Dave Del Real

Dude….
 
Bought Pro Color 5 for my A73 and must say that I really like PP3. Yeah, PP1 has more dynamic range but in a controlled setting PP3 just has that feel that’s indescribable. Looks fantastic. Thanks for your hard work, it’s really appreciated.

Forgiveness is in short supply these days, I hope we can revive it here. It's rare to see such remorse and humble honesty. Slap on the wrist and move on.

Ah, got it. Had me going through my A7III for a minute until I read this second post. Thanks for looking into it, I sure hope we get a firmware update to include that option.

The fact the they used SLog3 blows my mind, how on earth did they get rid of banding in highlights/sky?????

Nice. Shot in Vlog? I see the Mavic Pro 2 is no slouch either.

Dang, what are the chances that iPhone gets this feature as well?

HLG3 rec709 and call it a day. 

HLG3 rec709 and call it a day. 

Ha! Great description.
 
I'm finding Standard and Cine2/Cinema work good in a pinch with minor adjustments and I think the sweet spot though is SLog2/Sgamut3.Cine with +10 Sat. Then CST in Resolve to Arri or just an ACES workflow.

Been using FCPX to edit then to Resolve for color. Yeah, I did notice the highlight saturation too when using Pro. Might have to try SLog2 with Sgamut3.Cine again with the workflows described here. Totally forgot about ACES, will try that too.

I like SLog2 on the A7III but just wondering if HLG3 would've helped in this situation? I don't own an a6500 so I don't know if it has HLG.

Update:

So retried in Resolve. I noticed my settings were incorrect on the first try, so I adjusted my input and output scaling and set zoom to .500 and bingo, it worked much better. The downsampling algorithm must be really good in Resolve. FCPX and Premiere Pro still look wonky (must be a Quicktime thing) but if it works in Resolve, I'm okay - and yes, I used Spatial Conform to "None" and set to 50% scale in FCPX and in Premiere Pro I right clicked the clip in the timeline and selected "Set To Frame Size." Again, same lame results in those two NLE's. Davinci Resolve it is then.

I'm happy with mine (80D). Had a couple of 6D bodies and a couple of 7D Mark II bodies, sold those for a couple of Panasonic GH4's and M43 lenses. GH4's were decent, but we got tired of not being able to use the auto focus. So, ditched the GH4's about a month ago and went backwards to a couple of 80D bodies and reinvested in lenses. Sure, it's not 4K and you gotta watch for that aliasing, but we couldn't be happier. Shooting a Doc right now with them and for Gimbal work, it's priceless to have DPAF. These will hold us over until we can grab a C200 in a few months then the 80D's will be B and C cams or even just stills cams from time to time.

Panasonic is the new Sony.

Panasonic is the new Sony.

Much more excited for the new 4K HDR AppleTV.

Where does it say Raw? B&H says jpeg only for 24fps stills.
 
"Buffer/Continuous Shooting Up to 24 fps at 20.1 MP for up to 249 Frames in JPEG Format"

Haha! A RED Apple...

Wow! That looks very nice!

How relevant will this camera be by 2014?...Oh...wait....

How relevant will this camera be by 2014?...Oh...wait....

How relevant will this camera be by 2014?...Oh...wait....

Didn't see this I guess?
 
 

Nice, what were your exposure settings?

Nice, what were your exposure settings?