jbCinC_12

I agree!

Unless it is Game of Thrones...

6D Mark II is not cinema for me.

There is a 1080p frame grab, look at it full screen and it screams digital.
Lack of dynamic range, mushy codec, in many ways a step back from even the old 6D.
Terrible detail that doesn't pop.
Now compare to an X-T3 frame I pulled from Vimeo... World of difference. Details pops, three dimensionally, film like dynamic range and colour.
Even if you don't care about 4K delivery, it's a world of difference between a shitty Canon DSLR and a top of the range 2019 mirrorless camera.

Also, the only time I've ever been shut down for shooting something was with my Micro rig. And I was just filming my family ice skating!
Granted, I live in LA, so people are more attuned to this stuff, but here I am, filming my family skating at an outdoor rink around Christmas, and the Manager comes up to me...
"Hey man, you can't shoot with that thing here."
"What? Why not? Everybody here is filming their family on their phones, etc."
"Yeah, but you've got a whole professional camera deal. We've got rules about that."
"Look, that guy over there is filming with a Canon 5D Mk IV, that camera costs three times as much as mine!"
"Yeah, but you got this mic and stuff, it's making people nervous. Sorry dude."
...So, of course, I pretended to agree, waited til he left, then shot at waist level, glancing down at my monitor surreptitiously... Two minutes later...
"No, dude. I can still tell you're filming. You gotta put it away or leave."
"ARE YOU KIDDING ME? WITH ALL THE STUFF IN THE WORLD THAT HAPPENS, YOU GOTTA SHUT DOWN A DAD FILMING HIS FAMILY?! C'MON EVERYONE, GET THE SKATES OFF, WE'RE LEAVING. THIS IS AN OUTRAGE!"
?

I love how he claims it's the iPads and everything else fault. 
So, if you can't watch it on an iPad, with factory calibrated screen, covering DCI P3, working with variable frame rate to match the content, offering over 500 nit brightness and extremely good contrast what should we get? 4000$ HDR Oled Screens? 

In the end it was just too dark and HBO made it even worse with their crappy compression. Get your content delivery sorted and then start blaming customers!

I could be wrong but the cameras were too noisy for the night shots. Either they were conservative with lighting or poor choice of lenses or something else. 

The cinematographer is defending his work.
https://www.theverge.com/tldr/2019/4/30/18524679/game-of-thrones-battle-of-winterfell-too-dark-fabian-wagner-response-cinematographer
"people don’t know how to tune their TVs properly” .... “We tried to give the viewers and fans a cool episode to watch,” he said. “I know it wasn’t too dark because I shot it.”
Well... I tried to give my wife a 4 course meal. I know it tasted great, because I cooked it. If she didn't like it, its because her tastebuds are wrong.

I need too much time to find topic about BMMCC, so sorry for posting here, but maybe it could be useful as another example of what BM cameras and especially BMMCC are capable for, or as comparison with Pocket 4k.
  

Definitely some of the best P4K footage I’ve seen. Really quite perfect. Good find. 

Why does every new camera that is released inevitably have a “... vs Alexa” video, anyway?
I mean, if any of these cameras were as good as an Alexa, then Roger Deakins would surely buy them and use them in their Hollywood films. Weirdly enough, I have heard, somewhere, that a lot of Hollywood DPs own Fuji cameras as their personal camera...
But seriously, it’s not the end of the world if your sub-2000 dollar camera isn’t as good as an Alexa. Most people believe the best Red doesn’t look as good as an Alexa, so it’s highly unlikely that a $1300 camera will either.
Stop watching and reposting these stupid comparisons and maybe they’ll stop making them.
With that being said, the OG Pocket was often referred to as a Baby Alexa, maybe the P4K will earn that moniker as well one day, but until then, what’s the harm in mentioning a flaw or two? And a strength or two?
Cell phones are the great equalizer and how most people will watch most of your videos, so if a camera’s image looks noticeably better on a cell phone screen, I find, there’s usually something to it. YMMV.

Exactly.  I got some MD and Canon lenses especially the Tokina ATX Pro 28-70mm.  I'll be spotting for an adapter for the X-T3 until then.

Blackmagic RAW Player alternative for Windows (no setup):
https://www.youtube.com/watch?v=YfJnSErTaqQ
 

is bRAW 3:1 lossless ? how effcient is braw compared to other lossy codecs ? for example braw 12:1 (32MB/s)  it is about 2x smaller than  h265 4:2:0 10 bit 400mbits found in xt3 but has it better image quality ?  i know it is hard to compare a distribution codec to a acquisition codec but it is fair to compare them as xt3 is using h265 as an acquisition codec to grade in post and xt3 is the same price as bmpcc4k so who made the best compromise for best gradable footage vs smaller file size (fuji or bm) ? i have a hard time believing the few blackmagic design engineers developing braw over 2 years can come close to the efficiency of open standard codecs such as h265 that come from the work of thousands of engineers over decades .

I might be mistaken, but to me this little video has that OG pocket mojo people are looking for. (aside from the slow mo)
 
 

Picked up the Fuji X-T3. Bribed my daughter with Maccas to model for a few minutes. No face or eye detect because i was rushing and just didn't think about it. You will see a few spots where it loses focus for a split second but if i had face tracking on at least i'm sure it would have been fine.
Hopefully i uploaded the clip correctly.
 

Do you have a picture of your rig with the Ninja V? Without first hand knowledge, it seems if you’re going to go with the added size and cost of a Ninja V on the X-T3, you may as well just get a P4K.

I still got my original Pocket, and still love it for what it is.  Not to go OT, but I may plan on getting the fujifilm x-t3 for the S35 vid feel, and use my OG as a B-cam or something for street shots or narrative work when the time comes.  I been hoping for something big w/ P4K, but I dunno.  I'm still keeping my trusted baby with me.

I still got my original Pocket, and still love it for what it is.  Not to go OT, but I may plan on getting the fujifilm x-t3 for the S35 vid feel, and use my OG as a B-cam or something for street shots or narrative work when the time comes.  I been hoping for something big w/ P4K, but I dunno.  I'm still keeping my trusted baby with me.

I'd heard that it exists but I've never watched it or heard what it's about. 
The entire Jussie Smollet case is extremely frustrating. Hate crimes against African Americans and the LGBT communities are on the rise, and yet this greedy person tried to use that to get fame and a raise? All he did was hurt those communities, given people ammunition to pretend that hate crimes aren't happening, and distracted the media from more important stories, like the Coast Guard official arrested planning terrorist attacks and assassinations against liberal people and candidates. 

nikkor 55/1.2 with/without speedbooster

decide yourself ) (shot this handheld with xt2)
 

Fujifilm X-T3 crop factor:
Sensor diagonal = 28.21 mm 
Crop factor =  43.27 : 28.21= 1.53
This is the true form factor.

This is awesome.
 
I haven't been successful with Danne's built - for I don't know exactly what I'm doing.  Who knew that Canon's EOS-M is right up there with the big boys.
 
::thumbs up::

It's the build I posted before (17th January). 3x3 is continuos with 14bit lossless. 1x3 only Works fine with 10bits But it depends on the shot.

Lovely family and outcome : ) What glass setup?
 

Intriguing, @Andrew Reid.. quite intriguing.  I too, am interested.
@mercer, I felt the same way.  I haven't play/test it in a while - the camera was quite limiting until I snagged the Panny G7.  I'm revving the batteries and checking this one out.