docmoore

Should be less of a performance hit if any as it is a direct downsample ... and I shoot everything that I can in 4K DCI and render 75% as 2K DCI ... love the look.

Wonderful deal ... signed on today. Thanks!

Andrew It is the reason that I moved back to Sony and the FF FX6 ... love Canon colours ... but the new Sonys are just as compelling ... take the Slog3.Cinegamma into an ACES workflow and it is very neutral and just works. To replace my 1DX III with Canon meant another 10K for the C500 II ... made a lateral trade to the FX6 .... and have spent half that in lenses and peripherals ... but clearly am ahead of the marketing scheme that relegates us to accepting and living with the compromises that all the manufacturers foist upon us. I use the Metabones EF-E Cine smar

Actually my quote was based on CVP's review of the focal reducer ... where only 3 Canon EF lenses were officially supported at that time ... Time 4.07 following ... I am sure that others will be added ... but a short list at introduction.

Would have made platinum except all of my Cine lenses are Sigma ....

C70 ... limited codecs ... no RAW internal or not ... adapter only recognizes three lenses ... yea great camera ...

I purchased a 1DX III in June of 2020 ... replaced a Sony A9II which replaced a BM P6K ... because the camera had unbelievable codecs, build quality, and still used EF lenses that are not focus by wire .... Sadly ... mine was unable to capture RAW without corrupt files ... after six months ... in the Covid lock-down ... I sent it to Canon USA CPS ... after 10 weeks (during that time I was attempting to record a weekly blog with a RX0II) ... they finally sent the files to the Canon Cinema Support group in NY ... ultimately replace the camera. As a Canon CPS member ... 10 weeks without

Final Cut Pro ....

Merry Christmas vignette from the R5 .... https://youtu.be/3vYaZpx4lOk Best wishes for a wonderful holiday and a better New Year ....

gorgeous footage and truly a voice that needs to be heard. Not the homogenized drivel that seems to be the standard music fare these days ... Reminiscent of Sean Rowe ... better sense of timing and swing. Canon CPS has had my 1DX III for a month ... and are struggling to admit a problem with my specific camera ... So looking at a replacement ...

Beautiful footage ... the slider moves looked great. Look forward to seeing the RAW.

Point taken ... I do not use variables ... buy a set of decent NDs and meter the scene ... If your ND adds a shift to green ... throw it away ... get one with hard stops and decent color.

Just stack a 2 or 4 stop ND with your variable so you do not reach the X point of the crossed polarizers ... which usually occurs near the top filtration point. You can fine tune the filtration but at a lower level.

Here is a link to Ollie's Film Production Company https://www.korro.co.uk/

Just watched the Pro-AV stream ... where one of the contributors uses a C200 (couple of them) and transitioned to the C300 MK III. He is a professional "colourist" hired to correct others video. https://www.imdb.com/name/nm8304151/ His take is that the picture out of the DGO sensor in XF_AVC All I is preferable to the Raw out of the C200. The DR of the sensor, low noise and color obviates the need for RAW ... and with the new Canon Speed Booster the lack of FF may be a non-issue. So the best sensor in his mind is the one in the C70 ... I have begun a conversation