andjo

Maybe Panasonic would be willing to trade the S1H “fan technology” for DPAF. Fair trade!

Jason Zhang, the owner of the company, posted a test 4 months ago.
 

kayleerumors is reporting gyro as confirmed

 

Just opening this to start off the discussion of the Z-CAM E2 models.
I shot with one for the first time at IBC in 2019 and will bring you some footage from the full frame 6K version of the Z-CAM 2

Incredibly close between these two. I have a Panasonic S1H with me at the moment, and am getting to know it. Meanwhile the Z-CAM, I had the briefest of hands-on at IBC and will be posting some footage from it. Both cameras are capable of 6K H.265 internal recording from a full frame sensor, and both are at the lower price-end of the pro-cinema market.
Flannel Ninja’s video above goes into really in-depth detail about the two, so do give it a look.
Read the full article

Always positive vibes in your posts, love it!
And I agree that this forum is a great resource ?

i feel like im starting to get the hang of this filmmaking thing, for the first time, with the project im doing right now
i dunno how i couldve gotten this far without andrew, eoshd, and all u guys on this board helping me, and answering my stupid questions
it means a lot
i just want u all 2 kno ?
 
thank you

I just bought my first fullframe toy?
Now i need That piss a shit Vlog card!!!
 

First test on my S1 with V-Log
 

and the EOSHD Nihilist quote of the day goes to..........   *drum roll*
???

I think they did everything right with this one, what a beast! So much good options right now for filmmakers and there is still even more to come (a7siii/z-cam) ?
Exciting times!

I finally recieved the mc-21 adapter today so I did some totally unscientific moire tests after seeing that dpreview chart which I thought initially looked very sketchy. To my suprise it did conform to reality.
The S1 does seem to suffer from alot of moire in APS-C mode. I find the levels of moire in aps-c is near unacceptable, I believe panasonic has messed up here in their quality control. Also the 4k image is a bit softer than expected. However in 24/30p the moire levels are very low and the image is much cleaner so there it delivers stellar results. I think S1's strong points is its dynamic range and low light performance but it does come with some drawbacks unfortunately (atleast for us that mainly got it for its 4k60 and high frame rate modes..).
Setup:
S1 firmware 1.2
GH5 vanilla firmware + dummy adapter
Lens: Samyang 85/1,5 AS IF UMC II VDSLR at f4
S1 settings:
All default. Standard picture profile and 8-bit video.
Might try to play around later and see if the moire can be lowered with some settings adjustments.

I finally recieved the mc-21 adapter today so I did some totally unscientific moire tests after seeing that dpreview chart which I thought initially looked very sketchy. To my suprise it did conform to reality.
The S1 does seem to suffer from alot of moire in APS-C mode. I find the levels of moire in aps-c is near unacceptable, I believe panasonic has messed up here in their quality control. Also the 4k image is a bit softer than expected. However in 24/30p the moire levels are very low and the image is much cleaner so there it delivers stellar results. I think S1's strong points is its dynamic range and low light performance but it does come with some drawbacks unfortunately (atleast for us that mainly got it for its 4k60 and high frame rate modes..).
Setup:
S1 firmware 1.2
GH5 vanilla firmware + dummy adapter
Lens: Samyang 85/1,5 AS IF UMC II VDSLR at f4
S1 settings:
All default. Standard picture profile and 8-bit video.
Might try to play around later and see if the moire can be lowered with some settings adjustments.

I finally recieved the mc-21 adapter today so I did some totally unscientific moire tests after seeing that dpreview chart which I thought initially looked very sketchy. To my suprise it did conform to reality.
The S1 does seem to suffer from alot of moire in APS-C mode. I find the levels of moire in aps-c is near unacceptable, I believe panasonic has messed up here in their quality control. Also the 4k image is a bit softer than expected. However in 24/30p the moire levels are very low and the image is much cleaner so there it delivers stellar results. I think S1's strong points is its dynamic range and low light performance but it does come with some drawbacks unfortunately (atleast for us that mainly got it for its 4k60 and high frame rate modes..).
Setup:
S1 firmware 1.2
GH5 vanilla firmware + dummy adapter
Lens: Samyang 85/1,5 AS IF UMC II VDSLR at f4
S1 settings:
All default. Standard picture profile and 8-bit video.
Might try to play around later and see if the moire can be lowered with some settings adjustments.

