Ty Harper

Just learning that it only does 4:2:0 internally. It's also a spec that seems to be purposely omitted from the official Sigma and B&H product pages. Maybe not a dealbreaker in practice but a turn off as far as the optics of them seeming to avoid stating it to the consumer. Props to this guy for catching it:

Personally I am still intrigued by the FP form factor so will def be keeping my eye on this, specifically for travel/casual stuff - especially bcuz it seems to have a much better build than its competitors in that size range.

I used to feel that way and then I just re-bought an OG Zacuto Z-Finder (had one back in the day for my 5D MKIII and 1DC). So now when I absolutely need an EVF for my Canon R6V (usually when I got issues with sunlight outdoors) I just screw it on and I'm good to go. Sure it's an extra piece of kit in my bag but not a big deal, imo. All that said, I agree that in an era where the cam as a priority tool for video capture is losing ground to all kinds of other tech developments - I think Sigma should have thrown every reasonable feature at this thing... which they didn't... but hey, I guess we'll see if that gamble pays off for them.

Key specs via PP: https://www.dpreview.com/reviews/sigma-fp2-everything-is-better-for-the-second-gen-modular-mirrorless-camera/ 24MP partially stacked CMOS sensor Up to 20fps stills Video up to 6K open gate, including ProRes RAW output to SSD Two USB-C sockets Full-sized HDMI port Tilt up/down 3.2″ 2.1M dot rear LCD Optional 5.76M dot electronic viewfinder Optional OM System/Panasonic compatible hotshoe 70GB internal memory Larger, 16Wh battery, giving 370 shots/charge rating 460g (16.2oz) including battery and card The Sigma fp2 will be available from November 11th at a price of $2199, body only, or $2749 with the new EVF-21 accessory or $2749 with the I-series 50mm F2 DG lens.

Sigma FP II has officially been announced.

They same guy has reportedly added the ability to monitor the image properly using the FP's LCD screen: "For a long time, getting accurate exposure when shooting RAW on the SIGMA fp has been a little difficult. I've always used EL ZONE to help with exposure, but when I wanted to understand the overall brightness and color distribution of the image, I still found it a bit difficult. So I created **RAW View**, a monitoring mode based on the fp's exposure latitude. Highlights are no longer clipped early by the stock monitoring pipeline, and the histogram and waveform now work properly with the displayed range. I think this could also be useful for still photography. RAW View maps the fp's publicly documented ~12.5 stops of dynamic range into a Rec.709 display range. There are currently two modes: **SA — Latitude · Stop Aligned** Aligns the display according to the latitude and stop distribution at each ISO. **GA — Latitude · Gray Aligned** Keeps middle gray fixed at approximately 41%. You can choose GA or SA depending on your preferred exposure and monitoring workflow. ### CinemaDNG Color Matrix When using **AEL**, adjusting the Saturation setting before recording CinemaDNG can apply SIGMA's original **Standard Color matrix** to the DNG metadata. If you want to keep the usual **OFF CinemaDNG** behavior, simply leave Saturation at its default setting. For those who like experimenting, you're also very welcome to try recording with the matrix enabled and see how it affects your CinemaDNG workflow and color rendering in DaVinci Resolve. I'd be very interested in your results. I think most fp users are already very happy with the image quality. It's the small pain points that can sometimes make the camera frustrating to use — and I'm starting to think that fixing these little things may actually be one of the most useful parts of fpSup. The latest test version is: **fpSup-RAW-View v0.2.2test** The monitoring curves are mainly based on published SIGMA data and Ole Berek's *SIGMA fp Rec709 LUT & Operations Guide v3*. I cannot guarantee that the curves or implementation are completely accurate. If you notice any incorrect exposure behavior, curve issues, or bugs, please let me know. Thank you! You can find the download and detailed installation instructions for this unofficial patch in the replies to this post, along with a more detailed explanation of how it works. ⚠️ **Experimental / Unofficial** fpSup is an unofficial experimental modification and is not affiliated with or supported by SIGMA. This is still a **test** release and may contain bugs, freezes, recording issues, or incorrect monitoring. Please test it with your own camera and workflow before relying on it for important or non-repeatable shoots." Technical Details: https://ijigen.github.io/fpSup/explainers/raw-view.html Download & Instructions: https://ijigen.github.io/fpSup/tools/card-composer/

