OzNimbus

Shooting on the 50mm 1.6 on an S1H open Gate 6k as per Tito's suggestion...   this lens is GREAT.   Even for "talking head" stuff.   
https://youtu.be/cx-up6YXMrM

Welcome back, Andrew!  Been a fan of this blog since 2012!  Keep up the great work!

Same and I'm gutted to say that as I had such high hopes for this one as my perfect hybrid. A7S III it is I guess. Even Thor's hammer couldn't inflict this level of cripplement.

The correct answer is:  who cares?  The only thing I want to know is:  will it have a flip around screeen?    I need to get content out the door as quickly as possible, and the Sony screens with the exception of the A6400 are a stumbling block that just slows down the entire operation.
i dicked around with the a7s for the first 3 years of my show, then switched to the GH5.   ...a far more practical camera for YouTube.  Would love to shoot on Sony again, but not if it’s going to be a pain in the ass!
—Glenn
www.youtube.com/spectresoundstudios
 

No articulating screen?  PASS!
Specs are meaningless if the body isn't practical.   I've had enough of dicking around with "solutions" that just add complexity.   If I can't flip the screen around the camera is useless.
I do over a million views a month on Youtube and need to get shit done.
www.youtube.com/spectresoundstudios

Static shots, yes.   But still have to get the camera into tight spots in the studio around drummers and whatnot.  A monitor needs cabling & power.  That's extra work.   
Dealt with a Sony A7s for three years and various "solutions."   ..all of which required extra work.   Got a GH5 last year & wondered how the hell I managed without it.   Mainly because of the flip out screen!
Never switching back to a non-flipping screen, I don't care what the specs say.  Practicality trumps specs.
 

No articulating screen?  PASS!
Specs are meaningless if the body isn't practical.   I've had enough of dicking around with "solutions" that just add complexity.   If I can't flip the screen around the camera is useless.
I do over a million views a month on Youtube and need to get shit done.
www.youtube.com/spectresoundstudios

Static shots, yes.   But still have to get the camera into tight spots in the studio around drummers and whatnot.  A monitor needs cabling & power.  That's extra work.   
Dealt with a Sony A7s for three years and various "solutions."   ..all of which required extra work.   Got a GH5 last year & wondered how the hell I managed without it.   Mainly because of the flip out screen!
Never switching back to a non-flipping screen, I don't care what the specs say.  Practicality trumps specs.
 

Static shots, yes.   But still have to get the camera into tight spots in the studio around drummers and whatnot.  A monitor needs cabling & power.  That's extra work.   
Dealt with a Sony A7s for three years and various "solutions."   ..all of which required extra work.   Got a GH5 last year & wondered how the hell I managed without it.   Mainly because of the flip out screen!
Never switching back to a non-flipping screen, I don't care what the specs say.  Practicality trumps specs.
 

Static shots, yes.   But still have to get the camera into tight spots in the studio around drummers and whatnot.  A monitor needs cabling & power.  That's extra work.   
Dealt with a Sony A7s for three years and various "solutions."   ..all of which required extra work.   Got a GH5 last year & wondered how the hell I managed without it.   Mainly because of the flip out screen!
Never switching back to a non-flipping screen, I don't care what the specs say.  Practicality trumps specs.
 

No articulating screen?  PASS!
Specs are meaningless if the body isn't practical.   I've had enough of dicking around with "solutions" that just add complexity.   If I can't flip the screen around the camera is useless.
I do over a million views a month on Youtube and need to get shit done.
www.youtube.com/spectresoundstudios

No articulating screen?  PASS!
Specs are meaningless if the body isn't practical.   I've had enough of dicking around with "solutions" that just add complexity.   If I can't flip the screen around the camera is useless.
I do over a million views a month on Youtube and need to get shit done.
www.youtube.com/spectresoundstudios

No articulating screen?  PASS!
Specs are meaningless if the body isn't practical.   I've had enough of dicking around with "solutions" that just add complexity.   If I can't flip the screen around the camera is useless.
I do over a million views a month on Youtube and need to get shit done.
www.youtube.com/spectresoundstudios

