Snowfun

In light of recent offerings I think that qualifies as “exceeds expectations”...
I’m excited by it. And will buy.

Finally! Proxy settings too 👀

Menu just leaked, fully redesigned and touch capable

I think 120fps is internal in 10 bits 4.2.2, If canon can manage 120fps 4k raw internal that possible.
I think on the leaked pictures its connected to a recorder just for monitoring.
If the rumours are correct we are getting something better than a Venice or a Fx9 in a much more compact package for less money, that quite mind blowing for me.
If they deliver, that would actually be my ideal camera, I loved the images from my G2, but the form factor/weight was really not ideal for me.
 

This 👆🏻. If they deliver a very solid 4K 10bit 24/25p with good autofocus and s-cinetone I’m getting one for sure. And the rumors about extremely low rolling shutter makes it even more tempting.

I have two propositions for their new logo.. 😎
 

If they are bringing their new color science and it shoots full frame with actual high dynamic range, not bullshit marketing dynamic range, and the footage actually looks like fx9 - this exceeds expectations. It’s crazy to me that all we are hanging on is specs. The footage is what should exceed expectations - isn’t that all that matters? If the a7s3 and R5 shoot amazing looking video that get close to their big cinema brothers - we all win. In fact, with these 2 cameras we are all winning no matter what. It’s amazing the kind of tech we are getting in hybrid bodies.  

I’d be happy with the 12mp. Would like improvements in ergonomics, hdmi port & weather resistant build quality. Possibly unlikely.  Anyone wanting a hybrid has the A7 series?
For some unknown reason the 1DXiii has been calling recently...

Sounds like the A7S3 could be outstanding. If it can somehow get around overheating it will be the camera to buy for video. Low light should be incredible. 

 
What gimbal/lens were you using?

I’d be happy with the 12mp. Would like improvements in ergonomics, hdmi port & weather resistant build quality. Possibly unlikely.  Anyone wanting a hybrid has the A7 series?
For some unknown reason the 1DXiii has been calling recently...

I do something very similar. My set up is a BMp4k (Prores 422) with a Rode lav microphone (soon to be replaced by a Sennheiser wireless  lav) and BlindSpot Gear lighting. I have two LED panels which sit one each side and slightly above head level - one is slightly brighter just to give a bit of depth. The third light is behind the speaker (at the side of my green screen) and gives the hair a highlight. I find that in FCP all I need to do is use the “key“ feature and it simply works (unlike Resolve in which I struggle to get the key to work as easily). It’s not best practice but space limitations mean I have to stand close to the screen - it still works!
I built a holder for an iPad which I mount just above the lens. I put my text into Keynote (PowerPoint) and use a Bluetooth remote. Eye “contact” is not as good as an Autocue but it works absolutely fine. 
(I also do this using an ATEM mini and record the hdmi output to a Video Assist which, again, is simple to use and works well. This setup is slightly more convenient to use because it’s all set up on my desk). 
Ok, it’s not the BBC but I find the setup is very effective. (I should add that I have no formal idea what I’m doing but it really does work!)

“Most”? I’d be surprised.
The word used is “overheating”. But it’s more than that - it’s destroying a shot. Ruining a day’s work. Wrecking a wedding. The potential implications go beyond what can be measured using a thermometer.
Easy to forgive?
Having said that, I might overlook the issue. I shoot short sequences in cold weather and the 8k might be fun. 

Sorry about this post guys.   I was a little harsh and came off as an asshole.
I don't like the magenta cast on @John Brawley 12K footage. 
His technical break down about the sensor was awesome and @John Brawley does some incredible work.

Why is @John Brawley being pushed on us so much across the EOS and the net today?  I thought real DP's don't hang out on the EOS?
The proof will be in the footage not how technical someone talks about the NEW sensor.     
Let @John Brawley compare the BM12K to Alexa, RED and Venice and see if it falls apart.  How much you wanna bet he never does that test?
I really don't need a BM cheerleader to push their cameras.
 

Discussion on reduser about how “thick” the RED image is concerned to the “thin” image from BM (and, needless to say every other camera). 
Isn’t this a bit like discussing how long God’s beard is? 

That’s some of the best footage I’ve seen out of any camera. 

“Most”? I’d be surprised.
The word used is “overheating”. But it’s more than that - it’s destroying a shot. Ruining a day’s work. Wrecking a wedding. The potential implications go beyond what can be measured using a thermometer.
Easy to forgive?
Having said that, I might overlook the issue. I shoot short sequences in cold weather and the 8k might be fun. 

Discussion on reduser about how “thick” the RED image is concerned to the “thin” image from BM (and, needless to say every other camera). 
Isn’t this a bit like discussing how long God’s beard is? 

“Most”? I’d be surprised.
The word used is “overheating”. But it’s more than that - it’s destroying a shot. Ruining a day’s work. Wrecking a wedding. The potential implications go beyond what can be measured using a thermometer.
Easy to forgive?
Having said that, I might overlook the issue. I shoot short sequences in cold weather and the 8k might be fun. 

“Most”? I’d be surprised.
The word used is “overheating”. But it’s more than that - it’s destroying a shot. Ruining a day’s work. Wrecking a wedding. The potential implications go beyond what can be measured using a thermometer.
Easy to forgive?
Having said that, I might overlook the issue. I shoot short sequences in cold weather and the 8k might be fun. 

Can we get rid of these anonymous "experts" and bring back your @Mattias Burling's and @John Brawley's please? 

Certainly debatable as of two days ago ☺️

It was shot from our own @John Brawley, if people come back to treat him well here he could give some useful insights.

Maybe even for the troll of the other thread which says that a camera without IBIS or PDAF is not useful...

I seriously doubt anybody buying a 12K camera is buying it because they can now show audiences a 12K feature film. 12K opens up other possibilities.
I’m getting pretty sick and tired of the pervasive Luddite mentality being displayed on this forum.
There is always going to be compromises with gear. It will either work for you or it doesn’t. You give feedback. You move on. 

This is what RED should have been doing all along and I guess they started to with 4K ProRes proxies, either way...for me this announcement marks major gap in the armor for RED. Probably not "the end" as they have been silent for a while and probably have something big in the pipeline. The problem is that RED has been chasing the resolution dragon (thank you) almost exclusively. They haven't given us more FPS and they have actually taken functionality away while getting more expensive! The features of this camera are almost...silly. RED would charge $50,000 for a similar camera but an extra $10,000 would be needed for accessories. 
So yeah...this is a major splash on the high end. Enough to make a lot of RED guys switch? Who knows. Will it test their loyalty? Abso-freaking-lutely.