ntblowz

Panasonic fanboys will tell ya: Real Men don’t use AF.
Canon fanboys will say: FF is overrated, crop brings you closer to S35 ciné standards.
Sony fanboys over any criticism: My favorite company is #1. Na-na-nana-na.
 

1-inch edition co-engineered with Leica.
Stereo setup module available!

5.3K@30fps
 
Sold. A couple of units coming soon ; -)
https://www.insta360.com/product/insta360-oner_1inch-edition
https://www.insta360.com/product/insta360-oner_twin-edition
 
https://www.theverge.com/2020/1/7/21048536/insta360-one-r-360-4k-action-camera-modular-price-specs-features-photos-hands-on
https://***URL removed***/news/3082563124/the-insta360-one-r-is-a-super-versatile-action-360-cam-system
https://***URL not allowed***/insta360-one-r-modular-action-360-camera-first-hands-on-impressions/
 

Ha ha very nice Sony, now get back to work
https://www.bbc.co.uk/news/technology-51015921

Not to be confused with the Nikon Coolpix 950!

https://en.wikipedia.org/wiki/Nikon_Coolpix_950

Here you go. How is it compared to Godox and Aputure? The light was at 100% power.
ZOOM0044_TrLR.WAV
Another nice thing about Jinbei is that they send it to you via DHL in 5-7 days and its free. So no need to wait for 1 month as usual. 

I have a Godox SL-150 light. Great light output (f/5.6-8 on my S1H at ISO-400 for a two up shot with a 3x3 thick film diffusion at 100%), Bowens mount and is excellent for music videos, but It's louder than the fan on my Ninja V and S1H combined and then tripled! 
Listen, you cannot use this for most indie film or ANY interview style production because the light is just too fucking loud!!! I ran this for an interview in a double baffled softbox around 4 feet from the subject. The subject had a wireless lav on, and it sounds like a hair drier is running the whole interview!

I've just got myself a JINBEI EFII-60 from Ali which costs as much as Godox sl60w around 160$, has same 60w power output.. but lighter, quieter and does.. 11000 lux at 1 meter vs 4100 on Godox. And it works from Sony NP-F batteries out of the box ? Waiting for my softbox to arrive to conduct some actual tests. They have 100, 150, 200 watt models as well but they dont support np-f batteries.
Seems like a new value king for me.

I would buy this camera just for the "beer functions!"

Yeah, I guess Nikon has a competition going on with Panasonic to see who can make the most cumbersome License purchase system.

Sorry, everyone, if I had known that Nikon and Atomos were waiting for me to sell my Z6, I would have sold it sooner.

Lighting and Lenses is what makes shit look Hollywood.
"Camera choice is basically just the film stock." - William Wages ASC

Please don't use a blimp indoors :-( 

And definitely don't use it indoors with a wookie condom on it!

I don't know, maybe that CEO suit is windy AF. He looks like the type.?

Especially with the release of "The Mandalorian" just recently, and "Star Wars: The Rise of Skywalker" tomorrow, the risks of Wookie attacks are much higher than normal!

After using ok lighting  (672C and couple 500LED lights) for a few years I decided to step up lighting kit this year, first to the flexible lights like Falconeye RX18-TD and finally settled on Aputure C120D II, and result is quite a dramatic different, I think for the first time we got client ask us what "filters" we use so the photog's photo can have similar colour as our video lol  (and that was just a quick grade in Premiere).
I really wish i had done this lighting kit upgrade sooner. Definitely will make some of the videos we did much better ugh.
 
Light with Falconeye RX18TD: notice the subject is underexposed and background still overexposed, and the light gives a bit of magenta shift.

 
Lighting with Aputure C120D II on dome mini II, subject is well light and background is well exposed, skintone is pretty good with no colour shift.

 
Client asking what "filter" we use.

 
Light setup for the day.

After using ok lighting  (672C and couple 500LED lights) for a few years I decided to step up lighting kit this year, first to the flexible lights like Falconeye RX18-TD and finally settled on Aputure C120D II, and result is quite a dramatic different, I think for the first time we got client ask us what "filters" we use so the photog's photo can have similar colour as our video lol  (and that was just a quick grade in Premiere).
I really wish i had done this lighting kit upgrade sooner. Definitely will make some of the videos we did much better ugh.
 
Light with Falconeye RX18TD: notice the subject is underexposed and background still overexposed, and the light gives a bit of magenta shift.

 
Lighting with Aputure C120D II on dome mini II, subject is well light and background is well exposed, skintone is pretty good with no colour shift.

 
Client asking what "filter" we use.

 
Light setup for the day.

