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Just now, KnightsFan said:

I usually just use ffmpeg by itself, it's worth learning if you do a lot of unconventional media manipulations.

i love shutter as it is customisable and you can really easilly batch files.

you can even apply luts or other thing.

it is the swiss knife of encoders to me

 

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From BM (link)

Quote

We are pleased to announce that DaVinci Resolve 16 Studio beta 3 and Fusion 16 Studio beta 3 are now available. We really appreciate your valuable feedback on beta 1 and 2.

For Studio users this is a free upgrade from all previous versions. There is also a free DaVinci Resolve 16 beta 3 available and you can find the links to them here.
https://www.blackmagicdesign.com/suppor ... and-fusion

If you have reported an issue previously we would appreciate if you could cross check with this list and verify that those items listed below are now working correctly and report on the Beta 16 Sub-forum any outstanding issues you find. 

Thank you again to everyone who have participated in the public beta program for DaVinci Resolve 16 and Fusion 16.

What's new in DaVinci Resolve 16 beta 3
• Support for dragging smart bins to smart bin folders
• Support for copying retime and scaling attributes between clips in the edit timeline
• Support for a timecode generator output in Fairlight page for driving external audio applications
• Improved behavior for Elastic Wave with the ability to stretch or compress ends of the clip
• Improved behavior when compositing compound clips containing gaps
• Improved support for video names and descriptions for Vimeo, YouTube and Frame.io exports from the deliver page and quick export dialog
• Improved support for keyboard shortcuts for clip and timeline actions in cut page
• Improved performance when marquee selecting multiple clips in edit page
• Improved playback performance when selection follows playhead is enabled in the edit page
• Improved bit rate handling when using AMD hardware acceleration to encode H.264 and H.265 clips
• Improved naming behavior for duplicated bins, clips, and timelines in the media pool

Issues addressed in DaVinci Resolve 16 beta 3
• Addressed an issue where smart bins would not be listed in floating media pool windows
• Addressed an issue where smart bin folders would briefly display wrong content when first opened
• Addressed an issue where enabling use timeline bin in project settings presets would sometimes cause a crash
• Addressed an issue where changing video clip attributes for multiple clips would not preserve their audio channel mapping
• Addressed an issue where the reel name metadata would be incorrectly read for video and audio clips when importing third party XMLs
• Addressed an issue where importing some metadata files to the media pool would result in incorrect metadata being displayed for some clips
• Addressed an issue where through edits could not be joined in the cut page
• Addressed an issue where trimming clips in the Cut timeline would not correctly scroll
• Addressed an issue with luminance accuracy in EBU Color bar generators

Edit
• Addressed an issue where dynamic trimming media with synced multi-channel audio would cause a crash
• Addressed an issue where the decompose compound clip option would not be respected when appending a compound clip to the edit timeline
• Addressed an issue where cleaning up video tracks by flattening unused clips would incorrectly allow adjustment clips to overwrite clips underneath
• Addressed an issue with the display of audio waveforms for stacked or tabbed timelines in the edit page
• Addressed an issue where the keyboard shortcut to switch to timeline viewer would not work correctly in single viewer mode
• Addressed an issue where the ripple sequence setting would not be honored when changing clip speeds in the edit page
• Addressed an issue where applying ease in or out on a position keyframe from the inspector would sometimes cause a crash
• Addressed an issue where applying stroke to subtitles for some fonts would clip the rendered text in the edit page
• Addressed an issue where selecting a subtitle track would sometimes not enable the New Caption button in the Edit Inspector
• Addressed an issue where audio waveforms in the edit timeline would sometimes not be correctly refreshed till the Fairlight page is loaded
• Addressed an issue where performing insert edits on a track with position lock enabled would cause a crash in the edit page
• Addressed an issue where the clip color would not be refreshed correctly when moving a clip between tracks with different clip color presets in the cut page
• Addressed an issue where filtering by individual marker or flag colors in the edit index would work only when the language was set to English
• Addressed an issue where replacing a clip would not preserve the clip color
• Addressed an issue with poor rendering of titles at smaller font sizes

Fusion
• Addressed an issue where undoing changes to certain Fusion node parameters made from numeric entry sliders would behave incorrectly
• Addressed an issue where icons and text for aux channels would not reflect the current state in the Fusion viewer
• Addressed an issue when previewing temporal Fusion tools on clips with pixel aspect ratio different from the timeline
• Addressed an issue with OpenGL renderer handling of aux channels in the Fusion page
• Addressed an issue with interlaced processing of masks in the Fusion page
• Addressed an issue with incorrect DoD contents when blending masks in a Fusion comp
• Addressed an issue where canvas colors would sometimes appear with swapped red and blue channels
• Addressed an issue where previewing VectorMotionBlur would cause a crash
• Addressed an issue with CUDA GPU errors when using FastGaussianBlur in Fusion page
• Addressed an issue where viewers flicker when using paint with clone or time offset in the Fusion page
• Addressed an issue where double polyline rendering could cause a crash in Fusion page
• Addressed an issue where clip alpha would not be preserved when applying ResolveFX Aperture Diffraction in Fusion page