They same guy has reportedly added the ability to monitor the image properly using the FP's LCD screen: "For a long time, getting accurate exposure when shooting RAW on the SIGMA fp has been a little difficult. I've always used EL ZONE to help with exposure, but when I wanted to understand the overall brightness and color distribution of the image, I still found it a bit difficult. So I created **RAW View**, a monitoring mode based on the fp's exposure latitude. Highlights are no longer clipped early by the stock monitoring pipeline, and the histogram and waveform now work properly with the displayed range. I think this could also be useful for still photography. RAW View maps the fp's publicly documented ~12.5 stops of dynamic range into a Rec.709 display range. There are currently two modes: **SA — Latitude · Stop Aligned** Aligns the display according to the latitude and stop distribution at each ISO. **GA — Latitude · Gray Aligned** Keeps middle gray fixed at approximately 41%. You can choose GA or SA depending on your preferred exposure and monitoring workflow. ### CinemaDNG Color Matrix When using **AEL**, adjusting the Saturation setting before recording CinemaDNG can apply SIGMA's original **Standard Color matrix** to the DNG metadata. If you want to keep the usual **OFF CinemaDNG** behavior, simply leave Saturation at its default setting. For those who like experimenting, you're also very welcome to try recording with the matrix enabled and see how it affects your CinemaDNG workflow and color rendering in DaVinci Resolve. I'd be very interested in your results. I think most fp users are already very happy with the image quality. It's the small pain points that can sometimes make the camera frustrating to use — and I'm starting to think that fixing these little things may actually be one of the most useful parts of fpSup. The latest test version is: **fpSup-RAW-View v0.2.2test** The monitoring curves are mainly based on published SIGMA data and Ole Berek's *SIGMA fp Rec709 LUT & Operations Guide v3*. I cannot guarantee that the curves or implementation are completely accurate. If you notice any incorrect exposure behavior, curve issues, or bugs, please let me know. Thank you! You can find the download and detailed installation instructions for this unofficial patch in the replies to this post, along with a more detailed explanation of how it works. ⚠️ **Experimental / Unofficial** fpSup is an unofficial experimental modification and is not affiliated with or supported by SIGMA. This is still a **test** release and may contain bugs, freezes, recording issues, or incorrect monitoring. Please test it with your own camera and workflow before relying on it for important or non-repeatable shoots." Technical Details: https://ijigen.github.io/fpSup/explainers/raw-view.html Download & Instructions: https://ijigen.github.io/fpSup/tools/card-composer/

With 10 years experience in the industry, you should start by reaching out to all the clients you worked with in the past, who you feel like you delivered great content to, and who you have built a good relationship with, no?

Interesting update on the FP front. A user has apparently developed a way to use the FP's internal gyro data to get post-production stabilization via the cam's SD card (vs needing to attach an additional piece of external hardware). You can get more details here: https://discord.com/channels/1542149935523299378/1542153963837853807 And this is an FB group where the developer made the annoucement earlier this week, and is discussing it with other owners: https://www.facebook.com/share/v/1EPzkeRZny/?mibextid=wwXIfr There is also a user (Vitaly Li) who literally just posted about a new mod they're developing that could give the FP 3000x2000 open gate: https://www.facebook.com/share/v/1F1sixsTzz/?mibextid=wwXIfr Personaly I've moved on from my dreams of owning an FP, but this is seems like pretty promising news for FP users.

Interesting update on the FP front. A user has apparently developed a way to use the FP's internal gyro data to get post-production stabilization via the cam's SD card (vs needing to attach an additional piece of external hardware). You can get more details here: https://discord.com/channels/1542149935523299378/1542153963837853807 And this is an FB group where the developer made the annoucement earlier this week, and is discussing it with other owners: https://www.facebook.com/share/v/1EPzkeRZny/?mibextid=wwXIfr Personaly I've moved on from my dreams of owning an FP, but this is pretty promising news. The developer also seemed to imply that they might be able to do open gate on the FP too.

No, DIS is a separate feature also available with the R6V.

double post

For anyone considering the R6V, Looks like this fairly new 'Subject Tracking IS' feature addresses the longstanding wobble issues Canon has had with its IBIS system. I think more testing needs to be done - but just caught this vid from YouTuber Q Maldonado talking about it via this Canon R6V FB group. Personally, I sold my R50V and picked an R6V up to be my new casual/travel/C-cam. If you barebones it with a wrist strap it isn't that much bigger than an R50V with a Smallrig cage. Haven't really had time to do much testing but so far the biggest issue for me has been using the LCD screen in broad daylight. My workaround will be to rebuy a Zacuto Z-Finder and slap a Z-Frame adhesive on the LCD screen. Sure it makes it impossible to put the LCD in the protective closed position but that is obvi not a new concern + if you slap on a screen protector below the adhesive you should be fine + because the Z-Frame adhesive has some thickness to it, it also acts as another layer of protection. Anyways, just an fyi!

@eatstoomuchjam I've always been a fan of the EF 24-70mm f/4 (IS) so def looking at that lens as an option. As for the pdmovie option, I'm ok with its limitations - but overall, I agree with alot of what you're saying. And the thing about the ZR is that bcuz my main cams are two R5Cs and a R50V, when I start hitting that $3K CAD territory (which is how much a used ZR + EF to L adapter w/ VND goes for in my neck of the woods) suddenly I'm like $600 CAD shy of a new Canon R6V, and I already own all the accessories that cam would need. Meanwhile the FP or S9 (with all necessary accessories) will run me under $2K. First world problems tho!

