Lars Steenhoff

This is the powergrade.
I will be making a video on this soon
Process_1.24.1.dpx

Nice!
 
About Apple...
They had 10 bit support in ios 11, I could transfer 10 bit h265 from a fuji xt3 with the apple sd card reader at usb 3 speeds to the ipad.  
And I could edit in lumafusion
in ios 12 all we get is a red error x on top if the file and it won't transfer.
And with no way to go back to ios 11, we are stuck at 8 bit files.
I hope apple will allow this in a future ios update.
 And pressure from samsung for 10 bit will  hopefull help that
 

Lots of info
 
 

Ask them for internal LUT support please. ( I think you already did but not sure they understood)
For both video and stills
So when I want have a nice look I dont need to go in post processing on an external device.
Especially important to show a good looking jpg direct out of the camera to a cleint on set

its a power saving feature on most fuji cameras, if you put the camera in high performance mode the screen will stay with the fast frame rate, has nothing todo with the recordings

No it does not suggest that at all
your talking about the photo mode, what makes you think any cropping for video?
google translate:
 
LUMIX S1R
47.3 million pixels Full size sensor · Low pass filter less
5-axis hand vibration reduction within the body with 5.5 steps of effect
Dual IS 2 with 6 stages of effect
4K 60p / 50p video
Sequential shooting performance: 9 frames / second (AFS), 6 frames / second (AFC)
6K photo at 30 frames per second and 4K photo mode at 60 frames / sec
5.76 million dot EVF
The finder magnification can be adjusted from 0.78 times to 0.74 times or 0.7 times
Movable rear liquid crystal with 2.1 million dots
Dustproof · Drip-proof · Low temperature-10 °
Picture of 187 million pixels (16,736 x 11, 168) can be created using high resolution mode
Advanced Artificial Intelligence Technology Detecting Humans, Cats, Dogs and Birds
Size: 148.9 x 110.0 x 96.7 mm
Weight: 898 g
Overseas price: Body 3, 399 GBP, lens kit 4, 199 GBP
LUMIX S1
24.2 Million Pixels Full Size Sensor
Maximum standard ISO 51.200
It can create 96 million pixels (12,000 x 8,000) images using high resolution mode
Size: 148.9 x 110.0 x 96.7 mm
Weight: 899 g
Overseas price: Body 2,199 GBP, lens kit 2,999 GBP

https://d.tube/
 
D tube there the videos can't be deleted because they are on the blockchain
 
Also youtube is also not the solution
https://www.google.nl/amp/s/www.rt.com/news/441971-youtube-article-13-memes-eu/amp/
 
here the blog
https://youtube-creators.googleblog.com/2018/10/a-final-update-on-our-priorities-for.html?m=1

The new firmware is out!
 
https://www.atomos.com/firmware/ninja-v
 
Bug fixes:
Release NotesAtomOS 10.01
26 October 2018
- Fixed a monitoring issue with some cameras where the areas of peak brightness in images would appear black on screen when viewing using selected 3D LUTs.
- Improved HDMI signal locking to prevent the input from dropping with some camera settings. - Fixed an issue with audio delay where audio was corrupted at selected frame rates.

https://d.tube/
 
D tube there the videos can't be deleted because they are on the blockchain
 
Also youtube is also not the solution
https://www.google.nl/amp/s/www.rt.com/news/441971-youtube-article-13-memes-eu/amp/
 
here the blog
https://youtube-creators.googleblog.com/2018/10/a-final-update-on-our-priorities-for.html?m=1

Battery grip proto type
14-24 f2.8
24-70 f2.8
58 f0.95
 

Sorry if it was posted before : 
 
 

Here's what I think are the pros an cons
PRO
3.2 " lcd. ( better than 3" ) 2 million dots  lcd resolution ( better than 1 million ) Responsive touch screen Grip seems nice 5 axis IBIS Short flange High resolution EVF Nice EVF optics 0.8 magnification 10 bit hdmi out Adapter can stop down the aperture 4k full pixel read out ( Z6 ) Mic input Headphone output Usb-c ( + charging in camera ) N-LOG over hdmi Lossless compressed 14 bit RAW for stills 144Mbps internal is not so bad CONS
Adapter no AF on screwdriver lenses Battery life if only 10-15 min in video ( USA site ), Japan site says 85 min ( http://www.nikon-image.com/products/mirrorless/lineup/z_6/spec.html ) One card slot ( don't care so much about it, but still, its 2018) No internal N-LOG No internal 10 bit  No LUT support in camera ( like in the black magic pocket 4k ) No 4k DCI No 200 mbs bitrate internal.  ( 144Mbps ) No 4k 60p No mini XLR for sound  ( Blackmagic ) Lenses don't seem to have linear focus option. Lenses focus rotation don't seem to be able to reverse No RAW for video No Prores for video 4 GB split for movies  

I wish the LUT gallery thumbnails were from the current selected video frame.   that way you can see all the grades how they would look like on your shot.
Now you have to select each one to see how they look like in a shot.  It's better than it was for sure, just could have been perfect if they did that.

I wish the LUT gallery thumbnails were from the current selected video frame.   that way you can see all the grades how they would look like on your shot.
Now you have to select each one to see how they look like in a shot.  It's better than it was for sure, just could have been perfect if they did that.

uncompressed Raw actually requires less processing power.   no need to debater and to compress.

uncompressed Raw actually requires less processing power.   no need to debater and to compress.

uncompressed Raw actually requires less processing power.   no need to debater and to compress.

uncompressed Raw actually requires less processing power.   no need to debater and to compress.

Yea pro's actually can't focus at all, they need to outsource that to a focus puller
 

@Hakeem Foster  you probably need a later version of MLVFS

You can record external to hdmi at 1080p.  I do this with an atomos ninja blade.
You can even let it trigger the external recorder to record of you enable the in camera h264 proxy recording.
This will give you RAW files in the compact flash card in camera, H264 .mov files on the SD card in camera, And the external recording on the monitor.
There is an app called switch in the magic lantern forum, that can cut out the extra black frames that this workflow gives to the proxies. 
This way you can edit with the proxy files in and later sync up the raw files for grading.
I only tested normal 25 fps with this workflow,  48 may behave differently

You can record external to hdmi at 1080p.  I do this with an atomos ninja blade.
You can even let it trigger the external recorder to record of you enable the in camera h264 proxy recording.
This will give you RAW files in the compact flash card in camera, H264 .mov files on the SD card in camera, And the external recording on the monitor.
There is an app called switch in the magic lantern forum, that can cut out the extra black frames that this workflow gives to the proxies. 
This way you can edit with the proxy files in and later sync up the raw files for grading.
I only tested normal 25 fps with this workflow,  48 may behave differently

You can record external to hdmi at 1080p.  I do this with an atomos ninja blade.
You can even let it trigger the external recorder to record of you enable the in camera h264 proxy recording.
This will give you RAW files in the compact flash card in camera, H264 .mov files on the SD card in camera, And the external recording on the monitor.
There is an app called switch in the magic lantern forum, that can cut out the extra black frames that this workflow gives to the proxies. 
This way you can edit with the proxy files in and later sync up the raw files for grading.
I only tested normal 25 fps with this workflow,  48 may behave differently

please if you can fuji xt-2 ,  thanks they are awesome