Comment on the forum I bought the Pocket Cinema Camera 6K recently and decided to take it on a shoot at Monza, to film last weekend’s Formula One race and famous old banking (where sequences for 1966’s John Frankenheimer film Grand Prix were shot). I also had a few stills cameras…
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Comment on the forum If the Sony A6600 is a flagship camera, I’m a little pixie elf. It’s a flag at half mast kind of camera, in mourning of a once innovative camera division. 2016’s technology with a bigger battery. Interestingly a source who has been right many times before…
Comment on the forum It’s not often we get a glimpse of what a major manufacturer is considering when designing a new cinema camera. Now a survey by JVC aimed at filmmakers and content creators gives us exactly that.
Comment on the forum The 4K full frame S1 is on my desk at EOSHD HQ and for the first time it’s the final released camera that is shipping to stores, with firmware version 1.0. I couldn’t offer any original files from my shoot in Barcelona as the firmware back…
Comment on the forum Overlooked in the first articles about this camera is the 4K H.265 mode of the Panasonic S1. Similar to the Fuji X-T3, this will allow 10bit internal recording in HEVC with launch firmware version 1.0 – no need to wait for the paid 10bit update. 3840…
Comment on the forum For long-time GH1 to GH5 shooters like myself, loyal from the beginning, at a time everyone else was shooting Canon, the S1 is a milestone. I have a bit of an emotional attachment to it already, being the first Panasonic full frame camera. It is not…
Comment on the forum I am perplexed!
Comment on the forum I was able to find a Nikon Z7 in Berlin and decided to shoot with it at least until the Z6 comes out, when I’ll reassess whether it is worth 3800 euros. Nevertheless, this camera tells us 90% of what we need to know about that…