Are you referring to the original DPL base mount with the SSD bottom rack + USB side plate in this video? Also had you tried the RAW 12bit 1080p option via SD cards? I've heard it's pretty good so was thinking it could be a compromise in situations where I want to be as light as possible. I'd be shooting exclusively with the EF 35mm f2 (IS) and maybe pickup a 24mm f/2.8 (IS) + the PDmovie Live Air 3 and look into DPL's screen mod later down the line. But I figured that lens/PDmovie setup (w/o the DPL stuff) would cover the main limitations of the FP, while still being a fairly small footprint - but curious what you think from your own experience?

@mercerI started my cam journey in earnest on the 5D MKII/IIII with the ML hack - so I have a soft spot for that RAW workflow! And I still have two 5D MKIII that I will prob never sell. I currently have a R5OV as travel/casual/C cam but I am not feeling the APSC look. So when I recently rediscovered the FP I became a bit obsessed with the idea of having something that small and powerful become my casual/travel cam. Meanwhile I'd just keep the R50V as a C-cam to my R5Cs. But as you say, the FP seems so finnicky that it has required an unprecedented level of research/due diligence on my end. So I've been wavering back and forth for about a month now. As it stands, if I can get a used FP in good condition for $600 USD (just missed one with the modded back dial for that price!) then I'll go for it (knowing I'd still be buying the DPL screen mod, the DPL base cage+SSD holder+SSD bottom mount and side accessory, a Meike or Vizelex Smart adapter/VND, and the pdmovie 3). If not, there's the Lumix S9 and maaaaybe the Nikon ZR but that then I'm getting to R6V territory as far as size and price.

Got it! I think for me, the biggest things I've been trying to wrap my head around (because I've only been able to learn about this cam via bits and pieces of anecdotal info from Youtubers and owners posting in FB/Reddit groups) are: (i) The monitoring situation: So as I currently understand it - the Ninja V is the only monitor that - when used with the Ole Berek LUT - shows you a fairly close representation of what the RAW image actually looks like in the field compared to what you get on the FP's own screen (as far as exposure, etc) (ii) What is the best EF-L mount adapter with VND? I'm seeing that the issues with the Meike version might have been addressed and I'm unsure whether the Meike and Fotodiox/Vizelex Smart adapter/VNF versions will fit when using the Dark Power Laboratory Base cage and.or Ultimate cage. Any help/thoughts on this would be appreciated. All that said, I'm still interested in it but if I can't get a good deal on one here in Toronto, I will prob just end up getting an S9!

Hey all, I'm pretty close to squeezing the trigger on a Sigma FP - what are some things I should be looking for when inspecting a used Sigma FP for potential purchase? Like obvious things for me would be signs of irreparable damage to the ports, dead pixels, ensuring the SD slot is in working order, any scratches on the sensor. Anything else though? Particularly things that might be unique to the FP. Thanks in advance!

Well, well, well - for $50USD maybe I don't need to sell my Zoom F3 and upgrade to the Tascam FR-AV2 after all? 🤔 https://www.newsshooter.com/2026/04/24/zoom-tca-1-timecode-adapter/

Right now I'm mostly using the Canon's .71x speedbooster on my R50V - but before that I was using it with my R5C for years as a great way to access the cam's 2-5K RAW features (which are only available in s35 mode) while basically making it FF. It's just one of the many reasons the R5C remains one of the most versatile releases in Canon history.

I work on a daily live national pop culture program - and while we are theoretically a terrestrial radio program first and foremost, realistically speaking we are a multi-platform program that is consumed as a traditional radio show, a podcast on Apple, a video podcast on Spotify/Youtube, and there are a lot of people who ONLY know our program via the video reels we post on our IG account. The program is captured with 3 Sony PTZs, and guests joining us via Zoom are patched into the convo by our digital producer who is also our live switcher, who is also framing each person (up to four guests, including the host) for our Youtube/Spotify podcasts AND our IG reels... so yes, Open Gate would prob be a helpful option for our digital producer/switcher/editor to have in post.

Don't know much about the R8 but I did a bit of research on the R7 as I was looking for a C-cam to go with my two R5Cs. The reason I didn't go with it was that there was imo an usually high level of owners on one of the bigger R7 groups on FB reporting mechanical shutter failures. It was particularly troubling for a cam that wasn't even 3 years old at the time (this was at the top of 2025). Either way I have decided to stay away from it and am pretty close to grabbing an R50V for the time being.

@Andrew Reiddo you think there is a DIY way to strengthen the micro-HDMI ports' connection to the motherboard in these newer cameras - particularly Canon's R5C? Most people use the usual port protectors from Canon and Smallrig but I've seen reports of the ports stilll having issues, even when those steps are taken. Personally I just do not use the micro-HDMI and USB-C ports at all but wondering if there is a way to fortify those connections?

Gerald got an hour and 53 mins at 4K XF-AVC on an LP-E6P batt.

Yes, great feature and AFAIK the R5C can't do it. My question is whether there is a technical limitation that would stop Canon from adding open gate on the R5C in a FW update?