Inazuma

Dude this is ridiculously good. Really can't put into words how well made this is. Well done!

That's very kind of you. I haven't had a look yet, but I hope someone puts them to good use.

Skin tones look good to me. Even at iso 50,000 they look natural whereas previously there would be a strong yellow or green shift. Also that rolling shutter performance is incredible

Yes I see them now, maybe it's only a 2 and 4 stop ND filter, I just can't imagine how they will cripple it, I've learned though thanks to the R5 and R6 fiasco; never underestimate Canon's cripple hammer creativity.
 
I'll bet Canon wishes they could only offer 1080P and get away with it. I think they won't offer RAW, probably no CLOG3, no XLR, no more than a 4 stop ND filter, definitely no IBIS, oh and it will overheat but only if it detects that you haven't yet purchased a Cinema camera. With the purchase of each cinema camera you'll get an unlock code for the CLOG3 and removal of the overheating timer in the C70.

I tried one more time today

Here's the result of that Shot Match feature, just so you're aware:


I think the video you're looking for from Aram K is this one:
 

Attempt number one.
Reference:

Grade:

and the node graph which quite obviously shows that this is the wrong way to go about such a thing:

Attempt 2
Reference:

Grade:

Node graph - simpler but still awful:

The absolute best way to match scenes is to get any camera and point it at something that looks like your reference.

yeah. Sort of. You can get a x1.29 crop any time you want at the touch of a (programmed) button.
When shooting 4k50/60p you're forced to a x1.19 crop at a minimum anyway.
When shooting slowmotion 1080 you're forced to a x1.29 crop anyway
When shooting with Digital Image Stabilisation (DIS) on, you're forced to x1.11 crop anyway. (DIS can't be used during slowmo btw)
The crops don't stack, of course.

Technically ANY time you shoot 4k you can crop x2 into that in post for a decent 1080p too, of course.

Wow this is crazy. Great report Andrew. Thor would be envious of this incredible cripple hammer.

Wow this is crazy. Great report Andrew. Thor would be envious of this incredible cripple hammer.

There is also a relative relationship between the exif data temperature and the inhibitor triggers that are read from the internal temperature status monitor object.
When the temperature goes up in the exif files the inhibitions increase in the camera.
When the temperature comes down so do the inhibitions.
Its like an inverse of a beach holiday to Magaluf.

EOSHD testing finds Canon EOS R5 overheating to be fake, with artificial timers deployed to lock out video mode. In this test, we will probe my Canon EOS R5’s actual internal temperature in Celsius, as reported by the firmware.
This week CDA-TEK and I are developing an Android app for the Canon EOS R5, which connects to the camera via the Canon API...
Please read the rest of the article on the blog carefully before commenting below

We have already seen some AB tests of the a7s and R6. The colours aren't THAT different. I think you're all kidding yourselves when you say it has a colour problem. I am unbiased as I don't own or intend to  own either cams or anything like them.  If you're not seeing good colour from a7s videos then it is the fault of the colour grader. And  "thick colour" is the same nonsense as what photographers call "3d pop".  You're just reaching for terminology to reinforce/shill your idea. It's possible to see thick colour as you're grading a file but not just based off seeing the final product. 

We have already seen some AB tests of the a7s and R6. The colours aren't THAT different. I think you're all kidding yourselves when you say it has a colour problem. I am unbiased as I don't own or intend to  own either cams or anything like them.  If you're not seeing good colour from a7s videos then it is the fault of the colour grader. And  "thick colour" is the same nonsense as what photographers call "3d pop".  You're just reaching for terminology to reinforce/shill your idea. It's possible to see thick colour as you're grading a file but not just based off seeing the final product. 

We have already seen some AB tests of the a7s and R6. The colours aren't THAT different. I think you're all kidding yourselves when you say it has a colour problem. I am unbiased as I don't own or intend to  own either cams or anything like them.  If you're not seeing good colour from a7s videos then it is the fault of the colour grader. And  "thick colour" is the same nonsense as what photographers call "3d pop".  You're just reaching for terminology to reinforce/shill your idea. It's possible to see thick colour as you're grading a file but not just based off seeing the final product. 