Color
• Addressed an issue where adding or editing some third party OpenFX plugins in the color page would cause a crash
• Addressed an issue where timeline wipe actions on the color page would not show changes in GPU scopes
• Addressed an issue where histogram backgrounds would not be shown when viewing timeline node graph
• Addressed an issue where changing color parameters on the viewer or resetting keyframes in the inspector would sometimes not refresh the keyframe timeline in the color page
• Addressed an issue where toggling cinema mode in the color page would not retain focus on the viewer

Fairlight
• Addressed an issue where B-Chain setup in Fairlight would be limited to the active output audio device
• Addressed an issue where the Foley Sampler would sometimes not detect the correct fundamental frequency of an added sample
• Addressed an issue where loading FairlightFX Foley Sampler presets would not work correctly
• Addressed an issue where the solo state of an audio track would not be persisted when its VCA state was toggled
• Addressed an issue where zooming the Fairlight timeline would not correctly refresh the main bus loudness history
• Addressed an issue where audio clips fades created using automation would play back with artifacts in the Fairlight page
• Addressed an issue where sub buses in the Fairlight timeline would be shown with incorrect indices
• Addressed an issue where adaptive audio tracks with 1 channel would be incorrectly interpreted as mono tracks in the Fairlight page
• Addressed an issue where enabling fixed playhead in the Fairlight page and playing back would show clip markers in the incorrect positions
• Addressed an issue where the control room volume would not be persisted across application restarts
• Addressed an issue where loudness values would be calculated incorrectly for some surround sound channels
• Addressed an issue where relinked media would sometimes show incorrect waveform profiles
• Addressed an issue where the Fairlight mixer display options would not persist across application restarts
• Addressed an issue with incorrect side-chain bus behavior in nested timelines
• Addressed an issue where opening automation controls without visible video tracks would incorrectly scroll down the Fairlight timeline
• Addressed an issue where clip duration markers would sometimes be drawn outside of clip bounds in the Fairlight timeline
• Addressed an issue where EQ, dynamics, pan and 3D pan would be editable for locked audio tracks in the Fairlight page

Codecs
• Addressed an issue where H.264 and H.265 clips from specific Fuji cameras would not be decoded with the correct colors
• Addressed an issue where some MJPEG clips not be decoded with the correct colors
• Addressed an issue where decoding some ARX clips would show incorrect colors
• Addressed an issue where some AVCHD clips could not be imported in DaVinci Resolve
• Addressed an issue where DNxHR 444 clips with pre-multiplied alpha rendered from DaVinci Resolve 15 would not be decoded correctly
• Addressed an issue with exporting large video clips to Vimeo and YouTube
• Addressed an issue where the quick export dialog would use incorrect render extents in some scenarios
• Addressed an issue where rendering H.264 clips with custom bit rates would show image artefacts

• General performance and stability improvements

 

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6 minutes ago, Novim said:

Yeah, so I plan to get eGPU this summer. 🙃

I'm re-evaluating what my priorities are.  The 6K 10-bit h265 200Mbps mode is basically unusable without proxies, but the 4K 10-bit h264 150Mbps mode is quite useable, so I'm wondering if the extra IQ benefits are worth it for what I'm trying to do.  Yes, there is sharpening, but I normally output in 1080, and even if I uploaded in 4K I could just put a DLPF across it.

I'm tempted to do an A/B between modes, then put them both through their paces with how I edit and see how hard it is to match the h264 image to the h265 and how much I care about the differences.

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I’m sure this has been asked before but pardon my laziness! I am using resolve 16 beta on a 2012 MacBook Pro i7 Retina. Quite the ancient machine yet still usable thanks to optimized media workflow! While cutting 4K a6500 footage on a 1080p timeline it is very smooth. My question is in color grading... sometimes it’s as if when using the color tab that playback is struggling which is odd because I don’t have those issues on the edit tab. Is there a setting I need to make sure is on to get smooth playback from the color tab?

Finally, what is the preferred workflow for color grading? I recently discovered the adjustment layer and have been using that (hangover from premiere pro) but do most just use the nodes and copy over to the various clips?

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