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About frontfocus

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  1. At the X Summit they said, it was just an initial mockup. Not even the optical design is given. And one of their top priorities is getting it smaller. So I suspect, that the final version will be smaller. Something similar happened back when the 90mm was introduced. It was shorter but a lot fatter. They later changed the design to what it is now.
  2. there is none. You can switch between 25 and 30fps as you wish. No need to change any ntsc/pal settings
  3. if it's 95MB/s UHS-I this means, that it's very likely not a V60 card which is recommended for 400Mbps. So it's likely a card problem.
  4. what bitrates are you using?
  5. with large indicators you can't. without them, go into Menu > Set Up > Screen Set up > Disp. Custom Settings > and turn on both expo. comp. (scale) and Mic Level
  6. Yeah, take your time testing. Different af-c settings for example. It’s nothing you should decide without really thinking about it
  7. If audio is a big concern, then get the f/2.0 the f/1.4 is a very nice lens with incredible look. but the focus motor is loud. The f/2.0 also focuses faster in stills. i got the 1.4. I don’t record audio with build in mic or in the hotshoe and if the mic isn’t too close the loud motor is no problem I don’t think the update will change anything about that, since that’s all due to different hardware.
  8. yes, it’s your lenses. The 18mm and 35mm f/1.4 are the oldest lenses and use loud motors. Newer lenses are better. Some by a bit, some by a lot. The f/2.0 primes are very good, the zooms are noiseless
  9. you can switch them to linear focus mode. With this the focus get's predictable, but throw is very long. edit: the sound stays though.
  10. Tony Northrup on January 29: We HATE making negative camera review Tony Northrup on February 2: The TRUTH about the Panasonic S1 So within half a week he decided to do a negative camera review about a camera he hasn't even touched yet. Negative reviews bring in views and that's what he is making money off. Thanks for calling him out Andrew.
  11. I think it just shows, how much they crippled the Eos R to begin with. Of course there were some hoping the cheaper model would do better, but I think expectations were low on this model overall.
  12. frontfocus

    Fujifilm X-T30?

    Full sensor readout in 40K30p with no crop, little rolling shutter and 200mbps sounds nice. Same oversampled 1080p 120fps as in the X-T3 too. 8bit internal, that’s too bad, but it gets 10 bit over hdmi. Mic over usb-c is a nice idea too. Internal 8bit log is nice to have, I’d go for 10 bit in log profiles all the way F-Log in 8 bit can be problematic, not even getting started on 8bit Slog3. I guess no HLG either, since this is standardized to be 10 or 12bit in genereal. Overall a very capable camera for the price point, but it’s missing some of the X-T3s main features.
  13. in the US it might be somewhat interesting, here in Europe it's 1050€. https://www.amazon.fr/Sony-ILCE-6400-Numérique-Autofocus-Ultra-Rapide/dp/B07MW8GTYD that's nearly 1200$. And for that you get an old sensor with very bad rolling shutter, 8bit only, 30p only and bitrates still stuck 100Mbps. That might have been interesting in 2016 when the A6300 was released, but in 2019 it's not.
  14. frontfocus

    Fujifilm X-T30?

    It's not the size of an X-T30 and you have to add a 0 to the price, but Dpreview says, that the upcoming GFX 100S will shoot 4K at 10bit 4:2:0 internally, same as the X-T3.
  15. It's comparable to 150Mbps in H.264 Nothing to write home about, but at least they offer HEVC. Overall it doesn't look like the camera is aimed at the video market, as it's seems aimed mainly at professional photographers
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