give us 10bit, give us raw, or give us Seppuku.
  11. The Audix sounds great, has a bottom end boost over the AKGs, dialogue sounds more upfront than the C480B, more like the JW C460B, and it's freaking tiny. Hey, is there a field recording thread?
  12. 93 or 63? I've got 2 JW modded C460B's with CK63 hyper caps, an Audix SCX1-HC, and an NTG3. And I’ve still got the NTG1 and NT3 I bought and used at film school! Figured I should stop hoarding mics and start making films. I do really like the C480B, but I like the character of the JW mod C460B better. I bought the C480B a week before I found the modded C460B's I'd been looking for. I'm surprised it hasn't sold yet, it's an awesome mic, and they're bloody expensive new. I've listed the C480B and the CK61 separately. https://www.ebay.com.au/itm/153078442697?ssPageName=STRK:ME
  13. https://www.magiclantern.fm/forum/index.php?topic=20025.0 Jun 27 build. Isco 36s are going for between $3000 and $5000. Considering how good they are and how much new anamorphics cost they're worth the money I suppose. I just wish they were 2x instead of 1.5x. Andrew put together a guide to anamorphics, you might find some cheap options in there (I haven't read it). I don't like the Kowas. I think the Isco Ultra Star with a single focus adapter are probably the next best thing to the Isco 36, they're more like 1.8x. Most of the cheaper anamorphics are pretty crappy, very soft, probably
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