No articulating screen?  PASS!
Specs are meaningless if the body isn't practical.   I've had enough of dicking around with "solutions" that just add complexity.   If I can't flip the screen around the camera is useless.
I do over a million views a month on Youtube and need to get shit done.
www.youtube.com/spectresoundstudios

No articulating screen?  PASS!
Specs are meaningless if the body isn't practical.   I've had enough of dicking around with "solutions" that just add complexity.   If I can't flip the screen around the camera is useless.
I do over a million views a month on Youtube and need to get shit done.
www.youtube.com/spectresoundstudios

Apologies if this is in the wrong forum.   
I do a Youtube show that generates roughly 1 million views a month on audio production & one of the questions that keeps coming up is, "how the hell do you get your voice to sound so good?"

Here's my approach:
 

Apologies if this is in the wrong forum.   
I do a Youtube show that generates roughly 1 million views a month on audio production & one of the questions that keeps coming up is, "how the hell do you get your voice to sound so good?"

Here's my approach:
 

This is downright spectacular!  Well done!
 
What's the "wd1 Lut?" 
 

Sony a6500
I changed a few settings to the profile but this was pretty much eoshd pp with eoshd wd1 Lut.

Well, this is a pleasant surprise!   I do a YouTube show that averages 800,000 - 1.5 million views a month, and shoot roughly 3 episodes a week, all on the subject of music production.   The A7s has been my go to camera over the last 16 months.    "Autumn leaves" mode gives great color & skin tones right out of the box with minimal dicking around.   I simply can't afford to waste time grading.  (more power to you guys who are great at it)   I've been looking for a B-camera for the A7s for the last little while, and the A7rii was looking like a serious (but damn expensive) contender.   The Blackmagic Micro even looked pretty good too, although I'm none to impressed with vaporware.   But the a6300 is a total game changer!   I really need a multi camera setup, and for this price, I might just buy two!

Well, this is a pleasant surprise!   I do a YouTube show that averages 800,000 - 1.5 million views a month, and shoot roughly 3 episodes a week, all on the subject of music production.   The A7s has been my go to camera over the last 16 months.    "Autumn leaves" mode gives great color & skin tones right out of the box with minimal dicking around.   I simply can't afford to waste time grading.  (more power to you guys who are great at it)   I've been looking for a B-camera for the A7s for the last little while, and the A7rii was looking like a serious (but damn expensive) contender.   The Blackmagic Micro even looked pretty good too, although I'm none to impressed with vaporware.   But the a6300 is a total game changer!   I really need a multi camera setup, and for this price, I might just buy two!

Found this on dvxuser and thought it was really interesting. Tells a lot of us what we kind already know but in a lot more depth.

Article: http://www.inventome.com/Blog/2015/8/a7exposure/Sony-A7s---how-to-expose---cine-or-log?
dvxuser: http://www.dvxuser.com/V6/showthread.php?339113-A7s-detailed-breakdown-of-the-gamma-curves-slog-or-cine
Basically, SLOG2 is mostly great but overexposing correctly and bringing it down in post but will generally crush the blacks.
Cine 1 is great for when you want to retain detail in the highlights.
Cine 4 is when you'd like to keep detail in the shadows.

I'm a big fan of Cine 1 for bright outdoor conditions so this makes sense to me, I know a lot of people are also Cine 4 fans. But recently I've been using SLOG2 more and more and the general aesthetics are beautiful.

It fits over anything provided you have the means to attach it. No idea what the thread is on those. You will probably have to clamp it like I did with the Kowa. It's no fuss.

Shot in my spare time during a commercial gig.  Autumn Leaves creative style, -3,0,-3. Edited in FCP X with Impulz LUTs
 

 

 

Eye candy from the largest mall in the world, Dubai Mall.  Shot on Sony A7s in Autumn Leaves creative style (-3,0,-3) and then processed with Impulz LUTs in FCP X