Parker

It does, it's just called "video recording area" or something like that. You can go to an APS-C crop from full frame, as well as an even bigger pixel-to-pixel crop in 1080. 
Unfortunately, this crop function can't be mapped to a custom button, currently I just have it assigned to the custom menu, so it's a couple extra clicks over a GH5, but not too bad. 

I can't wait for the final Scooby Doo style unmasking.

Technically, speedboosters actually add sharpness and detail while minimizing lens imperfections, the exact opposite (for the same optical reasons) that teleconverters degrade IQ by softening, enlarging the image, more pronounced CA, etc. 
Cheaper focal reducers can show soft corners, but Metabones are usually razor sharp edge-to-edge. 

Technically, speedboosters actually add sharpness and detail while minimizing lens imperfections, the exact opposite (for the same optical reasons) that teleconverters degrade IQ by softening, enlarging the image, more pronounced CA, etc. 
Cheaper focal reducers can show soft corners, but Metabones are usually razor sharp edge-to-edge. 

Technically, speedboosters actually add sharpness and detail while minimizing lens imperfections, the exact opposite (for the same optical reasons) that teleconverters degrade IQ by softening, enlarging the image, more pronounced CA, etc. 
Cheaper focal reducers can show soft corners, but Metabones are usually razor sharp edge-to-edge. 

Luca is forum member here on the site, he created custom speedboosters for the NX1 a couple years ago (I bought one from him, and still use it all the time) and he has since created very similar focal reducers for the Ursa mini/pro. He can absolutely be trusted, he's a good dude. 

Luca is forum member here on the site, he created custom speedboosters for the NX1 a couple years ago (I bought one from him, and still use it all the time) and he has since created very similar focal reducers for the Ursa mini/pro. He can absolutely be trusted, he's a good dude. 

You mean like this thing on the right ?
 

Really enjoying this lut the more I use it. Some grabs from a shoot today: 

Really enjoying this lut the more I use it. Some grabs from a shoot today: 

Really enjoying this lut the more I use it. Some grabs from a shoot today: 

Still getting the hang of this lut, I'm liking what I'm getting though! Nice, soft highlights and pleasant colors. Just have to make sure to remember to always custom white balance with my grey card, I tend to get lazy, especially when I'm running and gunning. Here are some shots from a recent shoot: 

I dont want to tease you,...BUT!  When your VLog comes in, forget everything you have seen in your S1 thus far. Just forget that stuff.  VLog makes it a completely brand new camera! You will understand what I mean when you get yours! 

Still getting the hang of this lut, I'm liking what I'm getting though! Nice, soft highlights and pleasant colors. Just have to make sure to remember to always custom white balance with my grey card, I tend to get lazy, especially when I'm running and gunning. Here are some shots from a recent shoot: 

Still getting the hang of this lut, I'm liking what I'm getting though! Nice, soft highlights and pleasant colors. Just have to make sure to remember to always custom white balance with my grey card, I tend to get lazy, especially when I'm running and gunning. Here are some shots from a recent shoot: 

@mercer I have used the Rokinon 12mm f/2 extensively, I really like it. Tiny, bright, plenty sharp, great minimum focus distance, a no-brainer really. Flares are a little bit messy. Mine got damaged somehow and the internal focusing elements got all messed up, but after I took it to a lens technician the infinity focus is bang-on so it's a cinch to get shots really quickly. Here are a couple stills that I think show off the versatility of the lens, flares, bokeh, etc. 
 

 

@mercer I have used the Rokinon 12mm f/2 extensively, I really like it. Tiny, bright, plenty sharp, great minimum focus distance, a no-brainer really. Flares are a little bit messy. Mine got damaged somehow and the internal focusing elements got all messed up, but after I took it to a lens technician the infinity focus is bang-on so it's a cinch to get shots really quickly. Here are a couple stills that I think show off the versatility of the lens, flares, bokeh, etc. 
 

 

@mercer I have used the Rokinon 12mm f/2 extensively, I really like it. Tiny, bright, plenty sharp, great minimum focus distance, a no-brainer really. Flares are a little bit messy. Mine got damaged somehow and the internal focusing elements got all messed up, but after I took it to a lens technician the infinity focus is bang-on so it's a cinch to get shots really quickly. Here are a couple stills that I think show off the versatility of the lens, flares, bokeh, etc. 
 

 

@mercer I have used the Rokinon 12mm f/2 extensively, I really like it. Tiny, bright, plenty sharp, great minimum focus distance, a no-brainer really. Flares are a little bit messy. Mine got damaged somehow and the internal focusing elements got all messed up, but after I took it to a lens technician the infinity focus is bang-on so it's a cinch to get shots really quickly. Here are a couple stills that I think show off the versatility of the lens, flares, bokeh, etc. 
 

 

@mercer I have used the Rokinon 12mm f/2 extensively, I really like it. Tiny, bright, plenty sharp, great minimum focus distance, a no-brainer really. Flares are a little bit messy. Mine got damaged somehow and the internal focusing elements got all messed up, but after I took it to a lens technician the infinity focus is bang-on so it's a cinch to get shots really quickly. Here are a couple stills that I think show off the versatility of the lens, flares, bokeh, etc. 
 

 

My guess is that the HLG is only available in 24/25p or 30p though (same as the S1), since, unfortunately you can't use it for 60p, so as far as dynamic range goes you'd be limited to however much you could tweak the built in profiles. 

Even without VLOG, I'm loving this camera and floored by the colors and dynamic range. Here are a couple screengrabs from a shoot I was on yesterday, using the HLG profile. I'm very, very excited to get my hands on the log upgrade. I think this is the first time I've ever had a video camera where I'm actually choosing the DR I want scene-to-scene at my discretion, rather than being forced to deal with limitations of the camera. There's plenty of room in the shadows and highlight roll-off is silky smooth. Color me impressed. 
 

Sony, Nikon, Canon and Fuji also include free Log in their cameras.
These two are gorgeous.