liamlumiere

Music video of old familiar track shot on S5 4K V-Log 10-Bit 4:2:2 shot with 20-60 kit lens. AF didn't wander. Camera is small & light and powerful. Great shooting experience.
 
 

Music video of old familiar track shot on S5 4K V-Log 10-Bit 4:2:2 shot with 20-60 kit lens. AF didn't wander. Camera is small & light and powerful. Great shooting experience.
 
 

Music video of old familiar track shot on S5 4K V-Log 10-Bit 4:2:2 shot with 20-60 kit lens. AF didn't wander. Camera is small & light and powerful. Great shooting experience.
 
 

Music video of old familiar track shot on S5 4K V-Log 10-Bit 4:2:2 shot with 20-60 kit lens. AF didn't wander. Camera is small & light and powerful. Great shooting experience.
 
 

Music video of old familiar track shot on S5 4K V-Log 10-Bit 4:2:2 shot with 20-60 kit lens. AF didn't wander. Camera is small & light and powerful. Great shooting experience.
 
 

Music video of old familiar track shot on S5 4K V-Log 10-Bit 4:2:2 shot with 20-60 kit lens. AF didn't wander. Camera is small & light and powerful. Great shooting experience.
 
 

For the weight, size and this one feature 👇 I would sell my S1 and get the S5
[Anamorphic 4K] 3328×2496 (4:3),
29.97p, 150Mbps (4:2:2 10-bit LongGOP) / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 150Mbps (4:2:2 10-bit LongGOP) / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
[FHD] 1920×1080
59.94p, 100Mbps (4:2:2 10-bit LongGOP) / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
29.97p, 100Mbps (4:2:2 10-bit LongGOP) / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 100Mbps (4:2:2 10-bit LongGOP) / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)

In case you missed it elsewhere, here's the link:
https://promotions.panasonic.co.uk/promotions/promotions/view_terms/299
Go to Claim Now and follow instructions. You must take a photo of sticker on your box with serial & model no. etc and also upload a copy of your receipt of purchase. It says it could take up to 28 days to receive it though. 

Anyone know how long it takes for Panasonic to send upgrade software key? It's been ages since I claimed mine, at least 7 mins...

Anyone know how long it takes for Panasonic to send upgrade software key? It's been ages since I claimed mine, at least 7 mins...

Looking forward to the July update.
This was shot handled in 4K 8-bit with the Natural profile and still gets plenty of dynamic range. Minor exposure adjustments and a touch of Saturation:
 
 

You can choose 4:3 in 4K or 6K photo mode. Here's a short vid using 4k Photo mode with 4:3 aspect ratio, Mamiya 105mm and Möller 32/2x Anamorphot. There's no colour correction just very slight exposure adjustments on a few different picture profiles.  It would be nice to get 25fps (or 24) atm it's 30 or 60p in 4K and 30 in 6K. It would also be nice to have HLG for this mode. Also, I wonder what bit rate and colour space the file records at in photo mode, anyone know?
https://youtu.be/jbZ1AFM2kA8

You can choose 4:3 in 4K or 6K photo mode. Here's a short vid using 4k Photo mode with 4:3 aspect ratio, Mamiya 105mm and Möller 32/2x Anamorphot. There's no colour correction just very slight exposure adjustments on a few different picture profiles.  It would be nice to get 25fps (or 24) atm it's 30 or 60p in 4K and 30 in 6K. It would also be nice to have HLG for this mode. Also, I wonder what bit rate and colour space the file records at in photo mode, anyone know?
https://youtu.be/jbZ1AFM2kA8

You can choose 4:3 in 4K or 6K photo mode. Here's a short vid using 4k Photo mode with 4:3 aspect ratio, Mamiya 105mm and Möller 32/2x Anamorphot. There's no colour correction just very slight exposure adjustments on a few different picture profiles.  It would be nice to get 25fps (or 24) atm it's 30 or 60p in 4K and 30 in 6K. It would also be nice to have HLG for this mode. Also, I wonder what bit rate and colour space the file records at in photo mode, anyone know?
https://youtu.be/jbZ1AFM2kA8

You can choose 4:3 in 4K or 6K photo mode. Here's a short vid using 4k Photo mode with 4:3 aspect ratio, Mamiya 105mm and Möller 32/2x Anamorphot. There's no colour correction just very slight exposure adjustments on a few different picture profiles.  It would be nice to get 25fps (or 24) atm it's 30 or 60p in 4K and 30 in 6K. It would also be nice to have HLG for this mode. Also, I wonder what bit rate and colour space the file records at in photo mode, anyone know?
https://youtu.be/jbZ1AFM2kA8

Sunny 16* ?

