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My cameras and kit

Found 71 results

  1. Hey guys, I have a SpeedBooster for the Pocket and the Micro for sale, Canon EF lens version. Asking price is 450€ I'm in Italy and I can ship to Europe for fair prices and even WW if needed (postal or UPS). BTW I also have a brand new Wooden Camera cage for the BMMCC plus the Wooden Camera PL Mount Pro kit for it in another thread
  2. Hey all, I'm looking to shoot a narrative short film with controlled lighting early next year and am thinking about shooting it on my original BMPCC... I know, I know. No 4K, terrible low-light, and horrible battery life. But if 1080p was fine, controlled lighting throughout, and an external battery solution, is it better for me to use the original and cancel my 4K pre-order? I could use the money saved to pay for an additional cine prime/actually pay actors a decent wage... What would be the advantages in this case of using the 4K over the original?
  3. https://www.ebay.com/itm/Cine-NIKKOR-25mm-F-1-8-Nippon-Kogaku-C-Mount-Wide-Angle-lens-ADAPTER-Included/112964898960 Great condition lens + micro four thirds adapter. Used it on my blackmagic micro cinema camera. Lens is made for 16mm sensor. $315.00 USD.
  4. Nippon Kogaku Japan Cine-NIKKOR 25mm F/1.8 wide angle lens. Close focus up to 2 feet / .6 meter. Nippon Kogaku Japan Cine-NIKKOR 10mm F/1.8 wide angle lens. Close focus up to 1 foot / .3 meter. Bought on eBay, used with C-Mount to Micro Four Thirds lens mount on Blackmagic Micro Cinema Camera. Optically in excellent condition. Inside no specks of dust, haze, oil scratches that I can detect. Clicks work as expected. Focus is smooth. Cosmetically clean on outside. Very good for its age. Close focus up to 2 feet / .6 meter. Very light weight, and tiny size. Smallest lens I've ever owned. Paired with BMMCC or BMPCC this makes a fantastic combination. BMMCC / BMPCC is super 16 sensor so I didn't need a speedbooster, and no vignette. I would expect to see vignetting on any sensor size larger than super 16. EXTRA Comes with a 40mm Switar C-mount lens, Metabones MFT to C-mount adapter. SELLING as a complete set. Asking $570 OBO.
  5. Hi, I've got a BMMCC for sale. I've only used it three times. It comes with 6 batteries and a charger, and a Smallrig cage. Another equipment I'm selling is the Metabones Speed Booster for BMPCC. Both are in great shapes. No signs of use on the Micro, and the optics of the metabones is perfect. Price is 750 euro for BMMCC and 400 euro for Speed Booster.
  6. Shot in Rec709 and ProResLT! ha Quick BTS on my YT channel: The final edited result is already up: And this is how a clip looked straight out of camera (you can even hear how I recorded the right track at a lower level than the left track! Intentionally so as a safety measure):
  7. Hi everyone, I'm new to the forum but have been following it for a while. I'd like to share some music videos I shot for an electronic music album I wrote and just released. They were all filmed on the Blackmagic pocket cinema camera. The videos are essentially camera tests, but I tried to capture the mood of the music when putting it all together. I used the Tamron 17-50mm f2.8 and 55-200mm f3.5-5.6 lens with a Metabones speed booster (Nikon mount), and also the Panasonic Lumix 14-42mm kit lens and Olympus 9mm bodycap lens for the 4th video here. Editing and colour was done on Davinci Resolve 12.5 ASGAT (raw) Story of Photon (raw) Themis I (raw) Parallax Error (Prores HQ)
  8. Well, I'm doing it, guys. I'm selling the bmpcc...again. Lovely camera, but not really suited for my needs anymore. I has some cosmetic wear, but is in overall really good condition. Camera functions properly, all ports function properly, It includes the box, manual, software, Smallrig half cage with HDMI and Power lock, Juicebox battery with cable and charger, 2x NIkon EL20 Batteries, 1x Nikon Speed Charger, 2x Watson EL20 Batteries, 1x DSTE EL20 Battery, 2x Generic EL20 Chargers, 1x Generic AC wall adapter, original dust cap, 1x 49mm Hoya ProND 16 filter, 1x 49mm Rocolax UV/IR-Cut filter. $800 OBO. I accept paypal and will ship within the lower 48 states in the US. Monitor shown for demonstration, for sale in it's own thread.
  9. I have a "like new condition" Olympus Pro 25mm f1.2 lens for sale. The lens has had minimal use, just s few test here and there. Body and glass super clean. Comes with Box, lens bag, hood, both caps, and paper work. Selling to invest in a other non lens related gear. Looking for 1000.00 shipped and paypal'd within the USA. If you have Aay questions, or want to make an offer, please feel free to send me a PM. Thanks.