I finally recieved the mc-21 adapter today so I did some totally unscientific moire tests after seeing that dpreview chart which I thought initially looked very sketchy. To my suprise it did conform to reality.
The S1 does seem to suffer from alot of moire in APS-C mode. I find the levels of moire in aps-c is near unacceptable, I believe panasonic has messed up here in their quality control. Also the 4k image is a bit softer than expected. However in 24/30p the moire levels are very low and the image is much cleaner so there it delivers stellar results. I think S1's strong points is its dynamic range and low light performance but it does come with some drawbacks unfortunately (atleast for us that mainly got it for its 4k60 and high frame rate modes..).
Setup:
S1 firmware 1.2
GH5 vanilla firmware + dummy adapter
Lens: Samyang 85/1,5 AS IF UMC II VDSLR at f4
S1 settings:
All default. Standard picture profile and 8-bit video.
Might try to play around later and see if the moire can be lowered with some settings adjustments.

I finally recieved the mc-21 adapter today so I did some totally unscientific moire tests after seeing that dpreview chart which I thought initially looked very sketchy. To my suprise it did conform to reality.
The S1 does seem to suffer from alot of moire in APS-C mode. I find the levels of moire in aps-c is near unacceptable, I believe panasonic has messed up here in their quality control. Also the 4k image is a bit softer than expected. However in 24/30p the moire levels are very low and the image is much cleaner so there it delivers stellar results. I think S1's strong points is its dynamic range and low light performance but it does come with some drawbacks unfortunately (atleast for us that mainly got it for its 4k60 and high frame rate modes..).
Setup:
S1 firmware 1.2
GH5 vanilla firmware + dummy adapter
Lens: Samyang 85/1,5 AS IF UMC II VDSLR at f4
S1 settings:
All default. Standard picture profile and 8-bit video.
Might try to play around later and see if the moire can be lowered with some settings adjustments.

You are sort of right. In Lumix Sync App It's possible to select 10-bit but if you connect to your S1 when it's in slow motion/VFR mode you can't seem to change frame rates from within the app which is a bit odd? Other than that it seems to be fairly similar to the Image App. EDIT: Seems to be no possibility to view fullscreen in landscape mode, that is a bit annoying as they had the same issue in the beginning with the Image App.
I've only tested it once so no expert, but I've attached a few screenshots.
Panasonic has actually been quite good in improving their app if you make your voice heard, I'm not sure if they actually read e-mails but if you make a forum post or post in the comment section on their facebook pages (on what you are feeling is left out and why it would benefit their app) they seem to have some coordinator that takes notes and routes them to the correct people within their organisation (which is good!). 
My biggest wish right now from Panasonic is that they seriously would take into consideration to add manual exposure in the VFR mode, it's really bugging me because other than that it's a really good camera. I would actually pay extra to get that limitation removed ?
  
   
  
 
The last screenshots is how it looks when you connect to your camera when it's in VFR mode. All frame rate options disappears.

France : https://offre-lumix-s1.e-odr.fr/fr/inscription/
You have to fill in the form, and it's written you'll receive it in a week. Seems valid for France, Belgium and Luxembourg.
 

I agree, it's not good that they still have bugs, but it is excellent that they continue to release updates.
I see Z Cam as the polar opposite of a company like Canon: if you want maintenance-free reliability and instant integration into existing workflows, look to the traditional products like Canon's C line. If you want bleeding edge, not-tried-and-true technology that you can experiment with, and provide meaningful feedback on to guide the development of the next generation of products, that's where Z Cam fits in. It's similar to the difference between Linux and Apple. It's entirely possible to have a great experience, reliably using Linux to do real-world work, but you do have to do your own research, and accept more responsibility as an end-user to debug things on your own.
And the truth of that situation is that Z Cam will likely never have the market sway that Canon et. al. do, and will never have the resources or vast QA teams to match the big players. But the benefit of the small team is you can have a more personal experience--I mean, you can't just hop on Facebook and provide personal input to the Canon CEO on what features they should include.