We have already seen some AB tests of the a7s and R6. The colours aren't THAT different. I think you're all kidding yourselves when you say it has a colour problem. I am unbiased as I don't own or intend to  own either cams or anything like them.  If you're not seeing good colour from a7s videos then it is the fault of the colour grader. And  "thick colour" is the same nonsense as what photographers call "3d pop".  You're just reaching for terminology to reinforce/shill your idea. It's possible to see thick colour as you're grading a file but not just based off seeing the final product. 

We have already seen some AB tests of the a7s and R6. The colours aren't THAT different. I think you're all kidding yourselves when you say it has a colour problem. I am unbiased as I don't own or intend to  own either cams or anything like them.  If you're not seeing good colour from a7s videos then it is the fault of the colour grader. And  "thick colour" is the same nonsense as what photographers call "3d pop".  You're just reaching for terminology to reinforce/shill your idea. It's possible to see thick colour as you're grading a file but not just based off seeing the final product. 

We have already seen some AB tests of the a7s and R6. The colours aren't THAT different. I think you're all kidding yourselves when you say it has a colour problem. I am unbiased as I don't own or intend to  own either cams or anything like them.  If you're not seeing good colour from a7s videos then it is the fault of the colour grader. And  "thick colour" is the same nonsense as what photographers call "3d pop".  You're just reaching for terminology to reinforce/shill your idea. It's possible to see thick colour as you're grading a file but not just based off seeing the final product. 

We have already seen some AB tests of the a7s and R6. The colours aren't THAT different. I think you're all kidding yourselves when you say it has a colour problem. I am unbiased as I don't own or intend to  own either cams or anything like them.  If you're not seeing good colour from a7s videos then it is the fault of the colour grader. And  "thick colour" is the same nonsense as what photographers call "3d pop".  You're just reaching for terminology to reinforce/shill your idea. It's possible to see thick colour as you're grading a file but not just based off seeing the final product. 

Some comparison vids starting to come out. The Canon has great IBIS whilst walking, im really impressed. It also to my taste has better colour but I would say the Sony is much closer than before. I mean at least sky is blue instead of teal now. I think the skin would only need minor adjustments compared to before. Personally I'm still a little bit traumatised from my time with the Panasonic GX7 and G85 which had really big issues with blotchy skin that wasn't easy to fix, so nearly anything is a huge improvement to me 😛 
https://www.youtube.com/watch?v=tgcp8wXAUZY
https://www.youtube.com/watch?v=aC39Z6vZgHw



 

Canon 17-55mm f2.8
I used this lens with the C100 II to shoot docs and short films. It's a perfect match.

I’d suggest the Sigma 18-35 1.8 You won’t find a shaper prime plus you’ll get 18mm 24mm 28mm and 35mm all in one at f1.8

So I came into a little bit of money recently and ended up ordering this camera (preowned of course). I've only had it for a few hours now but I'm pretty excited. The capabilities and ease of use of this thing are pretty incredible. I'm primarily using this for stills but the video has good potential for casual usage. The crop modes actually work in video (both 1080 and 4k) and the detail is pretty good, although in 4k and 1080p120 there is obvious aliasing. 

This is a still from a DCI 4k capture. As you can see from the blockiness of the shadows the dynamic range is limited but I'm impressed with the colour, which looks quite true to life. One thing I used to dislike about the Fuji's is that the different hues and shades of plants would get lost and merge into an ugly green. 
Because the crop mode works in video, you conveniently get a 28mm f1.7, 35mm f2, 50mm f3 and 75mm f4.5 in a small body (although 1080p at 75mm looks terrible). It should be a great camera for taking on hikes or going to social events. 

So I came into a little bit of money recently and ended up ordering this camera (preowned of course). I've only had it for a few hours now but I'm pretty excited. The capabilities and ease of use of this thing are pretty incredible. I'm primarily using this for stills but the video has good potential for casual usage. The crop modes actually work in video (both 1080 and 4k) and the detail is pretty good, although in 4k and 1080p120 there is obvious aliasing. 

This is a still from a DCI 4k capture. As you can see from the blockiness of the shadows the dynamic range is limited but I'm impressed with the colour, which looks quite true to life. One thing I used to dislike about the Fuji's is that the different hues and shades of plants would get lost and merge into an ugly green. 
Because the crop mode works in video, you conveniently get a 28mm f1.7, 35mm f2, 50mm f3 and 75mm f4.5 in a small body (although 1080p at 75mm looks terrible). It should be a great camera for taking on hikes or going to social events. 

Can’t wait till next Camera Conspiracies episode!