Jump to content

Search the Community

Showing results for tags 'T3i'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type



Find results in...

Find results that contain...


Date Created

  • started by

    end


Last Updated

  • started by

    end


Filter by number of...

Joined

  • started by

    end


Group


Website URL


Facebook


Twitter


WhatsApp


Instagram


Skype


Location


Interests


My cameras and kit

Found 9 results

  1. Hello all! I would like to preface this post by saying that this is actually my first time on these forums, so thanks in advance for this awesome community. Also, I'm somewhat of an intermediate filmmaker, and you can check out my YouTube channel to see where I'm at (youtube.com/thisisrmm). As with the title of this post, I'm trying to figure out where my money would be better spent, upgrading to a 70D or buying more lenses? I have my own personal pros and cons for both, but first, here is what I currently shoot with: Canon t3i w/ Magic Lantern Canon 18-55mm (kit lens) Canon 50mm 1.8
  2. Just a really cool place my sister works at. it's a whatever video and maybe too repetitive soundtrack. But sort of like some shots and editing in it.
  3. t3i random shots can lemme know what you think if you'd like nerd info- had my manual non ai nikkor 50mm f1.4 on it, usually at 1.4. used Magic Lantern to turn down the fps and shutter speed a ton, for low light mostly (it's about 12fps at 1/12th shutter). I think iso 3200 is pretty damn usable on it, especially when I only had the ability to export at 720p, which kind of denoises a bit. just the one lens, and a camera strap was my setup. used Lightworks (free version) to edit. I like the grading options, but had a ton of clips (should have cut a lot more), and didn't want to grade them all..
  4. I'm starting to set myself up a small videography business: just a one-man-band doing local stuff - community group promos, weddings, etc. I'm still working on the website (www.lintelfilms.co.uk) and have just finished the 2nd draft of my promotional film. I'd really appreciate your feedback on the film. I don't mind at all if you are brutal!
  5. This is a promotional reel I've just made for the small videography business I'm currently setting up (one-man-band doing local community organisations, weddings etc). Everything in it was shot on low-end/cheap cameras, several of which have been discussed and compared extensively on this forum over the last year or two. To boot, other than the Tokina 11-16mm all of the lenses were each bought for under $300. After a couple of enquiries about the gear I used for this reel, I've decided to add subtitles to show each camera (and lens) each shot was taken with. Just click the 'CC' button in t
  6. I've made the switch to M4/3 2 months ago. So far, couldn't be more happy, but then again I have done nothing but well-lit shoots or with plenty of daylight. But, in a few months I'll be shooting a few wedding videos again. Which means I'll be facing the challenges of shooting in low light. My Canon T3i did a decent job, even though going past 1250 ISO meant macroblocking and all kinds of ugly artifacts. The noise on my G6 is much less obnoxious, but it's still a lot less sensitive to light than my T3i. So, I'm looking for a solution to shoot lowlight and still stay within M4/3. Without h
  7. I shot my videos using a T3i and I'm editing my clips using Magic Bullet Looks. I have a waterfall cip and I would like to reverse the flow of water so that it appears to be flowing backwards, then foward in a type of loop. Its a moving shoot (camera tilts downwards) so I'm thinking that I need to isolate the water in order for this effect to happen? Can anyone advise me on how to go about doing this?
  8. Mosaic engineering have released VAF-TXi anti-aliasing / anti-moiré filter for Canon T2i (550D), T3i (600D), & T4i (650D). Designed to cut down aliasing, moire and false detail, resulting in a much better picture. http://store.mosaicengineering.com/VAF-TXi-Moire-Aliasing-Filter_p_14.html you can see Andrew's example of the version for 5D here:http://www.eoshd.com/content/7120/canon-5d-mark-ii-mosaic-engineering-vaf-5d2-anti-aliasing-filter-review I have mine on the way, I'll let y'all know how it works ;) JG
  9. Andrew's guide is absolutely fantastic. I got my hands on this huge Kollmorgen-Kosaka 298 before I bought the EOSHD Anamorphic guide, and I had to frankenstein a way to make it work; this is what i ended up with, and it works decent. The front of the M42 Yashica Yashinon / Vivitar lens matches within 1-2 mm the back diameter of the Kollmorgen anamorphic lens, so I can use full zoom range with no corner artifacts. [img]http://www.eoshd.com/comments/uploads/inline/21053/503da498aa33d_S1370018.jpg[/img]
×
×
  • Create New...