  10. Looking to sell my bmpcc kit. It's a great camera, but I'm compelled to go back to Panasonic and get a GH4. I have the bmpcc, with original turret cap, 1x Smallrig Half cage, 1x Sandisk Extreme Pro U3 95mbps card, 1x generic internal battery, 2x Battery adapters for Canon BP batteries, 1x adapter cable, 2x Canon 3000mah BP-915 batteries, 2x Kastar 4300mah BP-915 batteries, 1x Dual BP-915 battery quick charger, 1x single BP-915 charger, 1x 12v generic charger cable - $850 SmallHD DP4 with box, manual, Nikon and AA battery plates, protective screen, sun hood, ball head mount, 7" magic arm, 1x mini HDMI-HDMI cable, 1x micro HDMI-HDMI cable - $200 Kern-Paillard Switar AR 16mm f/1.8 c-mount lens w/ caps - $150 Canon V6X17 17-102mm f/2.0 c-mount zoom lens w/o caps - $50 (modified) Cosmicar 12.5mm f/1.8 c-mount lens w/ generic caps and c-mount adapter (one that works with the modification) - $50 (modified) Cosmicar 6.5mm f/1.8 c mount lens w/o caps - $50 1x set of Kiev 16u lenses w/o caps: Mir-11 12mm f/2, Vega 7-1 20mm f/2, Tair 41M 50mm f/2, and RAF 16u-MFT adapter - $100 for the set Camera, accessories, monitor and lenses are all clean and function properly. I'll gladly trade for a GH4 and Panasonic 14-42 or 14mm pancake, or the Rokinon 14mm (newer version). I'll post pics tomorrow if there's any interest. If you want to move over to the bmpcc, there's plenty to get started with. I'll include a Canon camera bag if you buy the camera kit, monitor and a set of lenses. US buyers only.
  11. I imagine people here are going to be wary of buying considering certain recent events on the forum, but you can confirm my authenticity easily as my video company is well established online (just Google "Lintelfilm") and I'm happy to Skype etc if anyone has questions. I'd prefer to sell to UK but am open to offers from elsewhere, and preferably only to regular forum members. Postage not included but will be charged at cost. My name is Matt - I haven't hung out here for a while but older forum members will remember me (probably mainly from my various unnecessary spats with Mr Reid!). Andy Lee can confirm this I'm sure. Also, if I were to scam you, you could easily damage my business reputation online which really would be a serious problem for me and my family! This stuff will probably go on eBay by the end of the week so let me know asap if you're interested. All in good/great condition unless stated. FOR SALE (please DM me for prices): 1: BMPCC with: Viewfactor Cage, Z-Finder, SmallRig top handle, external Sony NF-P battery plate (attached to top handle via my own design in the most elegant battery solution I've seen for the camera!), iRig Pre (modded for BMPCC). Pics below (looks like I didn't attach the battery to the plate properly - that slight angle is is not normal). Lens, Speed Booster and NP-F battery not included (lens & SB for sale separately, see below). 2: BMPCC to Nikon Metabones Speed Booster. It works flawlessly and is in great condition. It arrived brand new with a very small, wafer thin chip on the very side of the glass that is not anywhere near the image circle. I considered returning it but as it functions perfectly it is just cosmetic and seemed pointless. It's not deep enough to be a danger to the glass and it hasn't changed since day 1. This is just for full disclosure. See chip at 2'O-clock on the image below. I'm a working pro not a gear fetishist so although all my stuff is in very good shape, well looked after and cosmetically still very nice, it has been used properly and not handled with kid gloves, so please don't expect "as new" condition - however I'll endeavour to point out anything that may be considered an issue regarding resale value etc. 3: GH4 with "unofficial" V-Log installed (which I don't recommend using anyway, official or not - not even in 10bit with an external recorder. It's a farce and a travesty by Panasonic). 4: MFT-Nikon 0.71x Metabones Speed Booster (works perfectly, glass is fine) 5: SmallRig Cage (fits GH4 and many other DSLR-like cameras) 6: Panasonic 12-35mm f/2.8 7: Panasonic/Leica 25mm f/1.4 8: Sigma 18-35mm 1.8 Nikon mount 9: Tokina 11-16mm 2.8 DX (V1) Nikon mount 10: Nikkor 105mm f/2.5 AI (best version of this wonderful manual lens, great condition) 11: Nikkor 85mm f/2.0 AI-s - very slight stiffness at one end of focus action, but not prohibitive to getting focus. Otherwise great condition. 12: Sennheiser MKE400 with Sennheiser furry windshield (small shotgun mic with 3.5mm jack) 13: Tiffen 77mm Vari-ND 14: Hoya 77mm IR cut filter Again, please DM for prices of items you are interested in. Thanks I should say that I'm selling all this stuff because I recently switched to Canon. I'm loathe to sell the BMPCC because I LOVE the image and this is a great, very solid and very functional setup I've built for it that addresses almost all the functionality issues of the camera. But "business before pleasure" as they say and that's why I finally gave in to the Canon call. No one else does cameras you can just pick up and shoot with in any situation and be sure you'll grab solid images.