After using ok lighting  (672C and couple 500LED lights) for a few years I decided to step up lighting kit this year, first to the flexible lights like Falconeye RX18-TD and finally settled on Aputure C120D II, and result is quite a dramatic different, I think for the first time we got client ask us what "filters" we use so the photog's photo can have similar colour as our video lol  (and that was just a quick grade in Premiere).
I really wish i had done this lighting kit upgrade sooner. Definitely will make some of the videos we did much better ugh.
 
Light with Falconeye RX18TD: notice the subject is underexposed and background still overexposed, and the light gives a bit of magenta shift.

 
Lighting with Aputure C120D II on dome mini II, subject is well light and background is well exposed, skintone is pretty good with no colour shift.

 
Client asking what "filter" we use.

 
Light setup for the day.

After using ok lighting  (672C and couple 500LED lights) for a few years I decided to step up lighting kit this year, first to the flexible lights like Falconeye RX18-TD and finally settled on Aputure C120D II, and result is quite a dramatic different, I think for the first time we got client ask us what "filters" we use so the photog's photo can have similar colour as our video lol  (and that was just a quick grade in Premiere).
I really wish i had done this lighting kit upgrade sooner. Definitely will make some of the videos we did much better ugh.
 
Light with Falconeye RX18TD: notice the subject is underexposed and background still overexposed, and the light gives a bit of magenta shift.

 
Lighting with Aputure C120D II on dome mini II, subject is well light and background is well exposed, skintone is pretty good with no colour shift.

 
Client asking what "filter" we use.

 
Light setup for the day.

After using ok lighting  (672C and couple 500LED lights) for a few years I decided to step up lighting kit this year, first to the flexible lights like Falconeye RX18-TD and finally settled on Aputure C120D II, and result is quite a dramatic different, I think for the first time we got client ask us what "filters" we use so the photog's photo can have similar colour as our video lol  (and that was just a quick grade in Premiere).
I really wish i had done this lighting kit upgrade sooner. Definitely will make some of the videos we did much better ugh.
 
Light with Falconeye RX18TD: notice the subject is underexposed and background still overexposed, and the light gives a bit of magenta shift.

 
Lighting with Aputure C120D II on dome mini II, subject is well light and background is well exposed, skintone is pretty good with no colour shift.

 
Client asking what "filter" we use.

 
Light setup for the day.

After using ok lighting  (672C and couple 500LED lights) for a few years I decided to step up lighting kit this year, first to the flexible lights like Falconeye RX18-TD and finally settled on Aputure C120D II, and result is quite a dramatic different, I think for the first time we got client ask us what "filters" we use so the photog's photo can have similar colour as our video lol  (and that was just a quick grade in Premiere).
I really wish i had done this lighting kit upgrade sooner. Definitely will make some of the videos we did much better ugh.
 
Light with Falconeye RX18TD: notice the subject is underexposed and background still overexposed, and the light gives a bit of magenta shift.

 
Lighting with Aputure C120D II on dome mini II, subject is well light and background is well exposed, skintone is pretty good with no colour shift.

 
Client asking what "filter" we use.

 
Light setup for the day.

Nice job, and thanks for posting.

After using ok lighting  (672C and couple 500LED lights) for a few years I decided to step up lighting kit this year, first to the flexible lights like Falconeye RX18-TD and finally settled on Aputure C120D II, and result is quite a dramatic different, I think for the first time we got client ask us what "filters" we use so the photog's photo can have similar colour as our video lol  (and that was just a quick grade in Premiere).
I really wish i had done this lighting kit upgrade sooner. Definitely will make some of the videos we did much better ugh.
 
Light with Falconeye RX18TD: notice the subject is underexposed and background still overexposed, and the light gives a bit of magenta shift.

 
Lighting with Aputure C120D II on dome mini II, subject is well light and background is well exposed, skintone is pretty good with no colour shift.

 
Client asking what "filter" we use.

 
Light setup for the day.

After using ok lighting  (672C and couple 500LED lights) for a few years I decided to step up lighting kit this year, first to the flexible lights like Falconeye RX18-TD and finally settled on Aputure C120D II, and result is quite a dramatic different, I think for the first time we got client ask us what "filters" we use so the photog's photo can have similar colour as our video lol  (and that was just a quick grade in Premiere).
I really wish i had done this lighting kit upgrade sooner. Definitely will make some of the videos we did much better ugh.
 
Light with Falconeye RX18TD: notice the subject is underexposed and background still overexposed, and the light gives a bit of magenta shift.

 
Lighting with Aputure C120D II on dome mini II, subject is well light and background is well exposed, skintone is pretty good with no colour shift.

 
Client asking what "filter" we use.

 
Light setup for the day.

EOS R super cheap at B&H atm
 

Just found this guy - looks like he knows what he's talking about....