Even without VLOG, I'm loving this camera and floored by the colors and dynamic range. Here are a couple screengrabs from a shoot I was on yesterday, using the HLG profile. I'm very, very excited to get my hands on the log upgrade. I think this is the first time I've ever had a video camera where I'm actually choosing the DR I want scene-to-scene at my discretion, rather than being forced to deal with limitations of the camera. There's plenty of room in the shadows and highlight roll-off is silky smooth. Color me impressed. 
 

Time of Flight / LiDAR continuous autofocus is really quite remarkable technology. There are rumours Panasonic will implement it on future cameras like the GH6. Don’t you wish the current autofocus-challenged cameras like the Blackmagic Pocket Cinema Camera 4K or GH5 could have amazingly smooth Dual Pixel AF-like performance?
Well, you could soon be in luck. Time of Flight Autofocus is a reality and I’ve seen it working.
With this prototype add-on, a Time of Flight sensor sits in the hotshoe and talks wirelessly to the Pocket 4K. The autofocus motors in the Micro Four Thirds lens are commandeered based on real-time depth sensing information from the LiDAR beam.
I met up with CDA-TEK’s Ian (BTM_Pix on the forum) this week in Manchester to take a look at what he’s been working on.
Read the full article

hey yall!!!!
sooo i was working on a set last week, just kinda helping my friends, being a white light, and we had this moment laaate at night where i was talking to the actors, pepping them up (theyve got their fkn sad faces on, woe is me, i hate acting, rite? mind u it is 2am), and i was being cooool af as i always am on a set, and i just started saying
because...
WE
(*and the director joined me*)
LOVE
FILMMAKINGGGGGG
....remember that??!! from some bts of one of quentins more recent films...? he does that with the cast and crew, its... something he does??
anyway, i cant find the clip, can u guys help?? this is real i swear!!! ?
sincerely,
kaylee
 

I think this is genuinely a HUGE step.
Rarely, do we get such a big leap out of nowhere like this. I've never felt like any other camera was anything other than just good, or expected in 2019. This is different. It's like having a full frame Pocket 4K with nobs on... from the future.
This image sits in the cinema world, not the video one.
I've shot some S1 10bit V-LOG with it this weekend. Here's a frame:


Compared to the X-T3 10bit F-LOG, dynamic range seems wider and shadows cleaner. Image is creamier, and less noisy at high ISOs. Base ISO is 640 in V-LOG, but extended ISO can go a bit lower.
Compared to A7 III S-LOG 2/3, the codec is far more robust, less banding and compression, it looks like ProRes.
I'll upload the original MOV files soon.

Anyone know how long it takes for Panasonic to send upgrade software key? It's been ages since I claimed mine, at least 7 mins...

Z-cam has updated their product pages for their new E2 flagship models:
S6 http://www.z-cam.com/e2-s6/
6244x4168 @30fps max (Open Gate) 6144x3240 @48fps max (DCI 6K) 6144x2592 @75fps max (DCI 6K 2.4:1) 5760x3240 @48fps max (6K UHD) 5552x4164 @30fps max (5K 4:3) 4992x4160 @30fps max (5K 6:5) 4096x2160 @30fps max (DCI 4K Low Noise) * 4096x2160 @75fps max (DCI 4K) * 4096x1728 @100fps max (DCI 4K 2.4:1) F6 http://www.z-cam.com/e2-f6/
6244x4168 @30fps max (6K Open Gate) 6144x3240 @48fps max (DCI 6K) 6144x2592 @60fps max (DCI 6K 2.4:1) 5760x3240 @48fps max (6K UHD) 5552x4164 @30fps max (5K 4:3) 4992x4160 @30fps max (5K 6:5) 4096x2160 @72fps max (DCI 4K) * 4096x1728 @120fps max (DCI 4K 2.4:1) F8 http://www.z-cam.com/e2-f8/
8192x3456 @30fps (DCI 8K 2.4:1) 7680x4320 @30fps (8K UHD) 6144x3240 @30fps max (DCI 6K)* 5760x3240 @30fps max (6K UHD)* * Cropping / Supersampling selectable