  12. I did a rough test between three cameras: the Nikon D750, Lumix GH2, and Black Magic Pocket Camera. I wanted to see how their videos compared in general. I'm swamped in work, so I couldn't make this as good as I wanted. I literally shot it on lunch break from a day job at an PR firm. However, I think the results are clear and I wanted to share the video and a link to my blog with you guys in hopes that others can learn or give me some good feedback on questions I raise. I'm rusty on the whole shooting thing because I've devoted the last 3 years to teaching and commercial work/writing. It's good to get back into it, and necessary because I have a script I want to shoot next month. http://www.production1studio.com/2016/02/23/3-camera-test/ I know some won't be interested in the blog link above, like I'm plugging myself, but there is a lot of insight into the footage, what I was trying to do, and a big piece on lenses and the way they work (like feel) on different cameras.
  13. In the process of updating some equipment. Had this for about a year and though I love it, my work is moving in a direction where it's not as practical. I have some basic accessories, and the voigtlander 17.5mm. There is some cosmetic wear, but overall everything is in solid condition and works perfectly. This cam has been a great little work horse. http://www.ebay.com/itm/171860800251?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649 http://www.ebay.com/itm/171859860073?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649 Voigtlander listing is ending very soon!
  14. Hi guys, I was just having a look on b&h at the ef to bmpcc speed boosters and found two different versions listed: http://www.bhphotovideo.com/c/product/1064603-REG/metabones_mb_spef_bmpcc_bm1_canon_ef_to_bmpcc.html and http://www.bhphotovideo.com/c/product/1174582-REG/metabones_mb_spef_bmpcc_bt1_metabones_canon_ef_lens.html I was just wondering if anyone knows what the 'T' in the second link means? Is it an updated version? Thanks.
  15. Pretty much the final edit for this short music doc - if you see anything that just sticks out like a sore thumb, please say (after a while you just stop seeing things). Thanks for watching or commenting... All shot on BMPCC (ProRes - Film) Mir 24M (35mm f2) + RJ Focal Reducer + Iscorama 54 + Hoya UV/IR cut filter + various diopters Mir 24M (35mm f2) + RJ Focal Reducer + Isco Widescreen 2000 + Hoya UV/IR cut filter + various diopters Tokina 28-70 AT-X Pro + Iscorama 54 + Hoya UV/IR cut filter + various diopters Nikon 24mm f2.8 + Iscorama + diopters Meyer Gorlitz Lydith 30mm f3.5 PW: stu
  16. I got in on the Blackmagic Pocket Cinema Camera (bmpcc) fire sale and in preperation for receiving my new camera I have been researching neutral density filters. What I would like to know is what are people's preferences between single ND filters and variable ND filters. And also your thoughts on IR filtration for the bmpcc. I already know if you go the "straight" variable ND route Tiffen seems to be a good trade off as far as quality and price. Dave Dugdale did an incredible review of "straight" variable ND filters. Honestly it is amazing it took an amateur like Dave to do such a test. I see so many posts on the internet from people who could have either saved themselves money or used a higher quality product had someone simply done what Dave did and test them out. These people are pros mind you! So the choice was simply, right? Wrong! I then came across another video showing IR (near infrared) issues with the BMCC... and other cameras including Alexa products. So there are numerous solutions. One could say the near IR pollution thing is nonsense and just get a "straight" Tiffen variable ND. Or you could go with a set of individual ND filters and skip the variable. You could also get an IR cut filter and use either single NDs or variable ND. Or you could get the Tiffen combined IRND variable filter. Or you could get the single IR ND filter sets. B&H has a strong three filter set for $164.50. Okay, that is a lot of options. The reason I posted is I want to know which one will give you the best results. I know the variable NDs have the polarization "issue." Sometimes I like using a polarizer on video so it isn't always an issue for me. Also there is a hack where by you turn the whole filter assembly en bloc to reduce or get rid of the polarization effect. I don't know how effective that is. This guy shows the "hack" to optimize the use of a variable ND filter... Here is a video showcasing the Tiffen IRND variable filter. So what should I do?