Sunny 16* ?

Jon, why don’t you bake in the LUT? It looks terrible!

Hello ana-scope lovers,
I'm selling my Möller Anamorphot 32/2x and Rectilux 3FF-S. This particular Möller is hard to find especially in such good condition. It took me over a year of searching (on and off) to get one in this condition, it looked like new-old stock when it arrived and had been stiff to turn as a result of sitting somewhere unused for years. I regreased it (when used in the olden days of double focusing) but not really important now as you'll have it set to infinity and using it with the Rectilux 3FF-S. The Möller is known for its sharpness and crazy blue/purple flares! 
The Rectilux is also in great condition and I've regreased it also as there was some slight vibration when focusing when I first got it so now nice and smooth. The Rectigrip included, I cannot recommend as it put a small dent in the barrel of the scope when tightened and also hard to gauge if front of taking lens is making contact with back of scope. There is a minuscule mark on the coating because of this but barely noticeable. I only noticed it when taking macro shots to sell the scope so I'm including an excellent Redstan clamp that does a brilliant job of holding it in place and prevents elements from making contact.
Also included are a Coupling Ring which connects the scope to Rectilux, a custom made lens gear for the Rectilux 3FF-S from Helicopter Sean and a thicker custom 3D printed pitch gear for your follow focus because of the long focus throw in and out. A PDF of Rectilux 3FF-S also included and a clamp most likely used for scope's original purpose and could somehow be integrated into a rig set-up, it's extremely solid.
Price: €800
Photos:



You can just see the small indentation where Rectigrip made an *impression*


Rectilux with custom lens gear:

Rectilux has 72mm filter thread. I have used a variable ND filter with no problems. You can also see the purple coating of the Möller that gives it its signature blue/purple flares:

Rectilux + Möller + Coupling Ring + Rectigrip

Custom 3D printed pitch gear. I have basically used a longer screw and placed it on top of original gear:

Redstan clamp:
 
Some screen grabs, oval Bokeh:









A recap of what I'm selling:
Möller Anamorphot 32/2x Rectilux 3FF-S Rectigrip Redstan Clamp Coupling Ring Original screw on clamp Custom Focus Gear for Rectilux Custom 3D printed pitch gear PDF Rectilux owner's manual I take PayPal and possibly we can do it through eBay but would like to avoid because of ridiculous fees! I'll be posting from France.
If you're interested or have more questions, PM me.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Hello ana-scope lovers,
I'm selling my Möller Anamorphot 32/2x and Rectilux 3FF-S. This particular Möller is hard to find especially in such good condition. It took me over a year of searching (on and off) to get one in this condition, it looked like new-old stock when it arrived and had been stiff to turn as a result of sitting somewhere unused for years. I regreased it (when used in the olden days of double focusing) but not really important now as you'll have it set to infinity and using it with the Rectilux 3FF-S. The Möller is known for its sharpness and crazy blue/purple flares! 
The Rectilux is also in great condition and I've regreased it also as there was some slight vibration when focusing when I first got it so now nice and smooth. The Rectigrip included, I cannot recommend as it put a small dent in the barrel of the scope when tightened and also hard to gauge if front of taking lens is making contact with back of scope. There is a minuscule mark on the coating because of this but barely noticeable. I only noticed it when taking macro shots to sell the scope so I'm including an excellent Redstan clamp that does a brilliant job of holding it in place and prevents elements from making contact.
Also included are a Coupling Ring which connects the scope to Rectilux, a custom made lens gear for the Rectilux 3FF-S from Helicopter Sean and a thicker custom 3D printed pitch gear for your follow focus because of the long focus throw in and out. A PDF of Rectilux 3FF-S also included and a clamp most likely used for scope's original purpose and could somehow be integrated into a rig set-up, it's extremely solid.
Price: €800
Photos:



You can just see the small indentation where Rectigrip made an *impression*


Rectilux with custom lens gear:

Rectilux has 72mm filter thread. I have used a variable ND filter with no problems. You can also see the purple coating of the Möller that gives it its signature blue/purple flares:

Rectilux + Möller + Coupling Ring + Rectigrip

Custom 3D printed pitch gear. I have basically used a longer screw and placed it on top of original gear:

Redstan clamp:
 
Some screen grabs, oval Bokeh:









A recap of what I'm selling:
Möller Anamorphot 32/2x Rectilux 3FF-S Rectigrip Redstan Clamp Coupling Ring Original screw on clamp Custom Focus Gear for Rectilux Custom 3D printed pitch gear PDF Rectilux owner's manual I take PayPal and possibly we can do it through eBay but would like to avoid because of ridiculous fees! I'll be posting from France.
If you're interested or have more questions, PM me.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Hello ana-scope lovers,
I'm selling my Möller Anamorphot 32/2x and Rectilux 3FF-S. This particular Möller is hard to find especially in such good condition. It took me over a year of searching (on and off) to get one in this condition, it looked like new-old stock when it arrived and had been stiff to turn as a result of sitting somewhere unused for years. I regreased it (when used in the olden days of double focusing) but not really important now as you'll have it set to infinity and using it with the Rectilux 3FF-S. The Möller is known for its sharpness and crazy blue/purple flares! 
The Rectilux is also in great condition and I've regreased it also as there was some slight vibration when focusing when I first got it so now nice and smooth. The Rectigrip included, I cannot recommend as it put a small dent in the barrel of the scope when tightened and also hard to gauge if front of taking lens is making contact with back of scope. There is a minuscule mark on the coating because of this but barely noticeable. I only noticed it when taking macro shots to sell the scope so I'm including an excellent Redstan clamp that does a brilliant job of holding it in place and prevents elements from making contact.
Also included are a Coupling Ring which connects the scope to Rectilux, a custom made lens gear for the Rectilux 3FF-S from Helicopter Sean and a thicker custom 3D printed pitch gear for your follow focus because of the long focus throw in and out. A PDF of Rectilux 3FF-S also included and a clamp most likely used for scope's original purpose and could somehow be integrated into a rig set-up, it's extremely solid.
Price: €800
Photos:



You can just see the small indentation where Rectigrip made an *impression*


Rectilux with custom lens gear:

Rectilux has 72mm filter thread. I have used a variable ND filter with no problems. You can also see the purple coating of the Möller that gives it its signature blue/purple flares:

Rectilux + Möller + Coupling Ring + Rectigrip

Custom 3D printed pitch gear. I have basically used a longer screw and placed it on top of original gear:

Redstan clamp:
 
Some screen grabs, oval Bokeh:









A recap of what I'm selling:
Möller Anamorphot 32/2x Rectilux 3FF-S Rectigrip Redstan Clamp Coupling Ring Original screw on clamp Custom Focus Gear for Rectilux Custom 3D printed pitch gear PDF Rectilux owner's manual I take PayPal and possibly we can do it through eBay but would like to avoid because of ridiculous fees! I'll be posting from France.
If you're interested or have more questions, PM me.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

I had the same problem with a bit of metallic vibration and it just felt a bit loose so I re-greased mine. It's stiffened up nicely now but be careful not to put too much, the more you put the harder it will be to turn plus it could 'leak' all over the glass. 

The green bar issue could well be a lens issue. Does it happen with any other glass?

Surprised no one has mentioned the fastest (and cheapest) MF lens, the Mamiya 80mm f/1.9, known as the Nocilux for Medium Format. It's sharp with lovely characteristic Bokeh. I use the 110mm f/2.8 also, gorgeous glass.
 
I've shot some anamorphic footage also as a taking lens, the image is killer! 
Yes, the Hasselblads are optimal performers but I find the image less interesting on some versions but that's just me, I love that vintage look. And if we're talking bang-for-buck, nothing touches Mamiya - 200€ for the fastest MF ever made for mass production. Expect that price to go North if Kipon make a Mamiya mount, i'll be getting one for sure.
A7rII/sII with this Kipon speed booster and the 80mm f/1.9 Sekor C? *drool*

Out of those lenses you mentioned; Leica Summicron R 2/50, all day long. I have the black 2 cam version from 1968. It's small, heavy, beautifully constructed and solid! It's sharp wide open and background melts away. Something very filmic about how it renders. I use a replacement Leitax ef mount (easily the best I've used) and it has a series VI filter thread which translates to the unusually small 43.5mm so you'll need a 43.5 > 52 step up ring for your clamp. Something very emotionally magnetic about the lens, it's precious although certainly not delicate. It's a Leica, remember. It will vignette though on s35 unless you crop or you're on m4/3. I'll be testing it with a Moller Ananmorphot 32/2 at the end of the month when Rectilux arrives.
Another absolute favourite of mine is the legendary Rokkor 58mm f1.2. It flares beautifully on its own: https://instagram.com/p/3mibRQypi_/?taken-by=liamlumiere 
I have tested it with my Kowa B&H and compliments the orange and green flares of the scope. If you want that classic cinema look, minolta Rokkors are they way to go. They all match up well so no headaches in post when you change focal lengths. Again I have the solid Leitax replacement mount. Beautiful classic look with unforgettable bokeh.
If you want something more edgy and contrasty check out the Olympus OM 50's. The are sharp and should marry well with the Moller's blue flares for that sifi look.