kye Posted February 20, 2022 Author Share Posted February 20, 2022 1 hour ago, hyalinejim said: Have you tried WBing GH5 10bit VLog in an ACES colour space? You should be able to do it with relative impunity. I know there's no GH5 IDT, but you can sandwich Vlog to ACES to VLog and get your footage back to what it was, but with WB fixed. Incidentally, I don't think that GH5 VLog should be treated as Rec709 gamut. Admittedly, converting to V-Gamut gives slightly wonky colour (slightly pink skin) but leaving it as is gives much worse (horribly green skin). I never bought the Vlog update so I haven't tried that. I've also never used ACES either. I do use Resolve Colour Management now - I think that's new in R17? When I interpret the GH5 HLG footage as Rec2100 the controls work pretty well. As I've mentioned before I've tested it against Rec2100 and Rec2020 and it isn't a perfect match with either of those, but Rec2100 works well enough to be useful. I did look at buying V-Log, but once I saw that it also isn't natively supported I figured there was no point - I already have one thing that's useful but not an exact match so why pay for another one 🙂 All this is in context of how you're grading of course, and I'm really liking grading under a PFE LUT (2393 is pretty good) which helps to obscure the GH5 WB / exposure / lacklustre colour science quirks in the images. Quote Link to comment Share on other sites More sharing options...
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