  17. Does anyone know how much frame coverage LOMO's 16mm lenses get? Will the Kinor 16 lenses cover the BMPCC's S16 sensor? I ask because Kinor 16 lenses are dirt cheap on ebay, right now I can only find this one but I seem to recall there being a few more options (a 10mm and an 8mm and some longer options maybe?)
  18. Hi, I´m using a Sigma 18-35 1.8 with a Metabones Speed Booster on my BMPCC. What I noticed is that the left side of the image isn´t perfectly in focus while the right side is spot-on. If I try to get the left side as sharp as possible, the middle of the picture and the right side will be slightly out of focus. Please take a look at the pictures below. Notice how the very left side seems to be quite blurry, while the right side isn´t that bad. The aperture was 2.5. '> '> I´ve tried two Sigma 18-35 and two different Speed Boosters, but the results were exactly the same. Has anyone else noticed similar effects? I would be very happy if someone with a Sigma 18-35 and a SB tried to shoot something outside with the lens wide open and focus set to infinity.
  19. I'm starting to set myself up a small videography business: just a one-man-band doing local stuff - community group promos, weddings, etc. I'm still working on the website (www.lintelfilms.co.uk) and have just finished the 2nd draft of my promotional film. I'd really appreciate your feedback on the film. I don't mind at all if you are brutal!
  20. Looks like my BMPCC is dying. Or something is wrong with it. I've had it for a few months, and it worked just fine until now. With the latest firmware update. I haven't used it for the past three weeks, and it has been stored appropriately in a closet during that time. Today I took it out to prepare it for a shoot, and noticed that it wouldn't power on normally. First I thought the battery had dried out inside it, so I swapped it. Same result. When I press the power button, the screen will flash on like it normally does, but after that the camera goes dark, in less than a full second. Another press of the button either does the same, just a blip on the screen, then nothing, or it doesn't do anything. After recharging and trying out four different batteries and even with the power chord plugged in the camera, with or without a battery inside, the result is always the same. The camera powers on for less than a second, then becomes a brick. The camera does still have a warranty, obviously, and I know I'll probably have to send it in for a warranty repair, but I was just wondering if anyone has had a similar problem, and if anyone might know if there's anything I could try before sending it in. After all, sending it in for a warranty repair will probably take quite a while, and I'd like to avoid the hassle, if this happens to be some known issue and fixable by the user.
  21. For those of you who want to look at beautiful footage--don't look!!! :) For those, like me, who will watch even the worst camera tests, then there may be something here for you. I adore the BMPCC, but the GM1 is very close, almost perfect, when you don't require subtle color and wide DR. I have the Sony 10-18mm lens on the a7 (which it isn't made for). Casual shooting with the Sony a7 and 10-18mm as long shot. Max is shooting with a Panasonic GM1 and an old Panasonic 14-45 lens with external OIS button (useful for BMPCC). Frank is shooting with a BMPCC and Olympus 17mm/1.8 lens (ProRes HQ). I meant to use the sound from the BMPCC but we still need to work on levels. So I'm using the A7's camera audio track. As you can see, the BMPCC is so sharp, that the 17mm is quite jittery. Beautiful lens though! Don't jump to hard conclusions from this video. I hardly spent any time on the footage. The a7 probably wasn't set up well and the clip probably needed more sharpening. The a7 and a6000 shoot very nice video. I'll put that stuff on Vimeo later. I edited this in Sony Vegas Pro 12. I'm new to the multi-camera feature. Again, haven't had a lot of time. Was fun. Love all three cameras.
  22. Hi forum. This is my development for BMPCC http://www.youtube.com/watch?v=tr-6hdQPlUk
  23. This is a promotional reel I've just made for the small videography business I'm currently setting up (one-man-band doing local community organisations, weddings etc). Everything in it was shot on low-end/cheap cameras, several of which have been discussed and compared extensively on this forum over the last year or two. To boot, other than the Tokina 11-16mm all of the lenses were each bought for under $300. After a couple of enquiries about the gear I used for this reel, I've decided to add subtitles to show each camera (and lens) each shot was taken with. Just click the 'CC' button in the Vimeo play bar to turn the subtitles on. I'd welcome feedback on my reel, but this is mainly posted here in the hope it might be of use to others: Sorry the subtitles aren't synched perfectly to each edit (it's not easy with Amara). You'll work it out though I hope ...
  24. Sorry if this has been asked, but I cannot find it with search. I have a speedbooster for Nikon glass on mFT that I use on my GH3. I'm considering a used BMPCC camera and just wanted to check that the speedbooster is OK for this. I have read there is a special BMPCC version, but not sure what is the difference. If I cannot use the speed booster the BMPCC is not so interesting. Got to love the IQ of the camera though! Thanks in advance.
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