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About Gregormannschaft

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  1. Nice work, I honestly can’t tell the two cameras apart! Are these two essentially your A and B cams now?
  2. Has anyone stumbled across any downloadable files from the camera at all online? On paper it looks incredible, but a lot of the footage I've seen still looks very much like a Sony Alpha series camera and not too distinctly different from the A7S2.
  3. Recently shot a project with both and much preferred the C200's form factor. It's just more comfortable to shoot on the fly stuff. If the C200 MkII has a good 4K 10bit codec and is reasonably priced I'll definitely upgrade.
  4. Been using the C70 the past few days and have to admit I wasn’t the biggest fan at first. It felt a little unwieldy to use, I’d have loved to have been able to swivel the handle a little as the joystick is in a tricky spot to reach sometimes. The dials are also a little oddly placed. Second day filming and it feels a lot more natural after I started to think of it more as a small cinema camera rather than a big mirrorless or DSLR. As always, love the internal NDs, like having false color and so many customizable buttons. The DPAF seemed snappier than the C200 but still not perfect and not some
  5. I'll be filming with the C70 later this week as a replacement cam for the C200 in RAWLite – any tips at all? I'm familiar with the C line of cameras and exposing CLOG 3 so I don't expect many issues there unless this new sensor has dramatically changed anything.
  6. This is by far the nicest footage I've seen so far from the C70, I was incredibly underwhelmed beforehand. I've been on a workshop with Ollie a few years ago and he really knows his stuff when it comes to colour.
  7. Lol wut? RAWLite is a really lovely codec to shoot with and the quality far surpassed almost every camera below that price range when it was released, and still holds up now. I think the biggest downside of the C200 RAWlite is it's subpar noise performance at higher ISOs. The 8bit codec is bad, but if you really bought the camera for an 8bit codec you probably didn't do your research.
  8. Honestly that would be atrocious. The C200's 8bit is pretty bad by modern standards. I always thought it was weaker than the 8bit codec in the A7 series of cameras, both in terms of grading flexibility, noise and detail. I pretty much only shoot RAW nowadays on the C200. The C70 looks really interesting but not at its current price point.
  9. I'd be interested in checking this out, got a link? I shoot RAW on the C200 for most projects and the only thing that really lets the camera down is noise in the shadows.
  10. Great shot, is the cyclist getting really wet a second after this was taken?
  11. I don't know if you found it, but back in early 2019 he uploaded the creative treatment that landed him his first feature film job, as well as lighting diagrams and the shot lists from the first few weeks of filming. It was pretty eye opening, very rare to see people sharing so much.
  12. Really? I'm kind of surprised. I find Patrick to be pretty down to earth and find his own takedowns of his own 'shitty' work make him pretty likeable. Most of the time he just sounds exhausted, if he was all 'awesomes' and 'supers' I wouldn't have kept listening. I find a lot of other podcasts a bit light and appreciate the level of depth Patrick puts into his lighting breakdowns, although they might only be available to Patreon subscribers.
  13. I've been listening for the past 3 years or so. Standard podcasts are great and I feel for the breadth of stuff he puts out there its more than worth paying 5 bucks or so a month. I'm not anywhere near the scale of projects Patrick works on, but his discussions on how to manage a set and breakdown shots are fascinating.
  14. He uses them so well, no doubt, but I really liked his stuff before the gimbal craze and felt he was more creative with his shots. And cheers, yours was beautifully shot.
  15. I really, really like Brandon Li's stuff and think it's pretty impressive how he's grown his own personal brand but kind of wish he would stop using the gimbal so much. I'll put something together as soon as I finish a project I had leftover from before the world came to a screeching halt. Will be a struggle to not make something revolved around the pandemic, I like that Film Riot expressively said no doom and gloom.
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