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About amanieux

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  1. in the r5 watercooling video from diyperk, his internal temperature measurement showed a 83 degree temperature on the cpu board, if you keep on recording without cooling, won't the image sensor get warmer and start to show up more image noise as heat goes up ?
  2. good AF is a major selling point, most of the time we are fimling humans and humans move so with manual focus you never get the advantage of high resolution/sharp lenses with FF shallow depth of field as you are slightly out of focus 90% of the time
  3. the algorithm to convert raw data to uncompressed 8 bit is much less computational intensive than compressed 10 bit, not sure if this camera have enough computational power or good enough heat diffusion to handle that internally
  4. looks like a fresh new camera built from the ground up without the weight from the past so why did they kept the old outdated sd card media ? m.2 ssd are cheaper, faster and have a bigger capacity we are dealing with huge raw files after all so so why did they not put a m.2 internal ssd slot instead of a sd card slot ?
  5. when comparing a6600 to xt30 of course xt30 is cheaper and better in some aspects but what about the 10 min max recoding time in 4k vs unlimited recording ? you should not nitpick your arguments but rather give an honest pros and cons list and let us decide what compromise we want to make for our specific needs as unfortunately no camera has it all (though a73 is the closest to a good hybrid camera all rounder)
  6. just saying you could do it with a $1700 combo (CeyeAF with sigma 30mm f1.4) but you cannot do it with any other camera and wether you like it or not it gives intensity :
  7. the only great thing about a6600 you don't even mention is continuous eye AF in video, do you know another camera that can do that ? a f1. 4 closeup with the $289 sigma 30mm will open up the possibility of interview with nearest eye in focus and the rest of the face blurred - a very intimate image with cinematic intensity https://images.app.goo.gl/3A5aCA1CFmzxRsyXA
  8. true nikon and fuji were the only 2 makers not having a pro video line to protect but the survival window is getting smaller and smaller, i believe it is too late for nikon, time will tell.
  9. nikon wont have time to get it right, after being dormant for decades , camera market is moving fast, today's tiny market is too small now to have so many different camera makers
  10. z6 was a nice camera, too bad nikon did not grab the opportunity to be the first hybrid FF camera with raw video, they now tiptoe with a paid raw upgrade with return to service center instead of going full speed ahead, window of opportunity is closing, they wont have a second chance now that the camera market is quickly shrinking. this is the nail in the coffin, nikon is so dead. i believe sony and canon will be the only 2 survivors in the hybrid camera market (unfortunately for us consumers, as less competition means slower innovation and higher prices)
  11. s35 and 6k are nice to have but what we wanted was bigger internal battery and internal ssd slot (m. 2 or sata) ! both would have cost nothing extra but made it a one piece camera instead of a rigged hell
  12. they hit no wall, they are just without competition in the sensor business so they have no incentive to innovate, things will come from newcomers, samsung was a good contender but they drop the ball
  13. what i don't get from nikon perspective is why raw over hdmi and not raw over usb3 it is computationally the same cost to serialize uncompressed raw over usb vs hdmi hack but you only need a $100 external ssd instead of a $700 external recorder. and by serialized raw i mean just that and no cinemadng codec, any software intern will make you a premiere plugin in 1 month that will import serial raw data.
  14. your hypothesis of sony putting pressure on nikon though sensor delivery to cancel raw video could makes sense. with the shrinkage of the camera market due to cameraphones that are good enough for 99% of the population needs, there will not be enough room for all existing camera makers, nikon not being in the strongest position they should quickly deliver raw video if they want a chance to survive, same goes for fuji. by the way, now that bmpcc4k you can buy today won't let you downgrade the firmware to get back cinemadng raw, what is the first price for a cinema camera that records real
  15. "I doubt Cinema DNG by itself was the legal issue, but maybe the combination of Cinema DNG technology and the camera processing for it infringed one of RED’s patents" since then blackmagic also updated the ursa mini g2 firmware and cinema dng was not removed in the g2 so this legal issue seems to be pure BS. they most likely removed if from the cheap bmpcc4k either to harmonize their cinema camera line in terms of specs/price ratio or they want to push usage of BRAW over cinema dng. why can't they just give the real explanation so we can have an idea of their strategy and make informed c
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